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Paper Courage

Paper Courage

Here at the short end of 2017, I awake as always with writing on my mind. I have my mentors, my sages, ones whose words lead the way. So this morning as I struggle with the words on my screen, I turn to words already set down by another. Words that reach across time and distance to encourage me, to set me straight.

No one has yet made a list of places where the extraordinary may happen and where it may not. Still, there are indications. Among crowds, in drawing rooms, among easements and comforts and pleasures, it is seldom seen. It likes the out-of-doors. It likes the concentrating mind. It likes solitude. It is more like to stick to the risk-taker than the ticket-taker. It isn’t that it would disparage comforts, or the set routines of the world, but that its concern is directed to another place. Its concern is the edge, and the making of a form out of the formlessness that is beyond the edge. 

Of this there can be no question — creative work requires a loyalty as complete as the loyalty of water to the force of gravity. A person trudging through the wilderness of creation who does not know this — who does not swallow this — is lost. 

Mary Oliver, “Of Power and Time” from Upstream 

R.I.P., Writer’s Almanac

R.I.P., Writer’s Almanac

It always seemed too good to be true, a radio show just for writers. And now it’s gone dark. Every link I click leads to a Minnesota Public Radio statement about Garrison Keillor’s alleged sexual misconduct and the organization’s decision to terminate its relationship with him, Prairie Home Companion and the Writer’s Almanac.

The show had a 24-year run, debuting in 1993. I don’t remember when I first started listening to it on the radio, but I do know I’d turn up the dial whenever it came on, would glean some historical fact or the other, that it was birthday of George Eliot or the anniversary of the publication of Walden. When my own muse was on holiday, the Writer’s Almanac muse would step in. In one month, November 2011, it came to the rescue several times.

That was the fall I took the wonderful class A Sense of Place, whose professor, Charlie Yonkers (who became a friend), urged us all to have the Almanac delivered to our in-boxes. I did, and have never stopped.

My radio show station, WAMU, stopped airing the program a  few months ago, so I’d been paying even closer attention to the emails. The last one arrived November 29, which was, it informed me, the birthday of Bronson Alcott, Louisa May Alcott and C.S. Lewis. How will I learn this stuff now? Even the archives are gone.

So I re-read this last entry, pondered its power to inspire, my eyes lingering on the last line. It was the way all the Almanacs signed off, and I can hear Keillor reading these words in his distinctive deep baritone: “Be well, do good work, and keep in touch.”

NoFiWriMo?

NoFiWriMo?

November is National Novel Writing Month, NaNoWriMo, 30 days in which
would-be novelists are encouraged to apply their bottoms to chairs and produce
50,000 words. A contrivance, true, and one I was originally tempted to
disparage. A novel in a month? Really?
But when I thought about it, I realized I was probably more
envious than anything else. Where is the NaNoWriMo for nonfiction writers?
NoFiWriMo? Dont we also need to apply our
behinds to chairs? Dont we also need writing places like Come Write
In (a feature of NaNoWriMo, which I realize has now become an industry)? Arent our tortured souls also
yearning to Finish Something?
Of course, nothing is stopping me from signing up for
National Novel Writing Month and writing, say, a memoir. Nothing except the sheer terror of having to produce it, of course. And since its already November 17, I would have to crank out thousands of words a day to make the 50,000 word deadline.

No, thanks …  I’ll  just keep writing the old-fashioned way, word by word, page by page … blog post by blog post. 

Seeing Stars

Seeing Stars

It was warmer this morning than the last few days, high 40s. Reason to pull on tights, sweatshirt and reflective vest, grab the flashlight and take a pre-dawn walk.

The crescent moon was out, the one that lets you see a faint image of the rest of the orb, like an eyeball pulsing beneath an almost-closed lid.

But that’s not what caught my attention. It was the stars.

I noticed them on the return, when I felt comfortable enough in the dark to look up. And there they were, so far away, so bright, so essential. I took a mental snapshot, have them with me now in the fluorescent-lit office, where I’ve found a quiet, unlit corner to write these words, to try and see stars again.

(Photo: Wikipedia)

The Green Chair

The Green Chair

When the children were young and needed a time out, they were sent to an out-of-the-way place in a corner where they could cool down and ponder their misdeeds. We called it (in a fit of creativity!) … the green chair.

