A Walker in the Suburbs

A late walk last night, strolling through sunset into nightfall. Crickets were chirping, bats were swooping and down at the corner the second-bloom honeysuckle was wafting its delicious scent over the distinctive odor of the manure fertilizer some homeowner had just spread.

We aren’t used to barnyard scents here in the suburbs. A few miles down the road is a little farm park where I used to take the children when they were young. There are plenty of pungent odors there.
But here it’s a sanitized suburban aroma.

But I was soon past it and on my way back. The day was darkening, and I couldn’t keep my eyes off the sky. Maybe because it was the lightest thing to look at — or maybe because I was listening to Chabrier on my iPod and thinking about Dad playing the same music decades ago.

What a link music becomes, a bridge between the living and the dead.

Brahms showed up in my classical queue this morning,. Not just any Brahms but the Symphony No. 1 — which happens to be the first orchestral piece I played as last-chair string bass in the Central Kentucky Youth Symphony Orchestra. I had only started learning string bass a few months earlier and didn’t have the hands for it, but I did my best to keep up with the runs and shifts.

My stand partner, Greg, helpfully penciled in “a la fakando” on a few of the more difficult sections, and fake it is exactly what I did. Every so often, Mr. Ceo, our fiery conductor, would scream “basses” and stare, it seemed like, straight at me. But I kept my head down and for the most part escaped humiliation.

Besides, it was worth it to be even a small part of such music: the swelling strings, the triumphant brass. In the heroic final movement, during the most lyrical sections, the basses only played pizzicato, but I put my heart and soul into every pluck.

This morning, walking and listening, I was back there again, not just listening to the music — but inside of it.

A ho-hum evening after days of cloud and rain. A walk that’s uninspired, plodding. The houses hold no surprises, and the clouds are uniform, without color or texture.

The music in my ears is plodding, too. Tunes heard too often. A switch to news makes little difference.

And then my ears hit the jackpot, a change of tempo. It’s a waltz. Not an obvious one or a schmaltzy one,  but I’d recognize 3/4 time anywhere. I find myself counting 1,2, 3; 2,2,3; 3,2,3.  Almost hypnotic, that beat. And liberating, too.

It’s like a transfusion. I pick up the pace, I loosen the shoulders. My arms swing more freely by my side. And soon I’m on the downhill slope, toward home and dinner.