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“It is Solved by Walking”

“It is Solved by Walking”

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I just finished reading Alice McDermott’s novel Someone, in which twice appears a favorite quotation (motto? adage?) of mine: “It is solved by walking.”

When I wrote about this in an earlier blog post, I used the Latin “Solvitur Ambulando,” a term beloved by pilgrims and poets, and mentioned that I might have given this name to my blog had it not already been taken. Still, the spirit of “Solvitur Ambulando” fills this space. I can’t count the number of times my mood, my priorities, even my energy level, have been “solved,” have been set right, by walking.

According to some sources, the phrase originated with Diogenes, who disputed the unreality of motion by walking away. In that sense, solvitur ambulando not only means walking but any practical proof of an argument.

In The Tao of Travel, Paul Theroux attributes the adage to St. Augustine. “Walking to ease the mind is also the objective of the pilgrim,” Theroux writes. “There is a spiritual dimension, too: the walk itself is part of a process of purification. Walking is the age-old form of travel, the most fundamental, perhaps the most revealing.”

For me, it’s the most essential. Not for locomotion — but for sanity. 

Ink on Paper

Ink on Paper

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It’s harvest time. The brochures and pamphlets designed this summer are coming back from the printer, arriving at the office in heavy cardboard boxes. When I open them up, the world smells right again.

It’s the aroma of ink on paper, and it is, to an old print person like me, almost intoxicating.

Say what you will about seamless modern communication, about the touchscreen, the tablet, the tweet. The digital world is ours whether we like it or not. I understand that now. I have come to terms with it.

But give me the heft of a September Vogue, the welcome weight of a Victorian novel, the stacks of heavy, photo-rich college and university magazines that threaten to take over the bookcase in my office. Give me something I can see and hold and smell — and then I’ll really have something to read.

(Ink on paper run amuck)

From Place to Words and Back Again

From Place to Words and Back Again

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I learned from the “Writer’s Almanac” that today is the birthday of Sarah Orne Jewett, born 1849 in South Berwick, Maine. A descendent of doctors and sea captains, Jewett wrote poetry and historical fiction but is best known for her short stories.

She is a rare writer for me, one I came to know through her home rather than her work. I had yet to read Jewett’s stories when I wrote an article on historic homes of New England that took me to her house in South Berwick.

I’ve never forgotten the upstairs writing room, what it was like to look out those thick glass windows, imagining the world Jewett knew, the New England shipbuilding culture that was vanishing as quickly as she could describe it.

It’s a funny thing, meeting a writer first in her house. It’s not unlike the acquaintances you form when traveling on a train or airplane, seat-mate confidences. There’s a quick and easy intimacy that flows from the place that then lingers when you read the words.

After that trip, I read what many consider Jewett’s masterpiece, the story collection Country of the Pointed Firs. And there it was again, the place I had seen, the lowered light of that northern clime, the herbs, the dark firs. From place to words and back to place again.


(Photos: The house now and then, courtesy Historic New England)

A Little Enchanted

A Little Enchanted

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Like many children, especially now grown-up ones, I spent hours reading fairy tales. I don’t remember special favorites, only the joy I knew at the covers of the books, some of them still vivid in memory. Those stories took me to another shore, and then, when it was time to come home, they deposited me safely back again.

I know there are theories of why fairy tales are good for children, that they allow kids to face fears and work out complex feelings. But over the weekend I read the best explanation yet of what fairy tales meant to me. It comes from an essay by C.S. Lewis:

“Fairy land arouses a longing for he knows not what. It stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: the reading makes all real woods a little enchanted.”

So here’s to the real woods I walk in that will always be touched with magic, and here’s to the magic of this lovely explanation why.

Winning the Match

Winning the Match

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With a daughter in Benin, West Africa, I’ve been reading a lot about Ebola, especially the cases in neighboring Nigeria. So far, that country seems to be staying on top of the disease, but health experts are watching it closely because the nation is so populous. If Ebola spreads there, loss of life could be catastrophic.

Learning about the doctors fighting Ebola and dying from it — in some cases without even gloves to protect themselves and stem the contagion — brings to mind a favorite novel, The Plague, by Albert Camus. Its central character, Dr. Bernard Rieux, tends the plague-ridden in the town of Oran, Algeria. On the night of his friend Tarrou’s passing —Tarrou who had helped fight the plague and was its last victim — Rieux seeks to understand human suffering:

Tarrou had “lost the match,” as he put it. But what had he, Rieux, won? No more than the experience of having known plague and remembering it, of having known friendship and remembering it, of knowing affection and being destined one day to remember it. So all a man could win in the conflict between plague and life was knowledge and memories. But Tarrou, perhaps, would have called that winning the match.

At the end of the novel, the reader learns that Dr. Rieux has been its narrator, that “he resolved to compile this chronicle, so that he should not be one of those who hold their peace but should bear witness in favor of those plague-stricken people, so that some memorial of the injustice and outrage done them might endure; and to state quite simply what we learn in times of pestilence: that there are more things to admire in men than to despise.”

