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View from a Ramada

View from a Ramada

Driving from Tombstone to Bisbee last week the wideness of the West really hit me. Not the wildness but the wideness. The openness. It’s what I crave when I’m here in Virginia.

But when I was there, I felt exposed. Where were the trees, the hollows; where could I sit quietly and take in all this grandeur?

If shade does not come naturally, then it must be created. And so it is. At the Desert Museum I learned a new meaning for the word “ramada.” In the Southwest, a ramada is a open shelter, a roof with no walls. Made of reeds or brush or wood, it is the native’s way of putting a layer between themselves and the sun.

I snapped this shot from a ramada in Tucson. It gave me a frame, a vantage point — a cool, sequestered way to take in the day.

Sky Islands

Sky Islands

A sea of grass and plain. A valley of succulents. And then, seemingly out of nowhere, a mountain. And not just any mountain, not a rolling hill like those in the East, but a pointy-topped peak that shouts its difference from the surrounding terrain.

I’m still absorbing the sights of a week in the geological region known as Basin and Ridge, an area that takes in all of Nevada, much of Arizona and parts of Utah, New Mexico and California. It’s caused by tectonic plates sidling rather than colliding — or at least that’s what I can remember from Tom Clancy’s explanation (not Tom Clancy the novelist but Tom Clancy the Ramsey Canyon tour guide).

What matters now are the memories I have of those sky islands, the panoramic view off the ridge of Geronimo Pass in Coronado National Memorial or the piney forests of Mount Lemmon, forests made of trees that could not survive if they were plopped two thousand feet down at the same latitude.

It’s a lesson both expansive and tender, that we need what is immediately at hand but also what is far away, beyond the valley, where the next peak rises.

Altitude

Altitude

Attitude is everything, the self-help books tell us, and in many ways they’re right. But in the West, altitude is everything.

On Saturday, we drove to the top of Mount Lemmon, 9,200 feet. From a start in the Sonoran Desert, all prickly pears and Saguaro cactus, we ended up in a cool pine forest, with a few dead tree trunks thrown in from the Aspen fire, which happened more than a decade ago.

Every 1,000 feet gained is like traveling 300 miles north, said the helpful sign at the top of the trail. By that reckoning, we were somewhere near Banff, Alberta, Canada.

Not bad for a morning’s drive.

Desert in Bloom

Desert in Bloom

Yesterday at the Desert Museum, I saw more beauty than I could imagine: macro beauty and micro beauty. Should I go for the long shot or the short one? Simple: I go for both!

I shot pictures of javelinas (sleeping under the bridge), a bobcat, a Mexican jay — and every kind of cactus under the sun. And a powerful sun, too by the way, which makes its presence felt in every frame.

I have to leave the desert today, the desert in bloom. But I have hundreds of photographs and a few ideas riding home with me.

On the Border

On the Border

In southern Arizona a border wall is not a vague threat; it’s a reality. Or at least a border fence, a dark, menacing one that I spotted first from an overlook and then from a few hundred yards away.  A fence that people here call “the wall.”

Built to block the flow of humans and contraband, it’s doing a good job of containing animals, too. So Mexican wild turkeys like the one in yesterday’s post are less likely to be up this way now. And the lone male jaguar who’s said to haunt Ramsey Canyon will never find a mate.

The borderlands are rich in animal species that need to cross and recross in order to flourish. The wall has been hard on them. It will be hard on us, too.

Birders’ Heaven

Birders’ Heaven

Ramsey Canyon is birders’ heaven, home to 14 species of hummingbirds — compared to the one or two we have at home — and plenty of other bird species that have crossed the border, like this Mexican wild turkey. He was courting the ladies and strutting his stuff.

He, of course, was an easy photographic target, large and slow-moving. Most birds are quicksilver flashes. To spot and identify them takes time, knowledge and patience — skills that I lack but skills that birders have in spades.

