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Category: books

Back to Africa

Back to Africa

I tracked Suzanne’s flight across the ocean — her plane was off the coast of northern Europe by the time I went to bed — and am now checking the status of her connecting flight to Africa. That plane is flying south over France, the Mediterranean, Algeria, Mali and Niger, and is scheduled to arrive in Cotonou at 9:30 tonight (3:30 my time) — 24 hours after we said goodbye at Dulles Airport.

Suzanne returns to a life I can barely imagine — a place where taxis are motorcycles, kings ride on horseback, and electricity and running water are sometime things. Her digs in the capital are relatively deluxe compared to her life in village, where she drew water from a pump, took bucket baths and shared a latrine.

What struck me most from the stories she told is the deep faith of the people. Some worship Jesus, others worship Allah, most all believe in magic of one sort or the other. Many educated people live their whole lives without riding on a plane or leaving their country. Their lives are hemmed in by the unknown far more than ours are.

I was thinking of this today while reading Ursula Le Guin’s The Left Hand of Darkness: “‘The Unknown,’ said Faxes’s soft voice in the forest, ‘the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought. Unproof is the ground of action.”

How to Live? Walk.

How to Live? Walk.

I’ve been reading about the 16th-century writer Montaigne, who invented the essay, from the French essayer, to try. The idea of “writing about oneself to create a mirror in which other people recognize their own humanity has not existed forever,” says Sarah Bakewell in her book How to Live or A Life of Montaigne: In One Question and Twenty Attempts at an Answer. “It had to be invented. And, unlike many cultural inventions, it can be traced to a single person: Michel Eyquem de Montaigne.”

“Unlike most memoirists of his day,” Bakewell writes, “he did not write to record his own great deeds and achievements. Nor did he lay down a straight eyewitness account of historical events.” Instead, he used ordinary topics — friendship, names, smells, thumbs, wearing clothes — as a way to explore the question “How to live?”

Here are some of his answers, according to Bakewell: Pay attention; read a lot; wake from the sleep of habit; see the world; reflect on everything and regret nothing and, finally, let life be its own answer.

I’ve been taking notes, as I often do, and there are many passages I’ve recorded to reflect on later. Here’s one of my favorites:

Montaigne did not brood in his tower, Bakewell writes. “He liked to be out walking. ‘My thoughts fall asleep if I make them sit down. My mind will not budge unless my legs move it.'”

Every hike, saunter, amble, walk and run I take tells me he’s onto something there.

Usefulness

Usefulness

“I produce nothing but words; I consume nothing but food, a little propane, a little firewood. By being virtually useless in the calculations of the culture at large I become useful, at last, to myself.”

Philip Connors, Fire Season: Field Notes from a Wilderness Lookout

I’ve just started reading this book, which is a meditation on solitude, a history of wildfires and fire control in the American West, and (at least in part) a paean to Aldo Leopold, the great conservationist I discovered a few years ago. It’s written by a guy who sits in a tower looking for wildfires in the Gila National Forest in New Mexico.

Talk about dreams of escape — this is certainly one for me. Purposeful, sporadic work, enforced alone time, the splendor of creation. But for now, my secondary landscape will have to be the one I create every time I lace up my running shoes and step out the door.

Walking is for me a way to be “useless in the calculations of the culture” so I can become “useful, at last, to myself.” Walking is also low-tech. It produces nothing, consumes little. But it is rich in what matters most: the time and space in which to observe, think, slow the wheels of time.

Writing and Forgiveness

Writing and Forgiveness

When I picked up Ann Patchett’s book This is the Story of a Happy Marriage I wasn’t expecting an essay collection.  Whatever review convinced me to foist it on my (decidedly pro fiction) book group had long since vanished from my sieve-like brain. I like Ann Patchett’s writing — and that’s that.

But the book is an essay collection and the essay I’m reading now, which has also been published as a single, is “The Getaway Car.” It’s about writing. And forgiveness.

“I grieve for my own lack of talent and intelligence. Every. Single. Time. Were I smarter, more gifted, I could pin down a closer facsimile of the wonders I see. I believe, more than anything, that this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can’t write the book I want to write, but I can and will write the book I’m capable of writing. Again and again throughout the course of my life I will forgive myself.”

Writing and forgiveness. I hadn’t linked them like this before, hadn’t thought of how much slack the rope requires before it turns taut and stops you. Now I have.

“It is Solved by Walking”

“It is Solved by Walking”

I just finished reading Alice McDermott’s novel Someone, in which twice appears a favorite quotation (motto? adage?) of mine: “It is solved by walking.”

When I wrote about this in an earlier blog post, I used the Latin “Solvitur Ambulando,” a term beloved by pilgrims and poets, and mentioned that I might have given this name to my blog had it not already been taken. Still, the spirit of “Solvitur Ambulando” fills this space. I can’t count the number of times my mood, my priorities, even my energy level, have been “solved,” have been set right, by walking.

According to some sources, the phrase originated with Diogenes, who disputed the unreality of motion by walking away. In that sense, solvitur ambulando not only means walking but any practical proof of an argument.

In The Tao of Travel, Paul Theroux attributes the adage to St. Augustine. “Walking to ease the mind is also the objective of the pilgrim,” Theroux writes. “There is a spiritual dimension, too: the walk itself is part of a process of purification. Walking is the age-old form of travel, the most fundamental, perhaps the most revealing.”

