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The Deer Hunter

The Deer Hunter

I had seen warning signs like this one along the trail for months — “Archery Program in Process.” But until last weekend I had never seen a deer hunter. He was decked out in camouflage and his face was smudged with paint. If he had been in a tree stand I would not have seen him.

But he was on a trail and I was, too. We passed each other, exchanged brief hellos. He held an elaborate bow, nothing like what I remember as a child. It was all metal and wires. It meant business. And he did, too. If I’d had more time to prepare myself I might have asked him to pose for a photo. But he was in a hurry and did not look happy. He was not dragging a six-point buck behind him.

I curse the deer that gobble up the daylilies and scrape the bark off the Kwanzan cherry. I think of them not as Bambi but as Super Rat. I wish they were gone — all but one or two I could spot across a sylvan glade once or twice a year.

But the idea of this guy up in a tree looking for movement, scanning the woods with his high-powered scope — well, frankly, it creeps me out. So I gave the deer hunter a wide berth — and I shivered as he passed.

Cutting My Losses

Cutting My Losses

The walks I’ve been taking lately on the Cross-County Trail are not without their lessons, and one of the foremost is learning to recognize when I’m lost. The trail is well marked — most of the time — but on Saturday there was a stone crossing, a sudden turn and — voila! — I was in uncharted territory.

There was a path, of course, but there are many paths in the woods. Some are barely perceptible, the width of a deer (and given the skinny deer we have in Fairfax County, that’s not very wide); others are broad but lead in the wrong direction. The latter is what I was dealing with Saturday. It could have been the Cross-County Trail — except that it wasn’t.

When I’d walked for a while without noticing the distinctive CCT marker, I turned around and retraced my steps. There was a trail that went off to the left, but it was rockier and less cleared than I was used to — probably a dead end. There was another possibility, but it looped back onto the path I was on. I walked all the way back to the steppingstones before I found my error — and it was a big one — turning the wrong direction after I crossed the creek.

Once righted I could immediately tell the difference. The path was sure and springy beneath my feet. I had cut my losses quickly. I was on my way.

A Little Enchanted

A Little Enchanted

Like many children, especially now grown-up ones, I spent hours reading fairy tales. I don’t remember special favorites, only the joy I knew at the covers of the books, some of them still vivid in memory. Those stories took me to another shore, and then, when it was time to come home, they deposited me safely back again.

I know there are theories of why fairy tales are good for children, that they allow kids to face fears and work out complex feelings. But over the weekend I read the best explanation yet of what fairy tales meant to me. It comes from an essay by C.S. Lewis:

“Fairy land arouses a longing for he knows not what. It stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: the reading makes all real woods a little enchanted.”

So here’s to the real woods I walk in that will always be touched with magic, and here’s to the magic of this lovely explanation why.

Poison Idadee

Poison Idadee

When Suzanne was little and first encountered an itchy rash on her arm, she couldn’t quite say “poison ivy.” It came out “poison idadee.”

And “poison idadee” it has remained these many years.

I’ve been getting into some “poison idadee” myself lately — and I have the itchy arms and bottles of calamine lotion to prove it.

It’s not fun, but I’m glad that I’ve ventured off trails, explored new paths and hacked my way through brush and briar.

Summer will be over soon enough.

Tread Well

Tread Well

Yesterday’s walk began in the woods, late afternoon light slanting in through the canopy. Copper and I crossed Folkstone Drive, strolled down Treadwell, a street I love not just for its name (perfect for walkers) but also for its length and lack of traffic and for the calmness I feel when I’m on it.

Treadwell ends in a pipestem with houses tucked deep in the forest. Before you reach it, though, there’s a path back into the woods. We took it, picking our way through some sticker bushes and crossing a creek that required my first sitting down on the bank (a hesitation Copper didn’t understand) before launching myself forward to the other side.

