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The Signature of All Things

The Signature of All Things

Once again, I’ve just finished reading a book on Kindle. This little device, which I welcomed with a “be gone from me, Satan” comment when my brother gave it to me one Christmas, has definitely come in handy the last few years. I’ve noticed, however, and have described here, that I can’t seem to remember what I read on the thing!

That will not be the case with The Signature of All Things by Elizabeth Gilbert. I’ll remember this book even though I’ve never really held it in my hands, even though the length of it was not immediately apparent to me. (I don’t always pay attention to those little percentage marks in the right-hand corner.) I’ll remember it because it’s a big, messy, life-loving novel of a type I don’t read much anymore.

I’ll remember it for eponymous passages like this one:

“the signature of all things”—namely, that God
had hidden clues for humanity’s betterment inside the design of every
flower, leaf, fruit, and tree on earth. All the natural world was a
divine code, Boehme claimed, containing proof of our Creator’s love.

And for less splashy lines like these:  

Have you ever noticed how the most splendid
lilacs, for instance, are the ones that grow up alongside derelict barns
and abandoned shacks? Sometimes beauty needs a bit of ignoring, to
properly come into being.

I’ll remember it for the character of Alma, a woman who gracefully accepts disappointments and challenges and who at the end of her life says she was fortunate because was able to spend it “in study of the world. As such, I have never felt
insignificant. This life is a mystery, yes, and it is often a trial, but
if one can find some facts within it, one should always do so — for
knowledge is
the most precious of all commodities.”

Like all good books, this one left me feeling closer to the heart of things. It left me feeling more alive.

Truth and its Consequences

Truth and its Consequences

The Nobel Prize-winning author Gunter Grass died in Germany on April 13. His obituaries note the profundity of his novels as well as the shameful secret he carried into his late seventies: that Grass, the moralist who scolded Germany for its Nazi past, was himself a member of the SS.

Years ago I read The Tin Drum, which hardly makes me an expert on the author or his work. I write this post only to mention a comment (quoted below) that I read in his Washington Post obituary — that whether you praise or condemn Gunter Grass, his secret past may well have been what inspired his art.

“If Grass had not been living with this wretched little skeleton in his closet, he might never have written a word,” journalist Nathan Thornburgh wrote in Time magazine in 2006. “Instead a haunted Grass cranked out a series of brutal novels about the war [that] helped his entire country stave off collective amnesia for decades.”

Such is the power of art to wound, to salve, to ignite, to free.

Visiting the Past

Visiting the Past

I’ve lately spent a few hours in the cool, quiet recesses of the Smithsonian Archives. While this conjures up images of dusty stacks, in reality the building is new, open and sunny. Researchers sit in a glass walled room where archivists can keep a watchful eye. No pens, no purses, no coats or scarves. We stow our belongings in lockers and bring only pencils, paper, laptops and cameras.

What emerges is time and space for the quiet pursuit. The here-and-now drops away; the long-since-past emerges. It’s a nice place to spend some time, the long-since-past. I read about the 1918 flu and Model Ts and old roads on the prairie, two tire tracks amid waving grass. It was a place where you could buy an acre of land in Falls Church for $125 and build a house in ten days.

I leave the archives with my mind spinning. Once I walk out of that glass room, I’m not in the past anymore. But I’m not quite in the present either.

Millennials and Books

Millennials and Books

Talk about surprises, I almost missed one, tucked as it was beneath the Oscar photo. But the headline in yesterday’s Washington Post was unmistakable: “Wired millennials still prefer the printed word.” This according to textbook publishers, bookstore owners and the people themselves, those born 1980 and afterward — my kids, in other words.

They may text and snap-chat and send pictures by Instagram, but turns out they also like to read books. They learn better, they say, because there are fewer distractions. (Those who multitask while reading a printed book: 1 percent. Those who multitask while reading an e-book: 90 percent.)

A pilot study at the University of Washington found a quarter of students who were given e-textbooks for free still opted to buy the print version. Pew studies show the highest print readership rates among 18- to 29-year-olds.

That last statistic is hard to believe, but even if the data is slightly stretched, it’s still heartening to think that those who come after us will thrill to the smell of a new book, will feel the heft of one in the hand, will appreciate its superior knowledge delivery system! Maybe the sky is not falling; maybe the good old codex will be around a bit longer after all.

The Toughest Job You’ll Ever Love

The Toughest Job You’ll Ever Love

Now that I’ve visited Suzanne in Africa I can attest to this slogan. Peace Corps volunteers do not live lives of luxury. Many of them settle in villages without running water or electricity; they get around on foot, bike, moto or bush taxi;  they eat a lot of rice and beans.

But their lives are rich in time and, surprisingly, in books. I visited two Peace Corps work stations with libraries to die for. One even had a ladder to reach the topmost shelves. There was a sizable collection of fiction (I read Purple Hibiscus by Chimamanda Ngozi Adichie and was plunged into the world of a young Nigerian girl), a rich travel section (I picked up a crazy little book called The Emperor of Ouidah by Bruce
Chatwin and devoured it a few days before we visited Ouidah ourselves), even non-fiction and memoir (I read Infidel and Nomad, both by Ayaan Hirsi Ali).

I already knew from Suzanne’s experience how much she’s read the last two and a half years, and other volunteers said the same. But the greatest proof is this: I read eight books in less than three weeks. It would take me three months to read that many books at home.

Of course, I was on vacation, I took long bus rides. All of this is true. But something else is true, too. I had scant Internet access. And books, shelves and shelves of books, flowed in to take its place.

