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Vote of Confidence

Vote of Confidence

It’s no secret that the printed book is under siege, that newspapers and magazines are ceasing publication or becoming online only, that information delivery is being revolutionized before our (increasingly blurry) eyes. Any doubts the Kindle may have left behind, the iPad is dispelling.

Which made reading the following all the more delightful: “The book is like the wheel. Once invented, it cannot be bettered,” according to author Umberto Eco in a new book about the book called (appropriately and straightforwardly) This is Not the End of the Book.

The book, which was reviewed today by Michael Dirda in the Washington Post, is essentially a conversation between Eco and French screenwriter and bibliophile Jean-Claude Carriere. The Internet gives us “gross information, with almost no sense of order or hierarchy,” Carriere says. “As soon as you click on the next page you forget what you’ve just read,” Eco says.

And I thought it was just me. I flipped through Julian Barnes’ The Sense of an Ending the other day and could summon almost no memory of reading it, despite the fact that I definitely did read it earlier this year — though, it must be noted, on a Kindle.

I’ve written about this before, and probably will again (and again and again). But reading this review (and, I hope soon, the book itself) made me feel less alone in my Luddite ways. Maybe the codex isn’t really in danger. Maybe the book really will survive. Wouldn’t that be nice?

Gift from the Sea

Gift from the Sea

I spent the early morning hours (the fruits of insomnia) copying out passages from a book that must go back to the library today. It’s a posthumous collection of the letters and diaries of Anne Morrow Lindbergh called Against Wind and Tide.

I read the book before I went to the beach, and I was delighted to find in it the seeds of her Gift from the Sea, a favorite of mine that Against Wind and Tide prompted me to re-read. How illuminating to come across her original thoughts — thoughts she would later hone into the book that sold three million copies — on solitude, relationships and what it means to be a woman and a writer.

On that topic,  Lindbergh quotes a nineteenth-century writer who says that a woman writer is “rowing against wind and tide” — hence the title of this collection.

As I push against a steady current of my own, I’m happy to row for a few moments with Lindbergh’s words, words like these: “I feel a hunger now — a real hunger  — for letting the pool still itself and seeing the reflections. I feel a hunger for the kind of writing that I feel is truly mine: observation plus reflection.”

There were many passages like this one. My fingers are sore from typing them. But my mind is dancing with thoughts and images.

Weighty Toil

Weighty Toil

It’s harvest time — in more ways than one. In the last few weeks the magazine, brochures and booklets I worked on this summer have been delivered to the office.  I’ve been busy with what we used to call “fulfillment.” Which is another way of saying I’ve been schlepping boxes around.

As print publications are replaced by electronic ones, I assemble evidence to defend the hard copy. But I have to laugh. Even as I tally the numbers and build my case, nothing on paper tells the story as well as handing someone a box of magazines and asking him to hold it for a minute. A box of magazines weighs 30 pounds. It is real. It is tangible. There is no way to overlook it.

Once our lives were filled with real tasks. Toting water, splitting wood, wringing clothes.  For many of us now, a day’s work consists of tapping a keyboard or touching a screen. We’re active only from the wrist down. I liked carrying those 30-pound magazine boxes. It was the least I could do for them.  My mind’s labor had helped to produce them. Now it was time for my arms and legs to take charge.

Would I want to do this all day long? Absolutely not. When the arms are carrying 30 pounds the mind can think of little else. Still, I enjoyed this weighty toil. It made me tired in the evening, and it gave me something to think about.

Photo: bestcardboardboxes.com

The Poor Woman’s Library

The Poor Woman’s Library

The Writer’s Alamanc tells us that today is the anniversary of Penguin’s first paperback editions. Apparently, publisher Allen Lane was looking for something to read on the train and found only magazines and Victorian novel reprints. At the time, quality books were thought to deserve only quality bindings, which made them expensive to acquire and not very portable, either.