Once across the tributary, we could wander from one trail to another. I noticed the silence, interrupted only by the caws of a crow and the hum of a distant airplane. Was it the silence that freed my mind to appreciate the beauty, the jewel-green moss atop the decaying log, the ferns waving slightly in the breeze?

Nothing is not beautiful here, I thought: the weeds, the stumps, the whole trees uprooted and left lying where they fell, their root balls like the inside of giant umbrellas. All of it a pleasure to the eye.

As we grew closer to the exit, the woods became noisier. It was a landscaping crew grooming the yard of a nearby house. Two mowers and a weed whacker. Welcome back, they seemed to say with their jangle and bluster, welcome back to the world.

Fern Forest Floor

Fern Forest Floor

A walk yesterday in the late afternoon. Copper and I ran down Folkstone Drive, then ducked into the woods. It was cool and quiet there, and what struck me first was the filtered light. This is a second-growth forest, maybe third- or fourth (if that’s possible). The oaks are 70 to 80 feet or taller, and the birch and hickories and other trees in the canopy shade the smaller plants, give them a vaulted ceiling beneath which to grow.

I take off my sunglasses, hold them in my leash hand. The colors are even more intense now — the dark greens of the holly and the brilliant hues of the newly unfurled ferns. In places the woods are carpeted with ferns. It’s a fern forest floor.

I look more carefully at the delicate fronds, watch them as they wave slightly in the breeze. There is something satisfyingly primordial about ferns, something soothing in their longevity on this planet. They thrive in the indirect light.

As I think of writing about ferns today, Copper tugs at his leash. The ferns are the height of his sturdy little shoulders; he swishes through them when he ventures off the path.

Peepers

Peepers

I heard them last night, the tiny, vocal frogs we know as spring peepers. Their chorus is a sure sign of spring.

They’re late this year, the little guys. Waiting for warmth, I imagine. We all are.

But who among us makes such music of our contentment?

If I read about peepers (and I think I did long ago) I would learn that their sounds are mating calls — not some existential expression of delight.

Still, after a long winter, in the just-dark of a warm spring evening, existential delight is what I hear.

The Great Pause

The Great Pause

It’s almost December, trees are bare. Paths that seemed endless in summer green are exposed when winter comes. The community forest is not the leading edge of a wilderness; it is a parcel of land that didn’t perk.

But that’s not all. It is also is a landscape stripped to its essence. I take out my earphones and listen. I can almost hear the silence. The great pause. A momentary intake of breath before the hard exhale.

The fields are
empty; the nights are long. Early winter is peaceful, muted. It asks nothing
of us now.

Rhythm of the Amble

Rhythm of the Amble

Lately I’ve been running as much as walking. This may be good for my physical well-being but I’m missing the measured thought that comes with slower foot fall.

I’ve written about this before, but it’s worth more rumination. My theory has been that running requires enough effort that there is little left for anything else.

But the other day, on an especially soothing woods walk, another possibility presented itself: It’s the rhythm of the amble — left, right, left, right — allowing each step its own percussive moment. It’s trance-inducing after a while. And very conducive to cogitation.

Then again, it may have been the autumn color and the deepening dusk that worked its magic.

World Wide-Webbed

World Wide-Webbed

We’ve had a bumper crop of spiderwebs this year, perhaps brought on by the cooler, damper summer — or perhaps not. Perhaps just brought on by an especially industrious crop of spiders.

Whatever the explanation, the webs have been out in full force. They catch you in the woods, cling to your hair, your clothes, your shoes. Not, of course, to your dog. He’s too short to be webbed.

They drive you to carry a stick and walk along the paths swinging it madly from side to side; in other words, webs make you look foolish.

Webs appear overnight, strung across the trampoline or the pergola, nature’s bunting. True, they are not good for hikers or unsuspecting insects. But stand aside, glimpse one with the sun behind it, thin threads gleaming, and it’s clear that webs are good for the soul.

(Photo: Tom Capehart)