Browsed by
Author: Anne Cassidy

Powerless

Powerless

No matter how often it happens, I never learn. Even though the radio has gone silent and the house is dark, I flick the switch, expecting light. No air-conditioning, of course, but I’ll use a fan. Nope! Fans need electricity, too.

It lasted only six hours, but it was the third power outage here since February. Once again, it reminds me how thin is the layer of civilization, how quickly it all comes tumbling down.

I’ll admit I’ve been spoiled living in this land of buried power lines. It has lulled me into a false sense of security. Maybe the neighbors are right. They bought a generator years ago, and its whir rubs salt in the wound. But it would take many more outages to justify the expense. Better to do without, to learn (and relearn) the lesson, to be reminded of how powerless we really are.

(Though our trees were spared, wind gusts at Dulles reached 66 mph and some homes were without power 24 hours later.)

Pouring

Pouring

Our rain saga continued yesterday with morning mist, intermittent showers, and, in late afternoon, sheets of rain that just begged to be photographed.

As I’ve mentioned before, though, rain is tricky to capture, at least with a phone camera. Or with any camera not wielded by an expert.

I did the best I could, and the sun helped, shining crazily through the drops. It was that kind of day.

A Nursery

A Nursery

The fence that was built to keep out the deer apparently provided a safe delivery spot for one doe. Yesterday, this little guy appeared in our garden. We knew enough to leave him alone; his mother would be back for him soon. She must have come for him after dark because there was no sign of him in the morning.

It’s been a strange year for the garden, producing more animals (fawns, cardinals, ants) than flowers. I’m writing it off to lack of deer-proofing and unseasonably damp weather.

What it reminds me of, though, is that nothing is promised to us. April showers don’t always bring May flowers. It’s something we know, but tend to forget — until life provides the proof. Now the garden is a nursery … in more ways than one.

A Visual Feast

A Visual Feast

Monet, Manet, Cezanne, Renoir. The eyes rest where they will. And though they will marvel at the fabric arts, the silver and the ancient Buddhas, they will linger longest on the Impressionists.

The day before yesterday we wandered through the Rhode Island School of Design (RISD) Museum. If Saturday’s concert was a treat for the ears — and it was, with haunting melodies and an obsessive need to listen to them again — then Sunday’s expedition was an equally delightful feast for the eyes.

It reminds me that one need not travel far to truly travel, an observation that others before me have shared. “I have traveled widely in Concord,” said Henry David Thoreau. I was only a few minutes away from Concord last week, and now am only an hour away from the National Gallery, with its Picassos, Rembrandts and Van Goghs.

Travel, true travel, never ceases.

Heading Home

Heading Home

We head home today, down the northeast corridor on an Amtrak train. This after travel in a van, taxi, hired car, rental car, commuter train and subway.

The transportation has been as varied as the trip itself, which has featured a wedding, hikes through farms and conservation lands, and lots of visiting. We’ve seen sisters and brothers, nieces and nephews and cousins, wonderful friends and adorable doggies.

It’s the kind of travel I’m seeking now, which is not just about rekindling adventures … but renewing relationships.

Moment Musicaux

Moment Musicaux

The composer Franz Schubert wrote his Moments Musicaux between 1823 and 1827. These short pieces are some of the composer’s most popular. He wrote them to give his public what they wanted, a chance to play music at home. He gave them much more; he gave them a masterpiece.

Yesterday, I heard pianist Jonathan Biss play Schubert’s three last sonatas. He performed them flawlessly, viscerally, emotionally. The last piece on the program was the Opus 960 sonata, which begins so melodically, with such depth and richness, that another world seemed to open with those notes and harmonic shifts.

We sat around the piano, about 200 of us, and at intermission the piano was flipped so that those who saw Biss’s hands in the first half of the program saw his face in the second half. I’m not sure which was more moving. Biss’s hands never stopped, even in “rest,” but his face was transporting.

I was lucky to watch it during the final piece, the Opus 960 Sonata. Biss then became a conduit for Schubert, lying on his deathbed, sending his last notes to the world. It’s been a long time since I’ve been so moved by hearing a piece of live music. It was my “moment musicaux.”

Old House

Old House

It was home for almost two years, and I loved it for the light that poured in the windows and the hill across the street. We were lingering at the bottom of the steep driveway when its owner drove up.

“Sorry we’re standing here, but we used to live in your house,” I said.

“You lived here?” he asked, amazed. When we said yes, he invited us inside to look around.

For the next 20 minutes we chatted with the current occupant of our long-ago home. We walked inside and up the stairs, saw the new patio and the old fireplace. He asked us questions: was there a wall here? a door there?

I couldn’t stop thinking of the young couple who rented the house, the baby born to them there (now a young mother herself) and all the wonderful people who lived nearby. So often I imagine the rooms and contours of our old house. To see the real thing was a strange and wondrous experience.

Picture-Postcard Views

Picture-Postcard Views

I took dozens of picture-postcard photos yesterday. The sun was finally shining and we were back in a place I loved so long ago. There are hiking trails now and we could walk the whole day, leaving the car parked for 24 blissful hours.

We found the Nashua River Rail Trail and made our way north then south. It felt good to stretch the legs and move through space. Next, we hiked to Barcroft Castle on Gibbet Hill, which burned in 1932, leaving only the pebble-stone walls.

I was looking for the backdrop of the scene in Greta Gerwig’s “Little Women” where Laurie and Jo break up, which was filmed a mile from my old house. I think I found it, looking west from the castle across the Nashoba Valley toward the mountains of New Hampshire. I share it with you at the top of this post — and just for good measure — below, too.

Return to Groton

Return to Groton

We arrived during rush hour, as a steady stream of cars headed north on Route 119. Time for only a quick walk before dinner. There’s a pizza place across the street. Could it be the same one we patronized years ago? We didn’t enter to find out.

Up the hill from the inn is the First Parish Church, scene of our friend Kip’s funeral. Standing room only for that kind and friendly soul. I miss him still.

We searched for the post office, and found it … now an antiques shop. But the large white houses remain, and Hollis Street still angles off to the east.

It seems like a lifetime since we lived here. And in so many ways it has been.

Place Shaping

Place Shaping

When I lived in Massachusetts years ago I thought I’d fallen into a fairytale. Here were small villages with big white houses on a hill. Here were narrow lanes and old barns. New England wasn’t like anywhere else I’d ever lived.

When we moved from Massachusetts to Virginia, we tried to replicate that experience, searching for a house in a small town outside Washington, D.C. It didn’t really exist. Virginia wasn’t settled by small farmers and tradespeople. It was carved into large plantations, and when those went away the settlement patterns were newer and more individualistic.

It’s fun to think about how people and history shape the places we visit. I’m doing it now, at least in an informal way, marveling at the twisting roads we took last night driving from New Hampshire back to Haverhill. And I’ll continue doing it today as we drive to Groton.

(A detail from Haverhill. Bird bath on a boulder.)