Photo: Katie Esselburn

Mockingbird’s Place

Mockingbird’s Place

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On vacation I finished reading Marja Mills’ The Mockingbird Next Door: My Life with Harper Lee, a memoir about living next door to the reclusive writer in Monroeville, Alabama.

Nelle Harper Lee and her sister, Alice, were already up in years when Mills met them while reporting an article for the Chicago Tribune. From those first contacts a relationship formed, and in this book Mills tells the story of the sisters’ old-fashioned life: visiting friends, feeding ducks, and living with the books and memories of decades in their hometown.

Although Lee quickly denied having authorized the book (a controversy that has probably boosted sales), I read the memoir enthusiastically anyway. Not just for a glimpse of the author but also for a portrait of the place that she enshrined as Maycomb in her novel.

“It’s the old Monroeville — the old Maycomb — that lives on in the imaginations of so many readers,” Mills wrote. “It’s the people and the places the Lees saw out the windows of the Buick all those years later.” Mills refers here to the drives she took with the Lees and their friends, expeditions that helped her appreciate a vanishing way of life.

“Nelle’s portrait of that community was so richly detailed, so specific and true to the small-town South during the Depression, that something universal emerged and, with it, the remarkably enduring popularity of the novel.”

I like thinking that what makes To Kill a Mockingbird great us is not just the characters — but also the place they inhabited.

The Return: Some Perspective

The Return: Some Perspective

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A rainy-day return to the office. Low light, lowered expectations; today’s goal to survive. Grateful for a certain rainy-day coziness and the quiet required to work hard and long to meet deadlines.

Just coincidentally, I was reading a passage from  Shirley Hazzard’s Transit of Venus as I disembarked in D.C. “Girls were getting up all over London. In striped pyjamas, in flowered Viyella nightgowns, in cotton shifts they had made themselves and unevenly hemmed … They were putting the shilling in the meter and the kettle on the gas ring. … “

Ah, I’m feeling better already. I have a store-bought cotton nightgown. I have an electric tea kettle. I pay for gas by the month not the morning.

Hazzard continues: “It is hard to say what they had least of—past, present or future. It is hard to say how or why they stood it, the cold room, the wet walk to the bus, the office in which they had no prospects and no fun.”

Oh dear. Have I ever thought like this? Of course. Poor me, back from a lovely vacation to my comfortable office! Poor me, paid to write and edit!

Hazzard has put it in perspective: It could be worse, and it has been.

“Poor me” better get busy.

Summer Reading (in Tandem)

Summer Reading (in Tandem)

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Yesterday on the way home from work, I picked up a quart of local strawberries, a loaf of French bread and two books. I like thinking of books that way, as staple and delight.

When at the library I saw the poster for the summer reading program, which starts today. “Paws to Read” is the logo.

It all rushed back to me then. The lists of titles each of my girls would keep — each in her own distinctive scrawl. Our trips to the library on sultry afternoons, laden with bags of picture books and chapter books. Searching the shelves for old favorites — and discovering new ones in the process. The coupons the girls received upon completion. Redeeming them for a cookie at the bakery or an eraser at the office supply store.

I live in a different universe now, but the girls and I still trade titles and lists and favorites. We may not read together anymore, but we do read in tandem.

(Illustration: Courtesy Fairfax County Public Library)

All Aboard

All Aboard

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It doesn’t always happen this way — in fact, it usually does not — but today I didn’t so much ride the train to work as float here. I opened the novel at West Falls Church, left it out of the bag to read while waiting for the Red Line at Metro Center, and only reluctantly tucked it away when I exited at Judiciary Square.

It’s not the book itself I want to write about here, but the act of reading.

Sometimes I’m the person staring into the tiny screen of a smartphone or tapping on its keyboard. And the newspaper also has its allure. But books are the best commuting companions. They are the ones that blur the miles, that stitch home to office most deftly.

But just as books are good for commuting, commuting is good for books —100 minutes of almost uninterrupted mind space (round trip) — time to lose myself in even a boring tome, to say nothing of a moderately engrossing novel.

Landscape of Childhood

Landscape of Childhood

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In My Life in Middlemarch, Rebecca Mead writes:

“[George] Eliot found regenerative inspiration in the remembrance of the landscape of her childhood. Her love for the deep green England of Warwickshire was the foundation of her belief that the love we have for the landscape in which we have grown up has a quality that can never be matched by our admiration of any environment discovered later, no matter how beautiful.”

Mead quotes Eliot from The Mill on the Floss:

“These familiar flowers, these well-remembered bird notes, this sky with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows — such things as these are the mother tongue of our imagination …”

And later, this line, which I quote in my own book: “We could never have loved the earth so well if we had had no childhood in it.” 

I read these passages on a bumpy flight to my hometown, sick at heart, sick in stomach, but imagining the balm that awaited me — my own “furrowed and grassy fields.” And knowing there would be some comfort there. And as always, there has been.