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What He Learned

What He Learned

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Today, walking to work from Metro, I thought about the book Everything I Really Need to Know I Learned in Kindergarten.  It was crossing the street that made it come to mind and, once there, it wouldn’t go away.

The book was quite a phenomenon when it was published in 1986, and a 25th anniversary edition appears to be selling briskly. In it, Robert Fulghum says that he stands by his simple rules, that he still believes if we only practiced what we learned in kindergarten we would all be better off.

What did we learn? Things like “share everything,” “play fair,” “clean up your own mess” and “when you go out into the world, watch for traffic, hold hands and stick together.”

Though it’s easy to poke fun at the simplistic message, given the state of our nation and our world, Fulghum’s words resonate even more deeply today than it did when he wrote them.

Good Fortune

Good Fortune

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Though I call this blog A Walker in the Suburbs, my feelings about suburbs are decidedly mixed. I appreciate the greenswards, the sound of spring peepers in the night air, downy woodpeckers at the bird feeder. I chafe at the driving culture, the isolation, the lack of community.

Alice Outwater’s Wild at Heart (mentioned last week, too) is reminding me why the suburbs once seemed like Shangri-La. In the late 19th-century, human waste was stored in cesspits and removed by horse-drawn wagons. The horses that pulled those wagons produced millions of pounds of manure, which collected in the streets.

“In 1900 there were well over 3 million urban horses in the U.S., and those city horses deposited enough manure to breed billions of flies, each one a potential vector for disease,” Outwater writes.

No wonder people moved out of the cities into what must have seemed like heaven. Grass, trees, manure that was manageable. Walking Copper this morning, I reflected on my good fortune.

Walking Wordsworth

Walking Wordsworth

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I knew the Romantic poet was a walker, but not the extent of his rambles. According to Alice Outwater in a new book called Wild at Heart, William Wordsworth spent much of his day walking. He would compose poetry as he strode along gravel paths, which he favored over the bushwhacking preferred by his friend Samuel Taylor Coleridge. (I’m with you, Wordsworth.)

Wordsworth covered roughly 10 miles a day, an estimated 175,000 miles in his lifetime. He and his sister Dorothy walked so much and at such odd hours that the local people suspected them of being French spies.


According to Outwater, Wordsworth’s perambulations were inspired by his meeting John “Walking” Stewart, an English philosopher who hiked from India to Europe. Wordsworth, 21 at the time, was especially interested in Stewart’s philosophy on nature.

And it was in nature, not sitting passively in it but walking through it, that Wordsworth found his life and his inspiration.

(Dove Cottage, near Grasmere in England, where Wordsworth lived with his sister Dorothy. Photo: Wikipedia.)

Our Towns

Our Towns

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I’ve just finished reading Our Towns: A 100,000 Mile Journey into the Heart of America by James Fallows and Deborah Fallows. The authors, who write for the Atlantic and charted their multi-year progress on that publication’s Our Towns notebook, have a few things to say about what makes places prosperous and what makes them whole.

Their observations were based on their visits (often multiple visits, some years apart) to towns and cities all across America, from Eastport, Maine, to Redlands, California; from Holland, Michigan, to Greenville, South Carolina.

Here’s some of what they learned about what makes towns tick: Thriving places consider themselves separate entities, not suburban satellites, and people work together on practical local possibilities rather than letting national politics keep them apart. Many of these towns have flourished because of public-private partnerships, research universities and community colleges. Elementary and secondary education also makes a difference. Downtowns are one of the most important features. They enliven towns, they give them heart.

The part of the book that spoke to me most involved the intersection of people and place. When asked why they live where they do, citizens of these towns say it’s about belonging. “This is my place,” they exclaim. To which the Fallows add: “From Sioux Falls to Eastport to Columbus to San Bernardino. Hometown [is] home.”


(The photo is from my hometown, Lexington, Kentucky, which was not featured in the book but which holds a special place in my heart.)

Of Memoirs and Tree Ferns

Of Memoirs and Tree Ferns

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I began this International Woman’s Day reading (and finishing) a memoir by a most amazing woman, Diana Athill. Retiring at 75 from a successful editing career where she worked with such writers as John Updike and Jean Rhys, Athill began her second act — as a memoirist.

She penned several volumes in her 80s and 90s, including Stet, full of literary gossip and wise observations, and Somewhere Towards the End, which she wrote more than 12 years before the end, as it turns out. She died less than two months ago at the age of 101. She is my new role model.

Not that I think I’ll live as long as she, but it would be wonderful to write another book someday, and reading her gives me hope that there may be some juice left after I finally leave my day job.

Let me quote from her postscript, with a bit of explanation. Athill begins her book describing a tree fern that she would like to plant but hesitates to — because she thinks she won’t be around long enough to enjoy it. By the time the book ends, she has a more optimistic view:

The tree fern: it now has nine fronds each measuring about twelve inches long, and within a few days of each frond unfurling to its full length, a little nub of green appears in the fuzzy top of the ‘trunk’ (out of which all fronds sprout and into which you have to pour water). This little nub is the start of a new frond, which grows very slowly to begin with but faster towards the end — so much faster than you can almost see it moving. I was right in thinking that I will never see it being a tree, but I underestimated the pleasure of watching it being a fern. It was worth buying. 

Overdue!

Overdue!

