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Writer’s Writer’s Writer

Writer’s Writer’s Writer

James Salter, I read recently, is not just a writer’s writer. He is a writer’s writer’s writer.

I’m not sure exactly what that means, but I like the sound of it. And I agree with it. Here’s why:

I had three lives, one during the day, one at night, and the
last in a drawer in my room in a small book of notes. There were wonderful things in that book, things that I am
unable to write or even imagine again. That they were wonderful was not my
doing—I merely took the trouble to put them down.    

The poets, writers, the sages and voices of their time, they
are a chorus, the anthem they share is the same: the great and small are
joined, the beautiful lives, the other dies, and all is foolish except honor,
love, and what little is known by the heart.

Writing is filled with uncertainty and much of what one does
turns out bad, but this time, very early there was a startling glimpse, like
that of a body beneath the water, pale, terrifying, the glimpse that says: it
is there.

 In the darkness the soft hum of the tires on the empty road
was like a cooling hand. The city had sunk to mere glowing sky. My own book was
not yet published but would be. It had no dimensions, no limit to the heights
it might reach. It was deep in my pocket, like an inheritance.

(These passages are from Salter’s memoir, Burning the Days. Photo: detail of wall mural from Mission San Xavier del Bac, Tucson, Arizona)

Morning of Words

Morning of Words

It’s a quiet morning, the stock market is tanking, the government open again after a five-hour shutdown during the night, and I sit here perfectly content with my books, journal and laptop. Not that I’m living in a bubble or anything!

But truly, what can you do? We live in concentric circles, do we not? And when the outer orbits are caustic or frayed, we pull inward, to what makes us happy, what makes us whole.

What’s making me happy now is reading Ursula Le Guin’s No Time to Spare: Thinking About What Matters (2017). I was going to say it was her last book, but am glad I checked. Looks like there’s at least another one coming out.

Here is a passage I marked to copy later:

I know that to me words are things, almost immaterial but actual and real things, and that I like them.
I like their most material aspect: the sound of them, heard in the mind or spoken by the voice.
And right along with that, inseparably, I like the dances of meaning words do with one another, the endless changes and complexities of their interrelationships in sentence or text, by which imaginary worlds are build and shared. Writing engages me in both these aspects of words, in an inexhaustible playing, which is my lifework.
Words are my matter—my stuff. Words are my skein of yarn, my lump of wet clay, my block of uncarved wood. Words are my magic, antiproverbial cake. I eat it, and I still have it.

Time Travel

Time Travel

Pale Blue Dot (Earth from Voyager 1, 1990) Courtesy NASA

As mentioned below, yesterday I posted in the past. Though it was strange for me, for time travelers it was just another day in the space-time continuum. That would be those who zip to ancient Babylon in a wormhole, or who believe in the Many Worlds theory, which posits that everything that ever could happen actually has — in another universe.

“We have achieved a temporal sentience that our ancestors lacked,” writes James Gleick in Time Travel, a book he penned in his past, my (then) future. “No one bothered with the future in 1516.” In fact, time awareness was dim until the 19th century, and the phrase “turn of the century” wasn’t used until the 20th.

But once we had temporal sentience we could have time travel: H.G. Well’s Time Machine and Robert Heinlein’s Time for the Stars, Ursula Le Guin’s Lathe of Heaven, Kate Atkinson’s Life After Life — and scads of other books and films, including “Dr. Who,” the original of which debuted shortly after Time Machine was made into a movie.

What was most fascinating (but difficult to understand) was the physics behind the yarns, the fact that time travel, though it remains science fiction, cannot be totally ruled out according to some interpretations of the universe. Or, as Einstein said, “People like us who believe in physics known that the
distinction between past, present and future is only a stubbornly persistent illusion.”

One might wonder why we need time travel in an age of cyberspace.  “All answers come down to one,” says Gleick. “To elude death.”

(This entry was posted in … the future.)

What Unites Us

What Unites Us

“We’re talking about the country, folks. What kind of country are we becoming?” Dan Rather, November 9, 2017.

Dan Rather turned 86 on Halloween and just published a new book called What Unites Us: Reflections on Patriotism (written with Elliot Kirschner). He spoke with columnist Jonathan Capehart last night at George Washington University’s Lisner Auditorium, seeking to bring perspective to a world where fake news vies with the real thing.

Rather’s 44-year real news career at CBS News came to an end not long after papers he used to report a story on former President George W. Bush’s National Guard record were questioned as fraudulent. But that was more than a decade ago, and Rather has moved on. His News and Guts Facebook site has almost one and a half million followers. He’s embraced by millennials.

“I’m just a lucky reporter,” Rather said, not a philosopher. But he spoke about ideas and ideals, about the difference between patriotism, rooted in humility, and nationalism, rooted in arrogance. “Our nation suffers from a dearth of empathy,” he said, and in answer to one young woman who asked what she could do every day to counter the nation’s negative tone, said “help others.”

Some of Rather’s most pointed comments came when he talked about the state of journalism today. “A free press is the red beating heart of democracy,” he said. And, “the news is what the public needs to know that some powerful person doesn’t want them to know.”