Not a green chair, but the Green Chair, a place of banishment and shame. Cue the Dragnet theme, add the moans and excuses of  misbehaving children. “But Mommy, I didn’t mean to  …” And factor in the exhaustion of a parent trying to write magazine articles while her young children played underfoot.

It’s been years since the green chair held a squabbling, out-of-control preschooler. Now it’s for a different type of confinement. It’s where I sit if I have a deadline or phone interview when I’m working at home; it’s my go-to spot for complete concentration.

I almost never scream and cry there, but I do get something done. In fact, if there wasn’t already a Green Chair … I would have to invent one.

Round Number

Round Number

Yesterday morning I hit a round number: 2,300. That’s the number of posts I’ve published since starting this blog more than seven and a half years ago. That’s a lotta posts!

What have I been blathering about with all these words, all these zeroes and ones? Walking and writing. Cities and suburbs. Work and leisure. Summer and fall. Observations and exhortations. Mostly, just noticing. There is some merit in that, I’ve decided.

And there’s gratitude (that word again) that the challenge of putting these observations into words hasn’t lost its luster over months and years.

Truth is, I love words. And when words add up to numbers, I like them, too.

Around the Edges

Around the Edges

I started to write a post early this morning … then work intervened. I’m writing it now on a 10-minute break between other tasks.  It makes me think about how often my creative work must fit itself into times that are not otherwise occupied.

This means early in the morning, late at night, on the bus or Metro, or on weekends when I’m not doing something else.

This is how it is now. And, truth to tell, the other way scares me. The way of waking up every morning with only my own work to do.  I hope that will change in time, but I’m not there yet.

So for now, it’s this blog … and the writing I do around the edges.

Long Dive

Long Dive

As I mentioned last month, I’ve been dipping into journals I kept long ago. This morning’s adventure was like a long dive into a long-forgotten stream. It was my voice, my way of looking at the world, but applied to a completely different set of circumstances.

No children yet, not much of a job, I was cobbling together an income from odd jobs and transcribing tapes. It was one of those times that was terribly difficult — except just surviving it made me feel whole and strong and capable.

I’m trying to write about this time, write clearly without remorse or false cheer.

The journals help.

Make Bearable

Make Bearable

Last night was the final episode of Burns and Novick’s Vietnam War. It began and ended with Tim O’Brien reading from his book The Things They Carried. 

“They marched for the sake of the march. They plodded along slowly, dumbly, leaning forward against the heat, unthinking, all blood and bone, simple grunts, soldiering with their legs, toiling up the hills and down into the paddies and across the rivers and up again and down, just humping, one step and then the next and then another, but no volition, no will, because it was automatic, it was anatomy, and the war was entirely a matter of posture and carriage, the hump was everything, a kind of inertia, a kind of emptiness, a dullness of desire and intellect and conscience and hope and human sensibility.”

While he read, the people who had been our companions through this series — the Americans, the South Vietnamese, the North Vietnamese, the Viet Cong, the soldiers, the antiwar activists, the vets, the military brass — we got to see what they are doing now. They are teachers and counselors, a judge. But more of them than not, it seems, are writers.

This brought some comfort. The film stirred up feelings in all of us who lived through the war, raised questions that will never be answered, dredged up divisions that still rankle. But it showed that sometimes art can distill and, if not heal, at least lance, drain and make bearable.

Missing Poetry

Missing Poetry

Some people have their morning coffee; I have my morning poetry. Or at least I used to. Today I learned that my radio station is developing some “exciting new programs,” and to make way for them will stop airing The Writer’s Almanac at 6:45 a.m. Listeners can still hear the program online, the announcer said.

But they won’t, I’m afraid.  Or at least this one will not. I’ve had the program delivered to my inbox for years and I never listen to Garrison Keillor read the poem of the day. Sometimes I read it, but I  never listen to it.

No, what I had for years was serendipity. The program aired when I was often driving to Metro, and I could sip tea and drive and start the day with a gasp or a sigh; with a roll of the eyes or a sudden watering of them.

Poetry moves me. Even in the morning. I’ll miss it.