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Music and Memories

Music and Memories

My little iPod is a treasure. The size of a large postage stamp, it clips onto a sweatshirt or slips into a pocket. It holds most of my collection and keeps a charge for hours.

But the music it provides is nameless, faceless. It arrives via iTunes or a thumb drive. A bit comes from CDs but none of it, absolutely none, from vinyl. I have records, scores of them, and at one time I had a gizmo that would translate them to digital files. But even that music becomes anonymous once it’s assimilated.

One doesn’t sit and listen to music while staring at a CD cover or the tiny image of one I see on my iPod screen. What will never be the same again is the visual dimension of music, the way the album’s cover art became a part of the listening experience — became part of the music itself.

I’m taking these and other albums from Dad’s collection home with me. Not just for the music — but for the memories.

Birthday Boys in Red

Birthday Boys in Red

Today we celebrate two indeterminate birthdays. Beethoven was baptized on December 17, 1770, which leads most scholars to believe he was born on December 16 of that year. Happy 244th birthday, Beethoven!

Also on this date, Copper the dog came to live at our house. It was 2006 and things were pretty busy. Arguably too busy to add a dog to the confusion. But add we did, and once the dust settled (that would be the dust left by Copper as he ran away from us), we were left with a lot of joy. Not knowing his exact birth date, we’ve always celebrated it today. Happy 9th birthday, Copper!

Can’t think of much else Copper and Beethoven have in common. Unless it’s their Christmas attire.

Hallelujah!

Hallelujah!

We left warm dry homes to venture out on a cold, wet night. We left willingly, joyfully; we left to sing “The Messiah.”

There are hundreds, maybe thousands of “Messiah” Sing Alongs held through the country — from the grandiose ones with full symphony orchestras to the most humble held in church basements and community centers.

Last night’s concert featured four soloists, a conductor and a crack organist who didn’t miss a note. The chorus was, well, us — people who’ve hung onto their old scores from the first time they sang the oratorio in college or choir. People who probably worked a full day and did no vocal exercises before arriving. The most enthusiastic and wondrous of choirs. 

We may not have hit every note — in “His Yoke Is Easy” it is doubtful whether I hit any right notes — but as we belted out “King of kings/Forever and ever/And Lord of lords/Forever and ever/Hallelujah! Hallelujah!” it didn’t matter one little bit.

Piano at Rest

Piano at Rest

After half a century on its feet the piano needs a rest. And it’s getting one.

It all started when the instrument kept losing its tune. The tuner diagnosed loose pins and proposed a remedy. Turn the piano on its back, insert a wood-expander solution around the pins and wait a week.

Luckily there’s a largish space in the front half of the living room so the piano could rest there — well barricaded, of course, so Copper doesn’t interfere. Meanwhile, the room is topsy-turvy, and there’s a big wall space where the piano used to be.

Still, I think the vacation is well deserved. I imagine the piano on a beach, a gentle breeze tickling its ivories, its noble shoulders sunk into the sand. Soon it will sit up, shake itself awake and be ready to play again.

Summer Radio

Summer Radio

I had forgotten what it was like —the splash of pool or surf, laughter in the distance and always, always the radio. In many ways it was the sound of summer, the low simmer of pop tunes from the transistor.

With the advent of the Walkman decades ago and for many years now the iPod, music is only in our  ears and not our neighbor’s. But this week I’ve lounged beside a pool and listened to tunes from the 60s, 70s and 80s.

Can’t remember the songs themselves; they weren’t important. It was the whole experience: the scent of sunscreen, the movement of breeze, the heat of the sun. The radio sounds just completed the circle.

It’s the sort of summer I always remember, and this year it’s summer still.

Oh Say, Can You Sing?

Oh Say, Can You Sing?

In honor of the two hundredth anniversary of the national anthem, choristers are converging on the National Mall to stage the largest sing-along ever of “The Star Spangled Banner.” The National Museum of American History, which is sponsoring the event, is encouraging would-be warblers to join Anthem for America parties across the country. If there isn’t a party near you, just tune in and sing along with the huge chorus at 4 o’clock today.