Lane remedied that by publishing Agatha Christie and Ernest Hemingway paperbacks in the summer of 1935; the books cost the same as a pack of cigarettes. The publisher then expanded into other titles (classics, nonfiction and children’s literature genres) and had soon sold more than 3 million copies.

I have a few Penguin classics in my collection; more to the point, I have a lot of paperbacks. Long ago I had to make a decision: I would either buy a lot of paperbacks or not very many hardcovers. I chose the former, figuring that what’s important is the content of the books, not their durability. It’s what you might call a poor woman’s library. But when I take down one of the volumes, and read the words on the (perhaps now yellowing) page, I couldn’t feel richer.

Pssst … Want to Hear Some Gossip?

Pssst … Want to Hear Some Gossip?

“Candor has been greatly, perhaps too greatly, heightened in our day. With the stakes of candor everywhere raised, the premium is on the new and edgy. People who write autobiographies or memoirs must have something at least slightly shocking — better of course if it is powerfully shocking — to convey.”

In his newish book Gossip, essayist Joseph Epstein brings his elegant prose style, his wit and his erudition to bear on a subject with which many of us are all too familiar.

A couple of years ago, I tried to give up gossiping for Lent. It was even more difficult than forgoing chocolate, no easy feat itself. Reading Epstein’s book I realize why I had trouble. Gossip has been with us from the beginning. It is part of the human condition. At times it even serves a moral purpose.

But in “these times” (oh, how my children hate to hear me talk like this!) — that is, in a celebrity culture where rumors travel at the speed of, well, whatever speed the Internet operates, which is pretty fast — gossip has morphed into something much more insidious and tricky.

Epstein tells some juicy tales in this book, but he also analyzes how society has become more gossip-riven and gossip-tolerant. How it has created a “change of social tone, an accumulation of many bridges being lowered … [ which has ] helped to bring down the decorum that was a strong feature of — let us call it — square society. Not too many people around today to defend square society, with all its rules and inhibitions.”

Thank God there are a few, Joseph Epstein, of course, being among them.

Full disclosure: I took a class from Epstein in college. It was under his tutelage that I wrote my first real essay.

Channeling Mr. McGregor

Channeling Mr. McGregor

One sign that you have grown up: When you start identifying not with Peter Rabbit, but with Mr. McGregor. If it’s been a while since you read  Beatrix Potter, this is the man whose garden Peter plunders, who chases Peter with a hoe after the errant rabbit sneaks under the fence and snarfs down lettuce, radishes and French beans.

When I read this book to the children, we identified with Peter, of course. Mr. McGregor was the villain, even though it was his garden that Peter ransacked. Peter, on the other hand, was devilish but brave. Willing to take on the world. And definitely a locavore.

It’s not a rabbit but deer that have turned me into Mr. McGregor. The herd of deer who have watched and waited until our day lily buds are full to bursting and then moved in for the kill. The deer who have eluded the stinky Invisible Fence that we’ve doused our flowers with.

Now I know how Mr. McGregor feels. We looked forward to the day lilies all spring long.  We transplanted, fertilized and nurtured them. And then, just when we were preparing to enjoy them, the deer snapped them up.

It’s not just disappointment I feel. It’s humiliation: Deer 1, Anne 0.

Photo: Project Gutenberg

Fighting Fire

Fighting Fire

Fahrenheit 451. The temperature at which paper burns; a novel by that name by writer Ray Bradbury, who died Tuesday.

Fahrenheit 451 was one of those novels I read as a kid and could never forget. It wasn’t just the frightening dystopia of a future without printed books. That future is becoming more real for us everyday.

It was something about the heart of the story, the way the characters cared for each other and for ideas. It was the elegant and practical and timeless solution they arranged to keep books alive — they memorized them. They learned them by heart. They became the books.

As we’ve all learned recently, painfully, book burnings are alive and well. And Fahrenheit 451 was often under assault for the vigor of its ideas. “The real threat is not from Big Brother, but from little sister [and] all those groups, men and women, who want to impose their views from below,” Bradbury told a Times of London interviewer (as reported in today’s Washington Post).