What moved me most was hearing Capehart and Rather read from What Unites Us, in particular a passage about the importance of books:

“Our nation was born in a spirit of fierce debate. Our Founding Fathers had sharp political differences, but they were almost all deep readers, writers, and thinkers. When they set about to create a modern republic, they went into their libraries and pulled out the works of philosophers such as John Locke and Thomas Hobbes. They consulted the Greeks, the Romans, the philosophers of Europe, and the Bible. They revered the power of the written word and how it enabled a nation free from the whims of a king. As John Adams wrote, a republic “is a government of laws, and not of men.” A government of laws is a government of reason, and a government of books. That was true at our founding, and we must ensure that it remains a hallmark of our future.”

Book Notes

Book Notes

Several years ago I began the practice of typing up notes on the books I read. An exercise in futility? An earnest attempt to bolster failing memory? Yes and yes … but more.

I like to think they are a written record of what every good book becomes — a conversation between author and reader. After all, these passages are personal, and they are a snapshot in time. Because what may strike me as important about a book I read in 2014 may not make a similar impression today.

But sometimes they hold steady. This morning I looked at notes for a book I read months ago, one that opened my mind and broadened my attitudes. The notes reminded me of why I liked the book in the first place, how rich it is in ideas. So much so that I printed off the notes and tucked them inside the book. I’m reading it again.

Power of Love

Power of Love

A few weeks ago Celia finally convinced me to give the Harry Potter series a try. Last night I started Harry Potter and the Prisoner of Azkaban, the third book. This morning I learned that the first book in the series, Harry Potter and the Sorcerer’s Stone, was published 20 years ago today.

By now we know the story, how Rowling, a single mother down on her luck, was sitting on a delayed train from Manchester to London when she imagined a young wizard with a scar on his forehead. The scar, he was told, was from a car accident, the same one that killed his parents.

By the end of Book One Harry has learned that the scar isn’t from a car accident. It’s from a encounter with Lord Voldemort, “he who must not be named,” the darkest of dark wizards whose evil ways were no match for the one magic power all of us have at our disposal:

If there is one thing Voldemort cannot understand, it is love. He didn’t realize that love as powerful as your mother’s for you leaves its own mark. Not a scar, no visible sign … to have been loved so deeply, even though the person who loved us is gone, will give us some protection forever. It is in your very skin.

Three books in, here’s what I take from the series so far: the power of imagination, the power of love.

New Blue Shoes

New Blue Shoes

Every year or so I buy myself some new tennis shoes. I usually reprise whatever make and model I’m currently wearing, as long as it fits and has held up to my daily battering. Which means that I don’t choose by color, only by comfort.

Some years I end up with garish purples and greens. Others with white. But this year, I hit the jackpot: a pastel beauty that’s mostly the color of sky, with just a hint of aquamarine.

The minute I saw these I thought they should be Celia’s — my youngest daughter loves this color and looks great in it. It wasn’t until yesterday that I realized there’s also a connection with my middle daughter, Claire. One of her favorite books growing up was New Blue Shoes by Eve Rice.

The book is about a shoe-shopping expedition and a little girl who knows what she wants — new shoes, blue shoes, new blue shoes — and will have no other. A perfect favorite for Claire, who has always known what she wants, whether it’s pink stiletto heels or a new puppy.

I like my new blue shoes, even though I didn’t fight for them. Maybe I should have!

Inner Cowboy

Inner Cowboy

I waffled about the title. Should I say “Inner Cowgirl”? Or perhaps the gender-neutral “Inner Cowherd”? No, I’ll stick with the inaccurate and politically incorrect “Cowboy”— because it’s the word to use when describing the TV series “Lonesome Dove,” last weekend’s escape fare.

I can’t get the show or its theme song out of my head, even though I’ve watched it before and read the book it was based on. It’s same effect every time — one of enlargement, and even (despite the tragedies that beset the cattle drive from Texas to Montana) of joy.  It’s the characters and their quest.  It’s the frontier, the heartbeat of a nation. And it’s the sweeping views of rivers and plains and buttes and valleys.

As national myths go, it’s not a bad one, though it has certainly gotten us into trouble: the rugged individualist wedded to guns and glory. But if offers to the suburban commuter some sense of elemental wholeness, of a time when life was harder but perhaps truer. I could be all wrong on this, though. It could just be my inner cowboy talking.

Armful of Books

Armful of Books

Some find the posture early they were meant to have. I was one of the lucky ones.

Every day one of my first acts on waking is to gather the books I read from the night before and walk downstairs with them in my arms. Today it struck me how long I’ve carried books in my arms. That is an activity and a posture I’ve had early and long.

The book titles have changed, the weight, the topic, the number of pictures therein. The arms, too. They have grown longer. And sometimes they have held other things along with the books. Babies, for instance, and file folders and, lately, a computer thin enough to slip into one of those folders.

But books, always and forever.

Monday at Work

Monday at Work

In many parts of the world today is an official holiday, schools and offices are closed. So when I arrived at the office before 8 in a spitting rain, I had the distinct feeling that I shouldn’t be here, that I should be working on an essay at home with a second cup of tea.

Instead, I have a few minutes for a few words. And I’m giving them to the poet Mary Oliver, from her book of essays Upstream:

It is 6 a.m., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. … There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave it it neither power nor time.

Thank you, Mary Oliver. I hear you.