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Bare Bathroom

Bare Bathroom

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One hazard of having written almost 3,500 posts is that occasionally (only occasionally!), I repeat myself. So I’m glad I looked back in the archives for January 2020, because, sure enough, I had already written a post called “Bye Bye, Bathroom.”

As a result, this post does not share that title. But it does share that sentiment. Because, encouraged by the success of bathroom remodel number one, we are embarking on bathroom remodel number two. 

This is a trickier proposition because it includes a shower (which, unlike a tub, must be built) and because it involves bumping out an interior wall and installing a pocket door — all to gain enough precious inches to put both the toilet and the 48-inch vanity on one wall. 

Yesterday was for demolition: In the space of a few hours out went the fiberglass shower, the down-on-its-heels builder-grade vanity, and, most notably, the mirror. Without it, the bathroom looks the size it is, roughly that of a broom closet. 

But it was a room like any other in this much loved, much-lived-in house. And when I saw it last night all stripped down to its barest essentials, I have to admit … I felt a pang.

Basement-Bound?

Basement-Bound?

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On a rainy morning, my thoughts naturally turn to cleaning and tidying. Not that I’m actually doing any of that today, but I am thinking about how comforting it would be to purge a file cabinet drawer, to empty a closet, to fill a bag with old clothes stored in the basement and drive them to Goodwill.

I missed the Marie Kondo craze with its sparking of joy. Now I must go it alone, with only my own inclinations to guide me. And my own inclinations are to keep that letter, that sweater, and of course, that book.

But on rainy days, there’s at least some hope of change, some inward focus that says … get thee to the basement to sort and toss.

Floor Time

Floor Time

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Some people clean house before the maid arrives. I have no maid, but I do, today, have carpet cleaners. For them I’ve not just vacuumed, I’ve lifted, unearthed and rearranged. 

Carpet cleaners, of course, must have access to the floor. And the problem around here is that many other things do, too. There are picture frames and shoes and boxes of files. There are radios and fans and music stands. There are computer cables and lamps that must be unplugged. There are filmy white curtains and floral dust ruffles that must be tucked up and away. Most of all, of course, are the books, which are not just on shelves but also in piles on the floor. 

The good part about all of this began even before the carpet cleaners arrived. That’s all the space that opened up during the preparation. Now … if only we didn’t have to put everything back! 

(Copper posing on one of the carpets that is not being cleaned today.)

Calm Start

Calm Start

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The world outside my office window is brown and green and gray, a palette of soft colors for a foggy morning.

I woke to the sound of an early bird, a cardinal perhaps. But since that first song it’s been still and quiet, a calm start to what I hope is a calm weekend.

It’s time to get caught up on errands both inside and outside the house, time to collect myself before the changes to come.

Open-Door Policy

Open-Door Policy

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It’s a drizzly morning filled with bird song. Water beads on the just-sprouting branches of the climbing rose and small puddles collect on the aging deck floor. 

I sit on the couch just inside the back door, which is open to the moisture and the song, which matches the morning in its timbre and intensity.

It’s often like this in the warm or even warmish months: back door open to breeze and heat and whatever else is out there. That we’ve had mice and snakes and an occasional bird is part of the package. I’ll accept them if it brings us closer to the landscape. It’s my own open-door policy.

(The only open-door shot I could find is of the front door. It’s often open too, but it has a storm door.)

Farewell to the Spinet

Farewell to the Spinet

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When the moment finally came, it was nothing at all like what I thought it would be — as moments  seldom are. I worried that my dear, sweet Wurlitzer spinet, the piano Mom and Dad had bought on the rent-to-purchase plan when I was a kid, would have to leave here in the instrument equivalent of a body bag, bound for what I’ve heard described as “that great concert hall in the sky.”

I’d been dithering over this for years — knowing that if I was to continue to play, the spinet would have to go, but being unable and unwilling to get rid of the instrument on which I plunked my first scales, practiced for hours a day in high school, and accompanied the girls when they were young musicians. 

It finally dawned on me that I was going about this the wrong way. To get rid of the spinet, I would need to fall in love with its replacement. So last Saturday I ventured out to a piano showroom in a mall not far from here, intending only to look and see what was there. 

What was there was a used Schimmel studio with a top you can prop up like a baby grand and a tone and touch that sent shivers down my spine. It was more than I was planning to spend but they were willing to take the spinet on trade! That clinched the deal, and the day before yesterday, the spinet left the house in a piano truck safely belted and blanketed, perhaps on its way to another young pianist.

Meanwhile, I can’t stop playing the new piano, which fills the house with its sonorous sound. I would say I don’t know what took me so long — but, of course, I do. 

In Praise of Clippings

In Praise of Clippings

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This morning’s newspaper included an article about books on D.C. I did what I do with all helpful articles I think I might want to read again — pulled it out and saved it. 

We live in a digital era, but you wouldn’t know that by looking at my files. They are stuffed full of newspaper and magazine clippings, everything from recipes to book reviews to especially fetching columns I want to read again. They are messy and unwieldy — but essential, too.

I could find the same articles and bookmark them on my computer. But there’s something to be said for the physical presence of the article itself. For the touch of the paper,  complete with ripped edges and, sometimes, with notes I scribbled in the margin. 

Clippings are outdated, I suppose. But I keep them around. They are tangible reminders of the ideas they hold. 

Leaving a Trace

Leaving a Trace

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I noticed them the minute I stepped out of the house on Sunday. There was no evidence of humans making their way through the newly fallen snow — but a world of animal tracks greeted me on that still morning.

Tiny bird footprints, the skittering marks of a squirrel or chipmunk, and the more dog-like paw prints of our local fox. Whether hopping, scampering or loping, these animals left their marks.

We think of snow as a covering, coating the verges and leaf piles, making smooth the weed-strewn and the bald-patched.

But snow reveals as well as conceals. It tells us who was here and, if we pay attention, how recently. It’s a blank white slate on which movements make their mark. 

Timbers Sighing

Timbers Sighing

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The wind came barreling in from the west last night, and as usual in this house, it’s quite a noisy experience. It’s not just the wind itself, howling and yawping (that latter word courtesy of a book I’m reading about the poet Walt Whitman); it’s the way these four walls respond to it.

The bamboo (rid of Monday’s ice) scratches the siding, and the sound this leaves in its wake makes me think of an old-fashioned sailing ship. There is that same sense of being at the mercy of the elements, of the very timbers sighing. 

To counteract these harsh noises, though, there is also the purring of the furnace. The colder the night, the more often it’s on, of course, and in it, there is the promise of warmth and safety and civilization.

Brush Strokes

Brush Strokes

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A bit of painting over the weekend has me thinking about brush strokes, about the rhythm and the touch of them, the way you angle the brush to feather the strokes. 

I paint as little as possible, so the arm is rusty, but, like riding a bicycle, it comes back quickly. 

In painting, as in life, you must be both tough and gentle. You must know how much pressure to apply and when. Push too hard and the paint splatters, too lightly and there’s no coverage.

Painting is also comparable to life in this fact — that by the time you get the hang of it, it’s time to stop.