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Though I sometimes drive over the posted speed (less often than I used to) and have been known to jaywalk, I’m not what you would call a scofflaw. There’s something else afoot in my attitude toward library books.

Here I am, a few days behind returning one and I feel like I’ve just stolen the crown jewels. It must be because books are important to me, and having been on one end of the “holds” queue I don’t want to keep people on the other end waiting longer than necessary.

Still, this morning I did something faintly rebellious. I kept my overdue copy of Hempl’s The Art of the Wasted Day one more (not wasted) day just so I could finish taking notes on it. I can’t renew it because the book has one of those aforementioned holds. But I can’t return it either — because it still has a hold on me.

The book is rich in observations, too many to record in one sitting. So I’m boldly ignoring the date stamp (2/28/19) and bearing the additional fee (+10¢) and returning the book tomorrow — instead of today. Hold off on the paddy wagon just a few more days, please!

Wasted Days?

Wasted Days?

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My reading day was only partially successful, but I did get well into Patricia Hampl’s The Art of the Wasted Day. A telling title if ever there was one, because if a part of me didn’t think reading days were “wasted” I’d probably have a lot more of them.

But if Hampl’s title tips its hat to this prejudice, her content helps dispel it. She ponders leisure and daydreaming; she counters the belief that what matters in life is the checklist. The essential American word isn’t happiness, but pursuit. How about giving up the struggle, she says, redefining happiness as “looking out the window and taking things in — not pursuing them.”

The life of the mind is what Hampl is after here, and she succeeds well in pinning it down, following its application through the essays of Montaigne and the science of Mendel. She looks closely at notions of the self and how we often have to be knocked in the head (Montaigne and St. Paul both took falls) to see the world with fresh eyes.

Because this is where the “wasting” leads us — to a different set of beliefs and to “keeping a part of your mind always to yourself,” which becomes a mantra to Hampl. It might be to more of us if we had the time to try.

Reading Day

Reading Day

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I remember these from college. They were Cramming Days, more like it, days before exams when normal class schedules were paused so that intense studying could begin. The nomenclature perplexed me: It’s the day before the exam and you’re just now reading?

This is not the kind of reading day I’m envisioning for today. Instead, I’m dreaming of a healthy sick day, a day spent entirely in bed if that’s what suits me. Or maybe on the couch or the beanbag chair or even while striding (gliding?) on the elliptical. The point is not the posture. The point is that I will spend the day reading.

In childhood I would think nothing of this. I could lie on my canopy bed with a book of fairytales, or in my aunt and uncle’s attic with a Mary Stewart novel, and be lost for hours.

This is what I want for today. A no-guilt reading day. A day when I don’t squeeze reading into Metro or bus rides or the last few minutes before sleep.

There are seasons in a reading life, and I have just pulled out of a fallow period into a gloriously abundant one. There are not one but two Patricia Hampl books, a memoir by Thomas Lynch, essays by Wendell Berry, Storm Lake by Art Cullen, subtitled A Chronicle of Change, Resilience, and Hope from a Heartland Newspaper and, speaking of heartland, a book by that name subtitled A Memoir of Working Hard and Being Broke in the Richest Country on Earth. 

Most of these are library books, which gives my reading day some urgency. As does the pile on my bedside table, which has become precarious enough that drastic remedies are called for. All of which is to say that a Reading Day will be good for my health — in more ways than one.

I Walk Therefore I Am

I Walk Therefore I Am

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The best books are not only satisfying in and of themselves but they also lead us to other great reads. Such is the case with The Old Ways, which I finished last night.

Edward Thomas, the British poet and nature writer who died in World War I, and Nan Shepherd, author of The Living Mountain, are two authors now on my must-read list, courtesy of Robert McFarlane.

“A mountain has an inside,” Shepherd wrote, describing the caves and cavities of her native Cairngorms, which she explored throughout her long life. Her prepositions are notable, McFarlane writes. She went not just up but “into the mountains searching not for the great outdoors but instead for profound ‘interiors,’ deep ‘recesses’.”

It’s landscape as self-scape, not in a shallow way but in the most original of human ways, realizing that earth is our home and in nature we discover our best and truest selves.

Here’s McFarlane on Shepherd:

‘On the mountain,’ she remarks in the closing sentences of The Living Mountain, ‘I am beyond desire. It is not ecstasy … I am not out of myself, but in myself. I am. That is the final grace accorded from the mountain.’ This was her version of Descartes’s cogito: I walk therefore I am. She celebrated the metaphysical rhythm of the pedestrian, the iamb of the ‘I am,’ the beat of the placed and lifted foot.

Running Stitch

Running Stitch

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In his book The Old Ways, Robert McFarlane talks of ancient chalk roads and of sea lanes. Any path or trail is worthy of his inspection, and what he sees when he looks is informed not just by poetry but by history.

I’ll be writing quite a lot about this book, I know. For now, here’s McFarlane riffing on the etymology of writing and walking:

Our verb ‘to write’ at one point in its history referred specifically to track-making: the Old English writan meant ‘to incise runic letters in stone’; thus one would ‘write’ a line by drawing a sharp point over and into a surface — by harrowing a track.

 As the pen rises from the page between words, so the walker’s feet rise and fall between paces, and as the deer continues to run as it bounds from the earth, and the dolphin continues to swim even as it leaps again and again from the sea, so writing and wayfaring are continuous activities, a running stitch, a persistence of the same seam or stream.

Running stitch: that’s one I won’t forget.