For me, it’s the most essential. Not for locomotion — but for sanity. 

Ink on Paper

Ink on Paper

It’s harvest time. The brochures and pamphlets designed this summer are coming back from the printer, arriving at the office in heavy cardboard boxes. When I open them up, the world smells right again.

It’s the aroma of ink on paper, and it is, to an old print person like me, almost intoxicating.

Say what you will about seamless modern communication, about the touchscreen, the tablet, the tweet. The digital world is ours whether we like it or not. I understand that now. I have come to terms with it.

But give me the heft of a September Vogue, the welcome weight of a Victorian novel, the stacks of heavy, photo-rich college and university magazines that threaten to take over the bookcase in my office. Give me something I can see and hold and smell — and then I’ll really have something to read.

(Ink on paper run amuck)

From Place to Words and Back Again

From Place to Words and Back Again

I learned from the “Writer’s Almanac” that today is the birthday of Sarah Orne Jewett, born 1849 in South Berwick, Maine. A descendent of doctors and sea captains, Jewett wrote poetry and historical fiction but is best known for her short stories.

She is a rare writer for me, one I came to know through her home rather than her work. I had yet to read Jewett’s stories when I wrote an article on historic homes of New England that took me to her house in South Berwick.

I’ve never forgotten the upstairs writing room, what it was like to look out those thick glass windows, imagining the world Jewett knew, the New England shipbuilding culture that was vanishing as quickly as she could describe it.

It’s a funny thing, meeting a writer first in her house. It’s not unlike the acquaintances you form when traveling on a train or airplane, seat-mate confidences. There’s a quick and easy intimacy that flows from the place that then lingers when you read the words.

After that trip, I read what many consider Jewett’s masterpiece, the story collection Country of the Pointed Firs. And there it was again, the place I had seen, the lowered light of that northern clime, the herbs, the dark firs. From place to words and back to place again.


(Photos: The house now and then, courtesy Historic New England)

A Little Enchanted

A Little Enchanted

Like many children, especially now grown-up ones, I spent hours reading fairy tales. I don’t remember special favorites, only the joy I knew at the covers of the books, some of them still vivid in memory. Those stories took me to another shore, and then, when it was time to come home, they deposited me safely back again.

I know there are theories of why fairy tales are good for children, that they allow kids to face fears and work out complex feelings. But over the weekend I read the best explanation yet of what fairy tales meant to me. It comes from an essay by C.S. Lewis:

“Fairy land arouses a longing for he knows not what. It stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: the reading makes all real woods a little enchanted.”

So here’s to the real woods I walk in that will always be touched with magic, and here’s to the magic of this lovely explanation why.

Winning the Match

Winning the Match

With a daughter in Benin, West Africa, I’ve been reading a lot about Ebola, especially the cases in neighboring Nigeria. So far, that country seems to be staying on top of the disease, but health experts are watching it closely because the nation is so populous. If Ebola spreads there, loss of life could be catastrophic.

Learning about the doctors fighting Ebola and dying from it — in some cases without even gloves to protect themselves and stem the contagion — brings to mind a favorite novel, The Plague, by Albert Camus. Its central character, Dr. Bernard Rieux, tends the plague-ridden in the town of Oran, Algeria. On the night of his friend Tarrou’s passing —Tarrou who had helped fight the plague and was its last victim — Rieux seeks to understand human suffering:

Tarrou had “lost the match,” as he put it. But what had he, Rieux, won? No more than the experience of having known plague and remembering it, of having known friendship and remembering it, of knowing affection and being destined one day to remember it. So all a man could win in the conflict between plague and life was knowledge and memories. But Tarrou, perhaps, would have called that winning the match.

At the end of the novel, the reader learns that Dr. Rieux has been its narrator, that “he resolved to compile this chronicle, so that he should not be one of those who hold their peace but should bear witness in favor of those plague-stricken people, so that some memorial of the injustice and outrage done them might endure; and to state quite simply what we learn in times of pestilence: that there are more things to admire in men than to despise.”

Photo: Katie Esselburn

Mockingbird’s Place

Mockingbird’s Place

On vacation I finished reading Marja Mills’ The Mockingbird Next Door: My Life with Harper Lee, a memoir about living next door to the reclusive writer in Monroeville, Alabama.

Nelle Harper Lee and her sister, Alice, were already up in years when Mills met them while reporting an article for the Chicago Tribune. From those first contacts a relationship formed, and in this book Mills tells the story of the sisters’ old-fashioned life: visiting friends, feeding ducks, and living with the books and memories of decades in their hometown.

Although Lee quickly denied having authorized the book (a controversy that has probably boosted sales), I read the memoir enthusiastically anyway. Not just for a glimpse of the author but also for a portrait of the place that she enshrined as Maycomb in her novel.

“It’s the old Monroeville — the old Maycomb — that lives on in the imaginations of so many readers,” Mills wrote. “It’s the people and the places the Lees saw out the windows of the Buick all those years later.” Mills refers here to the drives she took with the Lees and their friends, expeditions that helped her appreciate a vanishing way of life.

“Nelle’s portrait of that community was so richly detailed, so specific and true to the small-town South during the Depression, that something universal emerged and, with it, the remarkably enduring popularity of the novel.”

I like thinking that what makes To Kill a Mockingbird great us is not just the characters — but also the place they inhabited.