Mozart’s Manuscript

Many years ago I played the first movement of Mozart’s Piano Concerto in C Major, No. 21 with my high school orchestra. Yesterday, I saw the autographed manuscript of that work. I saw the paper that Mozart touched, the ink that flowed from his pen, the harpsichord on which he composed.
The man and his genius came alive at this Morgan Library exhibit of these and other treasures from the Mozarteum Foundation of Salzburg.
The exhibit was for listening as well as looking. A looped video featured excerpts from the Queen of the Night aria from The Magic Flute, the Requiem, the Jupiter Symphony, Eine Kleine Nachtmusik … and more. It even included a snippet from the No. 21 piano concerto.
The combination of visual and auditory brought a shiver to my spine. It was a complete immersion in the power of creativity.
Yet even with all of this, the display that stayed with me most was a manuscript page scribbled with notes and numbers. From what the experts could tell, Mozart was trying to figure out what he made, per measure. Some of the most sublime music ever composed was written to pay the bills.










