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Writing a Life

Writing a Life

An article in yesterday’s Washington Post says that writing a narrative of one’s life helps prepare one for death. It makes sense to me. But I would amend it slightly to say that writing a narrative of one’s life prepares us for … life!

I’ve been keeping a journal since high school, and wouldn’t trade those books for anything. They are a motley bunch of spiral-bound and hardbound volumes, with writing cramped and tiny or loose and free depending on my mood. They preserve more than I could ever remember — and quite a bit I’d rather forget. But they are a record of my life, for good or ill, and as such are valuable to me.

An expert quoted in the Post article mentions that merely listing one’s life events doesn’t work. It’s creating the narrative that brings perspective, linking one incident, one person, to another, a chain of belonging, a chain of being.

In other words, it’s figuring out the question that Charles Dickens so aptly asks at the beginning of David Copperfield. “Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.”

(If life is a journey, it is also a narrative.) 

Small Fry

Small Fry

I tore through Lisa Brennan-Jobs’ memoir Small Fry in a few days. It’s honest and it’s titillating, since Lisa’s father is Steve Jobs, and his paternal behavior is quite strange, to put it mildly.

Steve has little to do with Lisa and her mother (who he never married) in the beginning, and only acknowledges paternity under duress. Eventually, he has a relationship with Lisa, albeit an unusual one. They skate together, have dinner together and in high school Lisa even lives with Steve and his wife and son. But it’s a relationship fraught with uncertainty and even meanness. Steve won’t admit he named his Lisa computer after his daughter. He belittles Lisa and refuses to pay for her last year of college. Lisa has the final word, though, in the way of all memorable memoirists.

What I liked best about Lisa’s writing was when she described the California of her youth, the sights and smells of the land she came alive to: “Here the soil was black and wet and fragrant; beneath rocks I discovered small red bugs, pink- and ash-colored worms, thin centipedes, and slate-colored woodlice that curled into armored spheres when I bothered them. The air smelled of eucalyptus and sunshine-warmed dirt, moisture, cut grass.”

It reminds me of George Eliot’s line: “We would never have loved the earth so well if we had had no childhood in it.”

Embracing the Puritans?

Embracing the Puritans?

I’m finishing up Marilynne Robinson’s book What Are We Doing Here? Throughout her career, Robinson has been fascinated by erasures and omissions, and in an essay titled “Our Public Conversation: How America Talks About Itself,” she asks us to rethink our Puritan heritage, its spirit of reformation, its genius for education and institution building.

Puritans get a bad rap, Robinson says, in so many words. Some of their greatest achievements have been forgotten, including a code called the Massachusetts Body of Liberties (1641) that anticipates the Bill of Rights. The abolition movement flowered in colleges founded by Puritans. There is much to appreciate about them. But they are not hip.

This latter point is my own opinion, and an extrapolation, but I make it because Robinson opens her essay by mentioning an article about herself in which she is described as “bioengineered to personify unhipness.”

She laughs off the characterization — figuring that it’s because she’s in her 70s, a Calvinist and lives in Iowa — but she takes seriously the fact that Americans are inclined to “find their way to some sheltering consensus that will tell them what to wear, what to eat, what to read, how to vote, what to think.”

Anyone watching the Democratic debates last week would be hard pressed to disagree with her.

(Picture of the Westminster Assembly by John Rogers Herbert, courtesy Wikipedia)

Words That Live On

Words That Live On

Yesterday would have been the 90th birthday of Anne Frank. Seventy-seven years ago, she received a diary for her 13th birthday, a diary she would fill with words that would live on for decades, and, most likely centuries, beyond her.

The contents were in many ways typical — conflicts with her mother, questions about her future. But it was written in 500 square feet of hidden space that Anne shared with her parents, sister and four other people. And it was written amidst the horrors of Nazi Europe.

“When I write, I can shake all of my cares,” Anne wrote in her journal. “My sorrow disappears, my spirits are revived. But, and that’s a big question, will I ever be able to write something truly great, will I ever become a journalist or a writer?”

Anne would die not long after her 15th birthday. The diary she called “Kitty” was left behind in the “Secret Annex.” She could not take it to Auschwitz or on to Bergen Belsen, where she and her sister died of disease and malnutrition shortly before Allies freed the concentration camps. But a family friend saved the journal, and gave it to Anne’s father, Otto, who eventually had it published. It would be translated into 70 languages and sell tens of millions of copies around the world.

“It’s really a wonder that I haven’t dropped all my ideals, because they seem so absurd and impossible to carry out,” Anne wrote. “Yet I keep them, because in spite of everything I still believe that people are really good at heart. I simply can’t build up my hopes on a foundation consisting of confusion, misery, and death.”

(Above: a page from Anne Frank’s Tales book. She also penned what she called The Book of Beautiful Sentences — copying passages of writing that she liked — started a novel and planned a book called The Secret Annex. Photo and information courtesy of the Anne Frank Museum website and The Writer’s Almanac.) 

What Are We Doing Here?

What Are We Doing Here?

I’m picking my way through Marilynne Robinson’s book of essays, What Are We Doing Here? I love Robinson’s fiction and am enlightened by her nonfiction. But I have to read the latter carefully, and more than once, so dense is the prose, so tightly packed are the ideas it holds.

The extra time is never wasted, as her ideas are countercultural in the best sense of that word. Robinson writes about humanism and religion — and she writes unapologetically. Most of our great institutions grew out of our theology, which she defines as “the great architecture of thought and wonder that makes religious experience a house of many mansions, open to the soul’s explorations.”