What an anthem we have! One of the most difficult to sing of any, with a wide-ranging melody and a high note at the end. A strange sort of anthem for a democracy, when you think about it. “My Country ‘Tis of Thee” is easier, though undeniably British. Or even “America the Beautiful,” though it has its share of high notes, too.

Also interesting, I ponder today on Flag Day, is the fact that our anthem asks questions rather than makes statements. And it’s written in second person. “Oh say, can you see?” These features make it more conversational than most. It’s a song that wonders more than it pronounces, that marvels more than it prescribes. And in those ways, it is endearing.

(Manuscript of Francis Scott Key’s lyrics to the National Anthem courtesy National Museum of American History.)

The Playlist

The Playlist

I remember when the girls made them. Or when their friends
did and gave them as gifts. I’d find them all over the house, compact discs of
indeterminate vintage, with titles like “Pump Up” or “Race Day” written in
marker ink.
 I came late to the playlist, the homemade CD; came late to
the careful choice of music, to plotting it out in my mind before putting it
together. To walking with it, seeing how it flows, then tinkering some more and
burning it to a disc.
But once I did, I began to see the value of it. The playlist
reveals both the giver and the recipient; it shares what can’t be touched or
seen but must be felt. It is the gift of music, of course, but more than that.
It is music personalized. 
You don’t give a playlist to just anyone — just as you don’t knit a sweater for a stranger. There is an implied intimacy there, an understanding of interest, an appreciation of taste.
I came late to the playlist, to seeing it as an act of love.
But that’s what it is.
The Touch

The Touch

Reading on my Kindle (see previous post!) these recent weeks means I spend more time touching screens. There’s my smart phone screen and my iPod screen, each requiring a different sort of touch.

The phone, especially its keyboard, is best when I get a rhythm going. If I misspell the words, auto-complete makes up for it … unless it substitutes something completely nonsensical instead.

The iPod is the size of a large postage stamp and is best approached with a smooth but pinpointed movement. If not I may end up with a Broadway musical when I want medieval chant.

As I’ve become acquainted with the Kindle, I see that it’s the most sensitive, the most eager to please of all the screened instruments. Even if my index finger only hovers above the gadget, it thinks I’m ready to turn the page.

Virtuoso pianists are often said to have a  “good touch.” Something in the way they stroke each key creates a warmth of tone. The piano keys are not pounded, they are caressed.

I think we modern-device users are developing a skill we could use elsewhere, if we chose. I think we should all learn to play the piano.

Winter Musical

Winter Musical

First, the dripping, a melodic plunking, a tune of winter’s making. Not the insect hum of summer, but slower and lower-pitched.

Inside, on the radio, the music of Mozart in honor of his birthday. Trilling clarinets, swelling strings — melodies that transcend the seasons but which take on a wintry tone today.

And finally, as noon approaches and the west wind roars into action, the sound of branches tapping against the house, of breezes sighing around corners and through branches that bend in their wake.

The sounds of late January. A winter musical.

High Fidelity

High Fidelity

It’s been years since the turntable was hitched up to a stereo receiver. But it is again, and for the last few days I’ve been playing records I haven’t heard in years.

John Klemmer’s Touch. The Antiphonal Brass Music of Giovanni Gabrieli. Joni Mitchell’s Blue. Switched on Bach.

Time capsules, all of them. I remember who I was when I listened to these albums — and what I thought about when I played them.

And then there are those timeless movements I’d almost forgotten: slipping the records from their sleeves, holding them by the edges with flat palms, lowering the arm so the needle glides gently onto  vinyl. Slow, careful, mechanical motions.

The music that emanates (at least from my down-on-its-heels collection) is not an audiophile’s delight. It’s snap, crackle and pop. Scratchy. A sound that’s known better days.

High fidelity? Not really. Except this: It’s music the way I remember it best.