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Walking the Line

Walking the Line

The temptation, for me at any rate, is to say, this time last week, I was … exploring a palace, clambering up the ramparts in a castle, nibbling a delectable almond pastry in a tiny cafe.

Not the healthiest approach to re-entry. So I tell myself that vacations can’t go on forever, that I don’t live in a quaint European village, and that, in short, I should get on with it.

On the other hand, I see no harm in letting my mind drift to the narrow lanes of Barrio Santa Cruz in Seville and the lull that comes over them before the restaurants open for dinner at 7:00 or 7:30.  Or the view I would wake up to in Sintra, turrets and towers tucked in among the green. 

There’s a fine line between dissatisfaction and enlargement. And I’m trying to walk it right now.

The Concert

The Concert

The crowd began to gather 30 minutes before the performance, a ragtag group of concert-goers, including students, friends of the musicians, and a few tourists thrown into the mix.  It was our last night in Portugal and we had been wondering how to spend it when I happened upon an announcement of a concert on the grounds of the Quinta da Regaleira, of spiral staircase fame. What fun it would be to return in the evening, just as the last light was slanting onto the twisted spires and tree trunks! 

That was before we arrived to find a black-clad musician (perhaps the cellist?) exclaiming to the guard on duty that, at least from what I could make out, something was missing at the venue. Forty-five minutes later, we were escorted through the grounds of the Quinta right up to the stage where the Damas de Sao Carlos, a 10-member all-female ensemble (plus a male harpsichordist) had taken the stage. The musicians came from Hungary, Poland, Bulgaria and Portugal. They had decked out their concert black with scarves of scarlet, blue and green. 

We had barely taken our seats when they launched into “Spring” from Vivaldi’s “Four Seasons.” How the music filled and animated that special space! How good it was to hear those familiar notes in that unfamiliar setting. And how strangely comforting: it reminded me that just as music transcends all languages, travel transcends all cultures. It draws us together. It makes us, however briefly, one. 

Old World

Old World

On the way to the airport Sunday, the chatty cabdriver, Isabel, pointed out sights along the way. “Here is where the king would stop on his way to Sintra,” she said, pronouncing it “Seen trah.” It was a two-day trip so he needed an intermediary palace, she explained. And sure enough, there was a telltale spire amidst the trees and apartment blocks. 

“The past is so alive here,” I said, exclaiming over the beauty and the bounty of the place I was sad to be leaving. 

“But you are a young country,” she said, pronouncing it “young uh.” “We are old.”

I thought of her words as the plane touched the tarmac at Dulles Airport in the waning light of a midsummer evening. Everything was so green, and there was so much space. It was easy for a moment to see the potential of this continent, the feelings that must have greeted its discovery by Europeans. 

It’s easy to rhapsodize over the quaint lanes and cobblestones of Europe, to decry the fast food joints and 10-lane highways of the U.S. But it’s important to keep Isabel’s observation in mind. Portugal is the Old World. We are the New. 

Suitcase at Rest

Suitcase at Rest

I’m a bit compulsive about unpacking. Usually within hours of arriving home I’ve emptied my suitcase and filled the laundry hamper. This trip was no exception. It’s not that I want to move on; it’s the opposite. I want to see what I’ve collected. 

On this trip there were ceramic tiles and carved olive wood. There were books and teas and a box of six pasteis de nata, the national pastry of Portugal, bought from a chaotic coffee counter in the Lisbon airport. 

But mostly, I return with memories, impressions, ideas. It was my first trip to the continent since 2010, and I’d forgotten how much I love the way Europeans live, the scale of their houses and streets, the pace of life that includes time for a coffee break, which, given the size of Portuguese coffee cups, doesn’t take long.  The way they live with less in one way (smaller cars, tighter spaces) but more in others (an appreciation for beauty and the
past).  

My suitcase is empty. My mind is full. 

Até Breve!

Até Breve!

If I didn’t know better I’d say that Portugal is deliberately making it hard on us. For our last day here she dished out some of the most splendid weather we’ve had on this already blue-sky trip. Then she landed us here in Sintra, city of kings, although I’ll take some responsibility for that since I planned the itinerary. 