Robinson does not shy away from delivering charges. Here’s an example: “One thing theology must do now is to reconsider and reject the kind of thinking that tends to devalue humankind.”

To read Robinson is to be reminded of a world richer and fuller than the one we inhabit now, one where what she calls the “moral self, that old wanderer through the trials and temptations of earthly life,” was freer to roam and risk and challenge and live.

What He Learned

What He Learned

Today, walking to work from Metro, I thought about the book Everything I Really Need to Know I Learned in Kindergarten.  It was crossing the street that made it come to mind and, once there, it wouldn’t go away.

The book was quite a phenomenon when it was published in 1986, and a 25th anniversary edition appears to be selling briskly. In it, Robert Fulghum says that he stands by his simple rules, that he still believes if we only practiced what we learned in kindergarten we would all be better off.

What did we learn? Things like “share everything,” “play fair,” “clean up your own mess” and “when you go out into the world, watch for traffic, hold hands and stick together.”

Though it’s easy to poke fun at the simplistic message, given the state of our nation and our world, Fulghum’s words resonate even more deeply today than it did when he wrote them.

Good Fortune

Good Fortune

Though I call this blog A Walker in the Suburbs, my feelings about suburbs are decidedly mixed. I appreciate the greenswards, the sound of spring peepers in the night air, downy woodpeckers at the bird feeder. I chafe at the driving culture, the isolation, the lack of community.

Alice Outwater’s Wild at Heart (mentioned last week, too) is reminding me why the suburbs once seemed like Shangri-La. In the late 19th-century, human waste was stored in cesspits and removed by horse-drawn wagons. The horses that pulled those wagons produced millions of pounds of manure, which collected in the streets.

“In 1900 there were well over 3 million urban horses in the U.S., and those city horses deposited enough manure to breed billions of flies, each one a potential vector for disease,” Outwater writes.

No wonder people moved out of the cities into what must have seemed like heaven. Grass, trees, manure that was manageable. Walking Copper this morning, I reflected on my good fortune.

Walking Wordsworth

Walking Wordsworth

I knew the Romantic poet was a walker, but not the extent of his rambles. According to Alice Outwater in a new book called Wild at Heart, William Wordsworth spent much of his day walking. He would compose poetry as he strode along gravel paths, which he favored over the bushwhacking preferred by his friend Samuel Taylor Coleridge. (I’m with you, Wordsworth.)

Wordsworth covered roughly 10 miles a day, an estimated 175,000 miles in his lifetime. He and his sister Dorothy walked so much and at such odd hours that the local people suspected them of being French spies.


According to Outwater, Wordsworth’s perambulations were inspired by his meeting John “Walking” Stewart, an English philosopher who hiked from India to Europe. Wordsworth, 21 at the time, was especially interested in Stewart’s philosophy on nature.

And it was in nature, not sitting passively in it but walking through it, that Wordsworth found his life and his inspiration.

(Dove Cottage, near Grasmere in England, where Wordsworth lived with his sister Dorothy. Photo: Wikipedia.)

Our Towns

Our Towns

I’ve just finished reading Our Towns: A 100,000 Mile Journey into the Heart of America by James Fallows and Deborah Fallows. The authors, who write for the Atlantic and charted their multi-year progress on that publication’s Our Towns notebook, have a few things to say about what makes places prosperous and what makes them whole.

Their observations were based on their visits (often multiple visits, some years apart) to towns and cities all across America, from Eastport, Maine, to Redlands, California; from Holland, Michigan, to Greenville, South Carolina.

Here’s some of what they learned about what makes towns tick: Thriving places consider themselves separate entities, not suburban satellites, and people work together on practical local possibilities rather than letting national politics keep them apart. Many of these towns have flourished because of public-private partnerships, research universities and community colleges. Elementary and secondary education also makes a difference. Downtowns are one of the most important features. They enliven towns, they give them heart.

The part of the book that spoke to me most involved the intersection of people and place. When asked why they live where they do, citizens of these towns say it’s about belonging. “This is my place,” they exclaim. To which the Fallows add: “From Sioux Falls to Eastport to Columbus to San Bernardino. Hometown [is] home.”


(The photo is from my hometown, Lexington, Kentucky, which was not featured in the book but which holds a special place in my heart.)

Of Memoirs and Tree Ferns

Of Memoirs and Tree Ferns

I began this International Woman’s Day reading (and finishing) a memoir by a most amazing woman, Diana Athill. Retiring at 75 from a successful editing career where she worked with such writers as John Updike and Jean Rhys, Athill began her second act — as a memoirist.

She penned several volumes in her 80s and 90s, including Stet, full of literary gossip and wise observations, and Somewhere Towards the End, which she wrote more than 12 years before the end, as it turns out. She died less than two months ago at the age of 101. She is my new role model.

Not that I think I’ll live as long as she, but it would be wonderful to write another book someday, and reading her gives me hope that there may be some juice left after I finally leave my day job.

Let me quote from her postscript, with a bit of explanation. Athill begins her book describing a tree fern that she would like to plant but hesitates to — because she thinks she won’t be around long enough to enjoy it. By the time the book ends, she has a more optimistic view:

The tree fern: it now has nine fronds each measuring about twelve inches long, and within a few days of each frond unfurling to its full length, a little nub of green appears in the fuzzy top of the ‘trunk’ (out of which all fronds sprout and into which you have to pour water). This little nub is the start of a new frond, which grows very slowly to begin with but faster towards the end — so much faster than you can almost see it moving. I was right in thinking that I will never see it being a tree, but I underestimated the pleasure of watching it being a fern. It was worth buying.