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Category: working

At Home in the World

At Home in the World


It is office party season. We had one yesterday and will have a smaller one, with just my immediate colleagues, today. The office party, like the meeting, is something I didn’t have for many years, the years I was freelancing full time. It’s at parties and meetings that I most have to shake my head and pinch myself. After more than six years it still seems slightly unreal to be working with people again.

Today I write to celebrate this occupation. Not that it doesn’t have its moments, but there are days when I am immeasurably grateful to walk out the door, to leave behind the house and clutter, to go out into the world.

Limbo

Limbo


An incomplete project puts me in limbo. It’s not so bad after all. I grew up with dim images of limbo as a soft cottony place where unbaptized babies frolicked happily, unaware that they would never see the face of God. The teaching was, if I recall, people in limbo will never go to heaven, but neither will they go to hell. And they won’t suffer. Limbo, then, is a land beyond time and expectations. But the thing about limbo was — and is — you can’t will yourself to be there. You have to arrive accidentally.

Shoulders

Shoulders


Most of the time they are just there, the perfect place to hang a purse or scarf, and good for shrugging, too. But when I’m on deadline or feeling tense in other ways my shoulders move up, up, up until they are somewhere around my ears. They become a tension factory; the bad vibes they generate give me headaches, neck aches and numb, tingly hands.

Celia has magic fingers; she massages my aching muscles. The relief is instantaneous but short-lived. And since a teenager is unlikely to hang around the house to be her mother’s masseuse, onto the Internet I go. Try these exercises, says one site. I have and I do. Buy yourself a phone headset and a good pillow, says another. On my to-do list. I even find a community of people whose only bond is that they have tense shoulders. The site says “anonymously connect with people who share your experiences — like those who say ‘I Have Extremely Tense Shoulders All the Time.’ Read hundreds of true stories, share your own story anonymously, get feedback and comments, chat in the discussion forum, help others, meet new friends, and so much more.”

Now there’s a thought. A group of people whose only bond is their tense shoulders. It’s a “Saturday Night Live” skit or a “Seinfeld” episode. I start to chuckle. And then I start to breathe deeply. Ahhh. My shoulders feel better already.

Deadlines

Deadlines

It’s April 15, so deadlines are on my mind. Not just today’s filing deadline, but deadlines in general. My life is built around them, and has been forever, it seems. When I was a student there were tests and papers looming regularly on the horizon. Ditto for the few years after college when I was a teacher. Then I became a journalist, a business with deadlines built into its DNA.
Through the years I’ve come to think of deadlines as my friends. While I rail about them, especially as they’re drawing near, they keep me on task, they keep me honest — and they keep me sane. My major problem is taking on too many of them. But yesterday, I turned down a freelance assignment because I knew I couldn’t finish it in time. Is this wisdom? Is this folly? I’m not sure. But it’s certainly proof of the power of deadlines.

Missing Out

Missing Out

Yesterday I talked with a woman on Metro. Nothing much, just a small conversation. But any pleasant exchange is a surprise when people are packed so close together. She was sitting on the aisle and the man she’d been sharing her seat with had just missed his stop. “I wish he’d told me that he needed to get out,” she said. I nodded politely. After all, I’d just taken the seat he had vacated. I was glad he was gone.

As she explained more, I learned that the man may have assumed she was getting up because she was putting her magazine away. He was trying to read her body language and (perhaps I’m making him more deferential than he actually was) save her from standing up sooner than she needed to. Was he, too, leaving cues about his intentions, cues that she wasn’t picking up?

But then she said more. “We have all this technology. We have email and cell phones and computers. But we still don’t know how to communicate.”

I would take it a step further. Perhaps we don’t communicate because we have the technology. It keeps our gaze down at our palm instead of outward, toward each other.

The Train Stops Here

The Train Stops Here

More snow is forecast for tonight and tomorrow. But that’s not what I want to talk about. It’s the morning light, the morning that comes earlier every day, pink tinged and proud. It’s the rosy fingered dawn that Homer wrote about in “The Odyssey,” still rosy, still here. And it’s a guy I noticed this morning while waiting for the train, just an ordinary guy in a black pea coat, who thrust his right index finger up into the air and then very definitively pointed it down again as the old Orange Line cars lumbered into Vienna station. He looked as if he were delivering a downbeat to the New York Philharmonic or refereeing the Super Bowl, but what he was really doing was pointing to his place on the platform, saying to the great god Metro, “I want the door to open here. Right here where I’m standing.” And, by golly, it did; a door opened magically in front of him. This is the wish of weary commuters everywhere, that the doors will open right in front of us, that we’ll step into empty trains and find seats. The pantomimer was just more open about this desire than the rest of us. We can all use a little levity in the morning.

In Design

In Design

The scene: a class on Adobe In Design. The characters: Seven people who know what they’re doing and one who does not. The latter, an editor, works in words not in images, cannot find all the tiny buttons and tabs with which one works in this program, cannot even remember to use the mouse instead of the keypad. But she — heck, I’ll just come clean and say I — press on, determined to get as much out of the class as possible.

I don’t plan to become a designer; I just want to demystify the process. I repeat that to myself all day, a silent mantra, but there comes a time in mid-afternoon when I’m hopelessly confused. I don’t know how to manipulate the image, I don’t even know what layer I’m on. The class is moving fast and by the time I ask a question I’m six steps behind the others.

The secret to staying young, I’ve heard, is to keep learning. But learning is risky. It requires a willingness to appear foolish in front of others. I felt foolish today. Based on that, I should have lopped a week off my age. At least.

In and Out

In and Out


Today I woke early and blew my hair dry. Soon I will put on work clothes, drive to Metro, ride the Orange Line to Metro Center, switch to the Red Line, walk from Judiciary Square to the Law Center — and return to routine. For 17 years I worked out of our house. Whole weeks would go by when I would only wear slippers. Last week’s snow holiday was a brief return to that world. It was nice; I won’t deny it. But there is something about getting up and getting out of the house that is good for creativity. So even though I long to spend today with my books and my laptop, a walk through the woods and a cup of tea after I come back inside, I will instead shoulder my bag and head out into the world.