Finally, there were today’s attractions. Whereas yesterday’s visit to the Pena Palace was a bit like being herded into a cattle car, this afternoon’s tour of the National Palace was deliciously free of crowds. 

And in the morning—ah!—there was Quinta da Regaleira, a villa on grounds that include a mossy green spiral staircase that I’d seen in photos and which lived up to its photogenic reputation—though after walking down it with two millennials we met on the way there, I’d say it requires the bold approach of holding one’s cameras over the void to snag the perfect shot (see above for a less-than-perfect one).  

All that remains is a final evening, then packing up and leaving early tomorrow. Given that I’ve yet to master Portuguese I had to look up the best phrase to use when you don’t really want to say goodbye. I think “até breve” will do the trick. It means “see you soon.” 

Hiking It

Hiking It

Castles are not built on plains or in valleys. They are situated on mountaintops and hillsides. But what happens when the castle becomes a major tourist destination? In short, gridlock.

To avoid the crush we skipped the bus to Pena Palace and the Moorish Castle today and hiked up instead. The guidebook said it was a trail only to be undertaken by “serious hikers,” but that didn’t deter us. 

Hike it we did, both up and down, and though the knees are sore, the mind is full of the sights we saw along the way.  

Room With a View

Room With a View

This post should be titled “Rooms with a View” since every room we’ve stayed in on this trip has opened onto a terrace or a plaza or a sea of red-tiled roofs.  

From one of them we could hear the Atlantic Ocean rolling up on the sand. From another we could almost touch the medieval walls of Evora.

But today’s hotel, our final resting place before returning home on Sunday, is the highlight of them all. Perched on a hill that overlooks the National Palace, our room has a tall half-moon window with a fairytale castle outside. A quick walk through town confirmed the fairytale castle-ness of the place. 

Sintra has palaces to tour and gardens to admire … but it’s tempting to just sit here and look out the window.

Forever and Evora

Forever and Evora

Since my earliest travels, I developed the habit of not wanting to leave the places I visited. I can still remember the tears I shed leaving San Francisco at age 15. For years I pined for that place.

In time, I learned to move on from these travel crushes, but that doesn’t mean I don’t form attachments to places, sometimes so suddenly and with such a rush of feeling that I wonder if I haven’t lived there in a past life.

It’s happening again with Evora (pronounced EV’ or ah), a walled city we’ve been touring the last few days. Maybe it’s because I saw it first from a distance, a cathedral on a hill, or maybe it’s because an hour after we landed here we were whisked away on a tour of the megaliths, which got us out into the rolling countryside where we could see the cork oaks and menhirs.

But whatever the reason, Evora has spoken to me: its medieval walls, its old folks clustering around the obituary notices in the town square, the little restaurant hunkered down beside the 16th-century aqueduct, the lovingly casual way this place embraces the past. I want to bottle Evora and take it home with me.

Roman Recycling

Roman Recycling

It’s hard to miss Evora’s Roman Temple, sitting as it does in the middle of the town square. What’s amazing is how well-preserved it is, more intact than many of the Roman ruins in Rome, thanks to being covered for centuries, first as a fortress and then as a slaughterhouse.

Scattered throughout the city are other ancient surprises, like the Roman baths tucked away in a corner of the Town Hall, which flash into view courtesy of motion-detected lighting. (They were discovered during a remodel in 1987.)  

Or these paving stones, irregularly shaped and polished to a high gloss from almost two millennia of use.

This is a town that honors the past … and also recycles it. 

Megaliths of the Alentejo

Megaliths of the Alentejo

Two thousand years before Stonehenge, the people who built the Almendres Cromlech were lugging large rocks into place and setting them up to align with the equinox. Were they gathering there to tell stories? Perform rituals? Trade knowledge?  Maybe all of the above. 

We do know that these stones are monuments, our tour guide, Sira, told us today, and we might even see them as people, eternal guardians made of stone.

The Alentejo region of Portugal is one of richest megalithic sites in Europe. To come upon these stones today, to learn a little of their history, is to feel closer to some of our earliest ancestors, to understand a little more about what makes us human.