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Author: Anne Cassidy

Level of Effort

Level of Effort

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How many hours will it take to interview four people? To track them down first, of course, then transcribe and bring order to the notes that follow? 

How many hours will it take to turn those notes into an article with a beginning, middle and end; to tell a story which, in addition to the interviews, requires research, thought and creativity?

I was never very good at producing a statement of work or SOW, nor was I particularly adept at its project-management cousin, the LOE or estimate of the level of effort required to complete that work. Oh, I could estimate how long it took me to prepare for and complete an interview, or to organize and write a story. I could and I did. 

But so much of writing is the thinking that precedes and surrounds it. How do you account for the wasted effort, the dead-ends and sidetracks? How do you quantify a process that can never truly be quantified? 

How do you explain that the most effortful writing can be leaden and pedestrian — and the least effortful can soar above it all?

The Iron Curtain

The Iron Curtain

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I grew up with the Iron Curtain, the dividing line between the Soviet Union and the West. A strange image, “iron curtain.” Not iron wall, though the Berlin Wall was part of it. Not iron fence, though barbed wire and guard towers were part of it, too. But iron — hard and unbendable — combined with curtain — soft and pliable.

It was Winston Churchill’s phrase, part of a March, 1946, address where he said, “From Stettin in the Baltic to Trieste in the Adriatic, an Iron Curtain has descended upon the land.” I didn’t know he used these exact words until I looked them up just now.

But I did know that something was terribly wrong with the world, that adults were afraid of the division, that it posed harm. The Iron Curtain was not just a dividing line; it was a feeling. It was rigid and gray and hopeless, life drained of color. The Cold War. Nuclear stand-offs.

My children were born as the Berlin Wall was falling. They grew up with a far different Europe than I did. To them, Russian’s invasion of Ukraine must seem preposterous. To me, it seems all too familiar.

(Prague, capital of the Czech Republic, a city I never dreamed I’d see. In the old days, it was on the wrong side of the Iron Curtain.) 
Without the Directions

Without the Directions

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On a doggie walk this morning I was stopped short in my tracks. Tree limbs were shiny, glazed with ice. It was unexpected and almost magical.

It was the best of both worlds, too, because the pavement wasn’t affected. There was friction on the driveway, fairyland up above.

I hadn’t known this was coming, hadn’t read weather reports that freezing rain was in the forecast.

It struck me then, and I second it now, that life is more exciting when we forget to read the directions.  

Absorbing

Absorbing

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Three years ago on this day I was touring one of the world’s great heritage sites, Angkor Wat in Cambodia. My friend and I, on assignment for Winrock, woke early on our day off, made our way through the darkness to the temple complex, then waited for daylight. We were not alone. 

What we found inside almost defies description: the impossibly steep steps…

the draped statuary…

the play of light on ancient carvings. 

Later that day we visited Ta Prohm and marveled at its ruined splendor. With every new twist and turn, with each new vista, I would think, this, this is the most lovely of all. And then I would walk a few feet and find another view even lovelier. 

For five years, I had a job that paid me not just in money but in experiences. I’m still trying to absorb them all.

Empty Shelves

Empty Shelves

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The shelves that were emptied for the great floor rebuild are finally back in place and ready to be filled.  We hauled them in from the garage, where they were lashed together for stability, and installed them in their rightful position.  

Now that they are dusted and polished, I’m wondering … should I return the books that have always been there, the battered paperback classics in the upper reaches, reference books and anthologies in the middle, rows of magazines on the lower shelf?

I can certainly pull together a better-looking group of printed matter, if this is all about aesthetics — but of course it is not. It’s about order and reverence and to a certain embarrassing extent, laziness. I’m used to books being where they are: do I really want to rearrange them? 

On the other hand, the empty shelves stand open for change and rearrangement. Can I really let them down?

2/22/22

2/22/22

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It’s enough to make me wish I was writing a bunch of checks today, or signing a sheaf of documents — any excuse to write the date 2/22/22 as many times as possible.

A bounty of weddings and engagements are planned, Caesarean sections, too, scads more than would be scheduled for an otherwise ordinary late-winter weekday.

But it’s not an ordinary late-winter weekday. It’s 2/22/22 — and a Tuesday, to boot. It’s a day when numbers align, boding good luck for some, mild terror for others. It’s a day of symmetry and palindromic satisfaction. It’s 2/22/22. I haven’t been this excited about numbers since 10/10/10.

(In honor of 2/22/22, a photo of 2 toddlers, courtesy Claire Capehart.)
What Might Be

What Might Be

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I begin the day with moonlight, a bright waning gibbous that cracks a sweet gum branch in two as I glance at moon and tree through this window I call my own.

How companionable it seems, this moon. Not the cool, pale orb of rounded perfection, but a heavenly body that looks at bit battered around the edges. Knocked down, but still there. 

Meanwhile, daylight is gaining on it. Soon it will fade to a translucent disc. The sun will rise, strengthen, send shards of light through the prism, make rainbows on my wall.

But I’m starting early, in the cold darkness, and this is just a glimpse of what might be.  

Loud and Low

Loud and Low

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When the winds howl, the planes fly loud and low over the house. I snapped this photo yesterday while on a breezy walk. 

Throughout the length and breadth of the neighborhood I was the only soul out for a stroll.

Call it cabin fever or just plain stubbornness. Whatever it was, it put me in place to snap this shot. 

Score One for Spring

Score One for Spring

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When I looked out my office window yesterday morning, the world was an unremitting winter gray, with just a touch of green from the grass and hollies.

Today, I see three sprays of yellow witch hazel, which burst into partial bloom with the afternoon’s balmy warmth.

We’ll see how those spare blossoms fare now, with temperatures falling into the 40s and a wild northwest wind battering the bamboo and waving the sweet gum branches.

I remind myself that the witch hazel is hardy and used to such shenanigans. It’s bloomed in far worse. Plus … those small yellow flowers are out among us now — and there’s nothing that winter can do about that.

(The witch hazel in two feet of snow in 2010.) 
Framing

Framing

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In class we talk about the “death” of the author which makes room for the “birth” of the reader, of interpretive communities that shape our understanding of literary works, and of the “indeterminacy” or gaps in meaning that allow for an aesthetic response. 

That last one seems like the loft and lightness of a shook comforter, the air pockets that provide fullness to linens and literature. 

It’s fun to think about. Just as it’s fun to think about framing, the narration of a tale that makes it what it is. Here I am, walking down a trail, pausing to snap a shot, my shadow in the photo. Life mirroring art … or something like that.