In fact, I wish I had a birder with me now to identify the flap of wings in the Emory oak, the source of the lovely song I’m hearing. Is it a hermit thrush? I’ve heard they live around here. I grab a bird book, look it up. Yes, it’s possible. It could be. And there’s just enough of the fudger in me to say, what the heck, let’s just call it a hermit thrush and call it a day.

Thanks to the birders we’ve met I can verify that I truly have seen an acorn woodpecker: hepatic tanager; calliope, blue-throated and broadbill hummingbirds; a white-winged swallow; Mexican wild turkey; Cooper’s hawk; a road runner; and a painted redstart, a “life bird” for many.

So from musing on birds, I come to musing on birders. What impresses me most about them is their dedication and gladness. They notice life around them. They savor its sights and sounds. They recognize its beauty.

Making Change

Making Change

One of the things  I like about my job is talking with people on the other side of the world. It’s an instant way to get perspective.

For one thing, they’re just ending their days while we’re just beginning ours. For another, they are dealing with problems we can barely imagine, problems like trying to keep food cold to prevent spoilage. (Pakistan loses almost 50 percent of its crops after harvest.)

I just heard a man who’s on the leading edge of change in that country, someone who tries to convince people they don’t have to do things the way they’ve always done them, describe walking into a cold storage facility filled with rats and mold. “I almost vomited,” he said.

But he saw the potential and made the connection that created change. These are not huge shifts. They are pebbles tossed into streams.

Toss enough of them, though, and you change the flow.

Perpetual Motion

Perpetual Motion

A walk yesterday to Long Bridge Park, which is a bit of a misnomer since there’s not really a bridge and barely a park. But who’s counting when it’s 70 degrees on February 7?

What Long Bridge is, though, is window on the perpetual motion of a busy American city.

The walk adjoins the train tracks, and yesterday, in just 10 minutes, I saw a freight train, Amtrak and the Virginia Railway Express commuter express all chugging along.

East of the train tracks is the George Washington Parkway, where I would later spend close to an hour inching my way home. But at 1 p.m. the traffic is moving, and the cars are like flies skimming the surface of a pond where stately swans (the trains) hold the eye.

Finally, there are the planes taking off and landing at National Airport, just across the way. The low jets fill the sky as they roar heavenward.

It’s an invigorating stroll. I’m moving, the trains, planes and cars are moving. I try to catch all three in my gaze at the same time, to savor their motion and amplify my own.

Letter from Sumba

Letter from Sumba

A few months ago I traveled around the world — a trip that came together so quickly and with so many appointments and interviews packed in that I have to pinch myself now to believe that it really happened.

I have the photos to prove it, though, and, as of late last week, I also have a story about it on the Winrock website: Letter from Sumba. 

It’s the first of several stories based on reporting from that trip, I hope. And it’s gratifying because it translates the long flights and disorientation into words and photos.

It doesn’t capture everything, of course: how muggy it was that day, how storm clouds rolled in but the rain held off, how the ocean looked on the night drive back to our hotel. But it chronicles some of it. Enough, I hope.

Mind Picture

Mind Picture

No time to snap a photo of last night’s full moon, so I tried to snap a “mind picture,” as Suzanne would call it.

I remember when she first talked about mind pictures. It was on one of our family vacations, can’t remember which one. I’d smiled, reminding her that she couldn’t share mind pictures the way she could real ones and that her mind wouldn’t always be as clear as it was then. That there might come a time when it would be as jumbled as mine — mind pictures tangled up with old phone numbers, Associated Press Stylebook comma rules and all the other bits of information and trivia I’ve remembered through the years.

But I have come around a bit. As long as you don’t take too many, as long as you are mindful when you snap that lens open and closed … who’s to say that, in the end, mind pictures aren’t better.

I can still remember with great detail a mind picture I took more than two decades ago. I was visiting Kay in Paris, and had forgotten my camera. It was April, early evening, and as I walked along the Seine, the towers and spires of Notre Dame were set off against a perfect late-day sky.

I’ve taken tens of thousands of photographs since then. But that’s the one — without film or any other form of capture — I remember best.