The way to fight fire is not with fire. Or with water. The way to fight fire is to believe,  hold fast and, ultimately, to become the solution. 


(Photo: Firepictures.net)

Independence Day

Independence Day

Even when I’m not looking for them, I find exhortations and excoriations about place. I picked up Richard Ford’s Independence Day, for example, because I read a review of his new novel, Canada, which raved also about his earlier works. I had no idea that Independence Day would be laced with thoughts on houses and towns and their promises and deceptions, nor that the narrator, writer-turned-realtor Frank Bascombe, would muse often about real estate and belonging.

Here Frank compares his current residence in suburban Haddam, New Jersey, to his southern birthplace. “(Of course, having come first to life in a true place, and one as monotonously, lankly itself as the Mississippi Gulf Coast, I couldn’t be truly surprised that a simple setting such as Haddam — willing to be so little itself — would seem, on second look, a great relief and damned easy to cozy up to.)”

Later in the novel Frank totes up what he’s learned about belonging from “a patent lesson of the realty profession, to cease sanctifying places — houses, beaches, hometowns, a street corner where you once kissed a girl, a parade ground where you marched in line, a courthouse where you secured a divorce on a cloudy day in July but where there is now no sign of you, no mention in the air’s breath that you were there or that you were ever, importantly you, or that you even were. We may feel they ought to, should confer something— sanction, again — because of events that transpired there once; light a warming fire to animate us when we’re well nigh inanimate and sunk. But they don’t. Places never cooperate by revering you back when you need it. In fact, they almost always let you down. … Place means nothing.”

Frank doesn’t waver in his opinion at the end of the novel, either. No sentimental backtracking for him: “It’s worth asking again: is there any cause to think a place — any place — within its plaster and joists, its trees and plantings, in its putative essence ever shelters some spirit ghost of us as proof of its significance and ours? No! Not one bit! Only other humans do that, and then only under special circumstances…”

I don’t completely agree with Ford, but he makes a persuasive case.

Rain in Isolation

Rain in Isolation

One aspect of living here that I’ve never minded is our sunny climate.  I don’t know the statistics, but the D.C. area is the brightest place I’ve ever lived. Which means I appreciate the rainy days when they come.

Today’s patter sounds like the rain in white noise machines. It has the same rhythm and pitch, the same levels of splatter. It is, then, a model spring shower. Made to order for the annuals I just settled in the ground yesterday.

I enjoy today’s rain only because it is the exception not the rule, though. There are places in this world I could never live because rain is the rule, not the exception. I’m thinking of Ireland.

Here is Heinrich Boll in his slender 1967 volume “Irish Journal,” writing about the weather of the country to which he says he is “too attached”:

“The rain here is absolute, magnificent, and frightening. To call this rain bad weather is as inappropriate as to call scorching sunshine fine weather. You can call this rain bad weather, but it is not. It is simply weather. …”

Rain in isolation does not drain the spirit. It excuses one from outside labors. It opens up the book, turns the page, settles the pen in the hand. Sometimes it even inspires.

The Library Place

The Library Place

The book group met at my house last night. Two people sat on our sagging blue couch, the other two in the faded wing chairs, the ones that belonged to Tom’s parents so many years ago. I pulled the rocking chair over to the far end of the coffee table, which gave me an unaccustomed vantage point — staring straight at the built-in bookshelves, our pride and joy.

I think about the part books have played in the life of our home, the schoolbooks and novels, the histories and poetry, our old college books and now our children’s, too.

And then there’s the “library place,” the shelf of a hutch so named because it’s where we put library books that need to be returned. In the enchanting shorthand of family conversation, the library place has become a repository for anything that needs to be protected or preserved: retainers, driver’s licenses, a pile of  downy parakeet feathers.

It still serves as family safe — a spot once meant for books that now holds other precious cargo.

I can’t find a picture of the library place. This shot of my bedside table will have to do. There’s always danger of an avalanche.