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A House, A Photograph, A Story

A House, A Photograph, A Story

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Today I’m in Lexington, about to go for a walk in a neighborhood that is not my own but which has meaning for me because my parents live here. In class the other night we talked about whether you can know a place without knowing its history. The consensus, if there was one, was that a place is shaped by its history, but you don’t necessarily have to know that history in order to be shaped by that place.

This house was where my Great Aunt Sally died more than 80 years ago. We drove by the house the last time I was in Lexington and Dad told the story of going with his father to his Aunt Sally’s wake in this house when he was a little boy. Dad also spoke about a racetrack across the street from the house, a track that preceded Keeneland, Lexington’s current track. I couldn’t resist taking a few photos of the house. It is quite different from all the other houses on the block. It looks like a castle.

A few weeks after my last visit to Kentucky there was an article in the Lexington Herald-Leader about this very house. It was home to Courtney Mathews, an African-American horse trainer who probably trained 1902 Kentucky Derby winner Alan-a-Dale. Mathew’s funeral was held 13 years later in the same house where my Aunt Sally’s took place. It’s a house that may soon be named to the National Register of Historic Places. The same house I photographed on a muggy June day 71 years later.

I guess this shows which side I take in a discussion on history and place.

Once Upon a Meadow

Once Upon a Meadow

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Sometimes when I’m walking through the suburbs I ponder street names. Our neighborhood has a faux English theme: Folkstone, Treadwell. You half expect to be strolling through the Cotswolds — but of course you are not.

Close by are roads with names like Flat Meadow, Hay Meadow, Cross Creek and Still Pond. These belong to the neighborhood called Franklin Farm. The farm is gone, the creek is but a shadow of its former self and the meadow is a narrow strip of land hemmed by houses. The ponds are so still (that is, stagnant) that this summer they were renovated, if that’s something you can do to a pond. The trees around them were felled so daylight could freshen them up.

The small dairy farms that still dotted our landscape half a century ago are gone now. We grow families here now. But in my walks through the woods and fields, I like to pretend. The place names make it easier.

Local History

Local History

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When my dad was a boy, he snuck out one night to hear Ella Fitzgerald at a dance club a few blocks from his house. It was a black jazz club; whites were allowed only upstairs at the bar. My dad was 12 at the time, so he wasn’t allowed in it all. But he remembers standing outside and listening to Ella, and a few months ago, he looked for the building. Here it is, a shadow of its former self, but still standing. While we were looking around the property, the owner pulled up in his truck and told us that before it was a jazz club, the oldest part of the building was a steam-powered hemp factory.

You can love a place without knowing much about it, but if you know about a place, if you learn its past and its stories, how can you not be attached?