A Walker in the Suburbs

I read an essay the other day about Aldo Leopold, which got me thinking about the great conservationist and some writing I did about him a few years ago.

At first glance Aldo Leopold’s book A Sand County Almanac (1949) seemed to be like other evocative writing about place — books by Annie Dillard or Henry David Thoreau, for example, books that shed light not only on cities or rivers but also on the author or the human condition, books in which the landscape is a vehicle to the self.

What I got was much more. It was not just a book about the transformation Leopold and his family underwent as they fixed up an old chicken coop in Wisconsin and lived there on weekends. It was in this place that Leopold wrote the essays that became his masterpiece, A Sand County Almanac, a book that encapsulates the philosophy of place that makes him one of our earliest prophets of ecology and wilderness preservation. This book, like the twisted little apples of Winesburg, Ohio, is the hard-won fruit of the deep thinking Leopold brought to the land on which he chose to live.

“There are those who can live without wild things, and some who cannot. These essays are the delights and dilemmas of one who cannot,” writes Leopold in his introduction. But from such big pronouncements the work quickly becomes more specific: the winter awakening of a skunk, the trail of a meadow mouse, the fate of the passenger pigeon, the life of a downed tree, the difference between a shovel (which makes us givers) and the axe (which makes us takers).

To Leopold, place is much more than a vehicle for self-discovery. It is essential to the health and welfare of our planet. The landscape is not here for our amusement or to further our self-awareness; we are working parts of it. Leopold sings of the wilderness, the wild creatures, the original grasses and grizzlies and wolves and weevils that are born and nurtured by a particular soil and rainfall. Here is the moral work of place, the ecology of belonging.

(Fox cubs frolic in a clearing.)

The question of the day is this one: Is it easier to skim books while reading them electronically? My answer would be yes.

It’s easier to tap a page than to turn one, and I’ve been tapping plenty while reading The Pattern in the Carpet: A Personal History with Jigsaws by Margaret Drabble.

It’s not that I’m not enjoying the book; I am. I’ve always liked Drabble’s novels. I would follow her voice anywhere, even into a 344-page book on jigsaw puzzles. In fact, it’s about much more than that, dipping into games, mosaics and children’s books.

Still, the book has much more puzzle than it does personal history. There’s a remedy for that, though: tap, tap, tap.

I hadn’t intended it as a stress reliever, but when I stepped into the stacks at Georgetown’s Lauinger Library this morning, my shoulders relaxed, my fists unclenched, and my breathing slowed. The books took me to a cool, calm place, a place I needed to be.

I was there to pick up The Postsecular Imagination, but I wanted to make the most of the trip, so I browsed a bit. I found nature writing and place writing. I found solace.

All the words and all the wisdom. All the folly, too. The human condition writ large. The human condition writ, period. But the human condition between covers. Which is where I’d prefer to find it right now.

I think of them as book links, the way one book leads us to another. 

An author’s voice speaks to us and suddenly colors are brighter, the world makes sense again. We decide to pick up another novel she’s written, and we are even more enraptured this time.

Or maybe one book mentions another, a nonfiction happenstance. I just finished Hurry Down Sunshine by Michael Greenberg, which Oliver Sacks mentions in Everything in its Place. I was riveted by this memoir, a father’s story of his daughter’s mental illness. Here’s how he begins:

“On July 5, 1996, my daughter was struck mad. She was fifteen and her crack-up marked a turning point in both our lives.”

Now I’m on a mission to find another memoir by Greenberg. After a few minutes of googling, I locate a copy of his Beg, Borrow, Steal: A Writers Life. I hope to have it by week’s end.

The book links continue …