The Transcriptionist
My work these days calls for lots of interviewing — which in turn entails plenty of transcribing. While I’ve adapted to many new technologies, my taping equipment is decidedly non-digital. I transcribe interviews as I always have, slowly and labor intensively, with many hits of “pause” and “rewind.”
This gives me time to ruminate on the human voice, on the pitch and timbre of it, and mostly on the pace of it.
Some reflective souls, bless their hearts, speak so slowly that my typing can keep up with them. Those conversations are a cinch to get down on paper. Other subjects — I call them fast-talkers — are fun to interview but a nightmare to transcribe. They chatter, they enthuse, they barely pause. An hour with them takes four or five hours to capture.
Best of all are the conversations that seem opaque in real time but in transcription reveal a deeper, richer undertone. Makes me wish for a more all-encompassing rewind button — a replay for life, I guess you’d say. What would I choose to listen to again?