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Author: Anne Cassidy

Every Verse

Every Verse

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“Second verse, same as the first,” goes a line from an old Herman’s Hermits song. 

Two verses used to be the limit for the processional and recessional hymns at my church. But there’s a new music director in town, an organist no less, and he plays all four verses of every entering and leaving song.

Is it my imagination, or is there a certain restlessness as we plunge into verse four of the entrance hymn, a narrowly avoided temptation to glance at the watch? 

As for the recessional, people are voting with their feet. This morning, about half the congregation left before the last notes of “The Church’s One Foundation” sounded and the postlude began, organ chords thundering down from on high. 

This is how we’re supposed to leave the sanctuary, I thought, as I made my way to the holy water font and out the door — caught up in a marvelous swell of sound. 

(This organ is from San Bartolome Church, Seville, Spain, not my church. I wish!)

Walking Bass

Walking Bass

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When I need ballast and rhythm, when I require that steady beat, there is usually one composer I turn to — J.S. Bach. I cue up the Brandenburg Concerto No. 2 because it has the peppy piccolo trumpet I once heard can pop the blood vessels of its players, so high are its notes, so forcefully must one blow to make them sound. 

But also because, like its confreres, No. 2 has a steady walking bass line, the solid quarter notes perfect for pacing one’s self, for staying in line, for moving along. 

Although now associated with rock or jazz, the walking bass line has long-ago origins. Some theorists consider Bach its early master. And while this is important for musicians to know, it’s equally essential for walkers. We need a beat that will pulse all the way down into our metatarsal bones. 

Although the trumpet notes of Bach’s Brandenburg No. 2 dance around on high, underneath them is the dependable meter of the walking bass. It’s a winning combination: the flourishes of the former, the steadiness of the latter. Together, they keep me going.

(Can’t imagine walking very far with this bass!)

Shoulder Seasons

Shoulder Seasons

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What is it about shoulder seasons? Are spring and fall truly more poetic or do they just seem that way? 

“Margaret are you grieving/Over Goldengrove unleaving?” wrote Gerard Manley Hopkins in his poem “Spring and Fall to a Young Child.”

Autumn and spring are times of great beauty, times when it’s easier to notice the underpinnings of things: the uncoiling of a fern, the thinning of leaves. 

I wonder, too, if spring and fall aren’t times of greater yearning, when we see outside our small worlds to what lies beyond. 

Author Susan Cain would call these seasons bittersweet, “a tendency to states of longing, poignancy, and sorrow; an acute awareness of passing time; and a curiously piercing joy at the beauty of the world.” 

Good Words

Good Words

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Today is the birthday of Eleanor Roosevelt, mother, teacher, writer, wife, first lady and activist, whose 2020 biography was unputdownable. 

One of Eleanor’s many noteworthy traits was her capacity for growth. She was not afraid to plunge in, assess, take action, and, when necessary, reverse course. She was ahead of her time. 

Perhaps this quotation helps explain some of her courage: “You wouldn’t worry so much about what others think of you,” she said, “if you realized how seldom they do.”

Good words to take into the day. 

(Writing about Eleanor gives me an excuse to feature a Washington, D.C. photo.)

Deer Management

Deer Management

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“Shoo! Get out! What are you doing back here?”

At first the deer looked at me blankly, as if they had no idea what the fuss was about, why I might be waving my arms at them as they strolled casually through the backyard. 

Eventually they got the idea, though, and I counted them as they raced along the fence line and leapt into the common land. 

One, two, three, four, five. Their white tails waved as they vaulted themselves into the air. 

A small herd, but a herd just the same. 

(This sign is not in my backyard, but it did come to mind this morning.)

A Reckoning

A Reckoning

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The furnace came on this morning. I smelled the heat before I felt it, slightly acrid but warm and comforting, too. The aroma of thick bathrobes and steaming kettles and stepping inside from a cold rain. 

We could have held out longer, but why? It’s inevitable. The cold is coming. Toughing it out won’t keep it away. 

As befits a day of forced air heat, clouds dominate, and the stillness they bring is welcome. They promise seclusion and concentration and a long writing session. They promise cold, too. 

Vintage

Vintage

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It just dawned on me that my blog is like my kitchen: both are vintage. Although I cook on a gas stove  manufactured in this century, the cabinetry, Formica and wallpaper hail from the 1970s. 

The template I use for A Walker in the Suburbs isn’t that old (it couldn’t be!), but in tech terms it’s a woolly mammoth, held together by random HTML code and the good will of Google (ahem). 

In both cases, I’m playing for time, hoping that if I hang on long enough, what’s old will become classic.

(Apparently, I take no pictures of my own kitchen. This is from a house we rented at the lake. It’s dated, but not as old as mine.)

The Unmentioned

The Unmentioned

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I’m thinking about travel blogging, which I’ve done a bit of these last few months. Writing and traveling are natural partners because they’re both about exploring and discovering. But there’s at least one major difference — when you write about a trip, you edit out the embarrassing, extraneous or just plain boring.

A week ago, for instance, I was packing up to leave a motel room where I worried I might have picked up bed bugs. I know these critters can lurk in swanky establishments as well as lesser ones, but this place was most definitely the latter. 

I’d chosen it because it was cheap, and fresh from three weeks in Scotland I was all about saving money. But from the first glimpse of the dingy hallway I remembered an important lesson I often ignore: you get what you pay for.

It’s always good to be reminded of that reality. It’s even better to leave it behind in the detritus of trip details I generally leave unmentioned. 

(I have no photos of the offensive motel, which did not have bedbugs, by the way.)

For the Birds

For the Birds

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It’s a fact of life that if your dear old doggie has passed away, some of the attention he used to enjoy will be passed along to the pets who remain. And so, during our recent Savannah getaway, the parakeets had timed radio music to brighten their day and accompany their chirps. 

Here are these tiny creatures, the two of them together weighing less than a first-class letter, with Beethoven, Vivaldi, Rimsky-Korsakov, Chopin, Rachmaninoff and scores of other composers blaring from the stereo. The house was filled with sound, whether they wanted it or not. 

Luckily for them, the radio shut down a little before 7 p.m. each evening, which means they were spared the news of the day. 

(Toby during a contemplative moment)

Sideways

Sideways

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It’s part of the Charleston allure, the way so many single family homes in the historic district sit sideways on their lots, presenting to passerby not their ample fronts but their narrower sides.  

It wasn’t for tax purposes, but for privacy and tranquility that the airy old manses on Tradd or Legare turned their shoulders to the world.

I didn’t enter one of these homes, but I can imagine the cool breezes that would flow from the portico ceiling fans. There would be rocking chairs, of course, and tall glasses of iced tea, beaded with moisture. 

To enter you’d step through a portal that led from street to porch. A false door? Perhaps, but it provided an extra layer of protection between inside and out.