Back to Africa

Back to Africa

I tracked Suzanne’s flight across the ocean — her plane was off the coast of northern Europe by the time I went to bed — and am now checking the status of her connecting flight to Africa. That plane is flying south over France, the Mediterranean, Algeria, Mali and Niger, and is scheduled to arrive in Cotonou at 9:30 tonight (3:30 my time) — 24 hours after we said goodbye at Dulles Airport.

Suzanne returns to a life I can barely imagine — a place where taxis are motorcycles, kings ride on horseback, and electricity and running water are sometime things. Her digs in the capital are relatively deluxe compared to her life in village, where she drew water from a pump, took bucket baths and shared a latrine.

What struck me most from the stories she told is the deep faith of the people. Some worship Jesus, others worship Allah, most all believe in magic of one sort or the other. Many educated people live their whole lives without riding on a plane or leaving their country. Their lives are hemmed in by the unknown far more than ours are.

I was thinking of this today while reading Ursula Le Guin’s The Left Hand of Darkness: “‘The Unknown,’ said Faxes’s soft voice in the forest, ‘the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought. Unproof is the ground of action.”

How to Live? Walk.

How to Live? Walk.

I’ve been reading about the 16th-century writer Montaigne, who invented the essay, from the French essayer, to try. The idea of “writing about oneself to create a mirror in which other people recognize their own humanity has not existed forever,” says Sarah Bakewell in her book How to Live or A Life of Montaigne: In One Question and Twenty Attempts at an Answer. “It had to be invented. And, unlike many cultural inventions, it can be traced to a single person: Michel Eyquem de Montaigne.”

“Unlike most memoirists of his day,” Bakewell writes, “he did not write to record his own great deeds and achievements. Nor did he lay down a straight eyewitness account of historical events.” Instead, he used ordinary topics — friendship, names, smells, thumbs, wearing clothes — as a way to explore the question “How to live?”

Here are some of his answers, according to Bakewell: Pay attention; read a lot; wake from the sleep of habit; see the world; reflect on everything and regret nothing and, finally, let life be its own answer.

I’ve been taking notes, as I often do, and there are many passages I’ve recorded to reflect on later. Here’s one of my favorites:

Montaigne did not brood in his tower, Bakewell writes. “He liked to be out walking. ‘My thoughts fall asleep if I make them sit down. My mind will not budge unless my legs move it.'”

Every hike, saunter, amble, walk and run I take tells me he’s onto something there.

Usefulness

Usefulness

“I produce nothing but words; I consume nothing but food, a little propane, a little firewood. By being virtually useless in the calculations of the culture at large I become useful, at last, to myself.”

Philip Connors, Fire Season: Field Notes from a Wilderness Lookout

I’ve just started reading this book, which is a meditation on solitude, a history of wildfires and fire control in the American West, and (at least in part) a paean to Aldo Leopold, the great conservationist I discovered a few years ago. It’s written by a guy who sits in a tower looking for wildfires in the Gila National Forest in New Mexico.

Talk about dreams of escape — this is certainly one for me. Purposeful, sporadic work, enforced alone time, the splendor of creation. But for now, my secondary landscape will have to be the one I create every time I lace up my running shoes and step out the door.

Walking is for me a way to be “useless in the calculations of the culture” so I can become “useful, at last, to myself.” Walking is also low-tech. It produces nothing, consumes little. But it is rich in what matters most: the time and space in which to observe, think, slow the wheels of time.

Writing and Forgiveness

Writing and Forgiveness

When I picked up Ann Patchett’s book This is the Story of a Happy Marriage I wasn’t expecting an essay collection.  Whatever review convinced me to foist it on my (decidedly pro fiction) book group had long since vanished from my sieve-like brain. I like Ann Patchett’s writing — and that’s that.

But the book is an essay collection and the essay I’m reading now, which has also been published as a single, is “The Getaway Car.” It’s about writing. And forgiveness.

“I grieve for my own lack of talent and intelligence. Every. Single. Time. Were I smarter, more gifted, I could pin down a closer facsimile of the wonders I see. I believe, more than anything, that this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can’t write the book I want to write, but I can and will write the book I’m capable of writing. Again and again throughout the course of my life I will forgive myself.”

Writing and forgiveness. I hadn’t linked them like this before, hadn’t thought of how much slack the rope requires before it turns taut and stops you. Now I have.

“It is Solved by Walking”

“It is Solved by Walking”

I just finished reading Alice McDermott’s novel Someone, in which twice appears a favorite quotation (motto? adage?) of mine: “It is solved by walking.”

When I wrote about this in an earlier blog post, I used the Latin “Solvitur Ambulando,” a term beloved by pilgrims and poets, and mentioned that I might have given this name to my blog had it not already been taken. Still, the spirit of “Solvitur Ambulando” fills this space. I can’t count the number of times my mood, my priorities, even my energy level, have been “solved,” have been set right, by walking.

According to some sources, the phrase originated with Diogenes, who disputed the unreality of motion by walking away. In that sense, solvitur ambulando not only means walking but any practical proof of an argument.

In The Tao of Travel, Paul Theroux attributes the adage to St. Augustine. “Walking to ease the mind is also the objective of the pilgrim,” Theroux writes. “There is a spiritual dimension, too: the walk itself is part of a process of purification. Walking is the age-old form of travel, the most fundamental, perhaps the most revealing.”

For me, it’s the most essential. Not for locomotion — but for sanity.