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Gift from the Sea

Gift from the Sea

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I spent the early morning hours (the fruits of insomnia) copying out passages from a book that must go back to the library today. It’s a posthumous collection of the letters and diaries of Anne Morrow Lindbergh called Against Wind and Tide.

I read the book before I went to the beach, and I was delighted to find in it the seeds of her Gift from the Sea, a favorite of mine that Against Wind and Tide prompted me to re-read. How illuminating to come across her original thoughts — thoughts she would later hone into the book that sold three million copies — on solitude, relationships and what it means to be a woman and a writer.

On that topic,  Lindbergh quotes a nineteenth-century writer who says that a woman writer is “rowing against wind and tide” — hence the title of this collection.

As I push against a steady current of my own, I’m happy to row for a few moments with Lindbergh’s words, words like these: “I feel a hunger now — a real hunger  — for letting the pool still itself and seeing the reflections. I feel a hunger for the kind of writing that I feel is truly mine: observation plus reflection.”

There were many passages like this one. My fingers are sore from typing them. But my mind is dancing with thoughts and images.

Leaf, Blossom, Bole

Leaf, Blossom, Bole

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The crepe myrtle blooms when other foliage withers. It adds springtime hues to a late-summer palate. It does all of this and more.

But only if you have sunlight to sustain it.

Our two crepe myrtles have decided this is not the case. So we have the leaves and in one case even the buds, but not the flowers.

But what is the essence of the plant?

For some reason I think of Yeats, who speaks of that and so much more:

O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance? 

Paper Cut

Paper Cut

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Injuries incurred while meeting deadline:

Eye strain

Neck pain

Paper cut

Yeah, I know, the last one sounds silly. But, as I said to myself when I sliced my hand (and right on the life line, wouldn’t you know),  paper cuts don’t happen in a digital world. Carpal tunnel syndrome maybe, or some other repetitive stress injury, but not paper cuts.

They are, then, a dying malady. A problem that will (it’s safe to say) plague us less in the future.

Say what you will about the printed word, that it’s being eclipsed by tablets and smart phones and bottom-line bosses — it can still make us weep and make us bleed. At least for now, we continue to live in a tangible, touchable, tactile world.

Waking Up

Waking Up

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Up and out early. Moisture fills the air and glows in the lamplight. I play some Gabrielli but it’s too loud for this delicate time of day. I try Dan Fogelberg’s “To the Morning.” Ahhh; that’s better.

I consider turning off the music entirely and listening to the birds. They’re waking up and singing lustily. But the music is good, too. In fact, it sounds a lot like the birds, has the same gradual crescendo.

There are few cars on the street at this time of day, and the ones I see drive sleepily, as if they, too, are just waking up. The day seems to be holding its breath.

On the main road, cars are more numerous and faster. I ease into a trot. The tall grass is wet as I brush by it. Time now for louder music. “Day by Day,” a sung prayer.  I’m fully awake now. Ready to come home, touch the keyboard, write.

Birds Take Flight

Birds Take Flight

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“Every day,  I walked. It was not a meditation, but survival, one foot in front of the other, with my eyes focused down, trying to stay steady.”

This is from Terry Tempest Williams’ new book When Women Were Birds. A few pages later, Williams writes: “I am a writer about place who is never home.”

I link these two passages. The walking and the writing about place.  Each essential to the other. One to prime the pump, the other to fill the jug with cold, clean water.

So where do the birds come in? Williams meets her husband at a bookstore, as he’s buying a bird guide. Williams finds her voice through a special teacher who reads to her about the winter owl. A peregrine falcon once slit the corner of Williams’ eye. Another time, Williams sees a painted bunting that arrived in a wintry Maine on the cusp of a fierce winter storm.

“When dawn struck his tiny feathered back, he ignited like a flame: red, blue and green. … I have not dreamed of white birds since.”

When I finished Williams’ book I flipped through the pages with my thumb — and saw the birds that illustrate the outer edge of each page fly back and forth as if alive.

Birds take flight. So do words.

The Poetry of Pittsburgh

The Poetry of Pittsburgh

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When I began this blog more than two years ago, I didn’t think long about the quotation I would use across the top. I knew it would come from Annie Dillard’s book An American Childhood.

“When everything else has gone from my brain — the President’s name, the state capitals, the neighborhoods where I lived, and then my own name and what it was on earth I sought, and then at length the faces of my friends, and finally the faces of my family — when all this has dissolved, what will be left, I believe, is topology: the dreaming memory of land as it lay this way and that.”

A few years ago, on our way back from visiting Tom’s family in Indiana, we stopped in Pittsburgh, where Annie Dillard was born on this day in 1945. It was a literary pilgrimage for me. Our first view of the city (where I had lived as a toddler, pre-memory), came at dusk, as we drove into a tunnel and out and suddenly there were the three rivers and the bridges crossing them all lit up with white lights and it seemed magical to me, this old city of groaning steel and trestles.

Was it the place itself that exerted this magic, or was it because I was primed to love it by Dillard’s words? “I will see the city poured rolling down the mountain valleys like slag, and see the city lights sprinkled and curved around the hills’ curves, rows of bonfires winding.”

It was both, I think. The place of poetry. The poetry of place.

 Photo by Peter Tooker 2010 All Rights Reserved. From the blog Open Windows.

Lee’s Place

Lee’s Place

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Today is the birthday of Harper Lee, who was born in 1926 and still lives in her hometown of Monroeville, Alabama. She has written one book,  To Kill a Mockingbird; it won the Pulitzer and has sold more than 300 million copies. 

“I still plod along with books. Instant information is not for me. I prefer to search library stacks because when I work to learn something, I remember it,” Lee said in a 2006 issue of Oprah magazine.

The Monroe County Public Library, I wonder, is that the library she searches? Or the library of Alabama Southern Community College, located in Monroeville? I scan the college website and find a notice for the 15th annual Alabama Writer’s Symposium, with its topic “Write Out of Place,” being held (yes) this weekend.

Here’s how the symposium is advertised, first with this quotation from Katherine Mansfield: “How hard it is to escape from places. However carefully one goes they hold you — you leave little bits of yourself fluttering on the fences — like rags and shreds of your very life.”

And then with the following: “When Mansfield wrote those lines, she could have been describing the way that Alabama authors often find themselves in relation to their home. Whether they set stories lovingly in Alabama, loathingly in Alabama, or deliberately not in Alabama, place becomes a part of who they are. …  The 2012 Alabama Writers Symposium explores the ways in which Alabama writers are affected by their ‘placehood,’  the ways in which Alabama as a place informs their literary efforts.”

Lee lived in New York for a while, and she spent time away in college and when she was helping her childhood friend, Truman Capote (another native of Monroeville), research In Cold Blood in Kansas. But she has spent most of her life in Monroeville. She has not escaped from her place; she doesn’t seem to have wanted to.


Symposium

Symposium

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Less than 24 hours in New York City, a quick trip up for my journalism school reunion. I almost didn’t go; I didn’t know if I wanted to tell people what I was doing. It’s not that I’m ashamed of my career; it’s a decent one by most standards. But my classmates are an impressive group of journalists. I wasn’t sure they would understand that what matters to me now is not the daily chase for plum assignments or the satisfaction of putting a magazine to bed. Instead, it’s reading and thinking and working on the ever-elusive next book.

What I discovered is that many of them are in a similar place. They too are switching gears, writing poetry, starting blogs. They are still an impressive bunch — but impressive as human beings, most of all.

This is where we held our party. Symposium: Plato’s work on the nature of love, the Greek word for drinking party and a funky little restaurant on 113th Street.

Sally’s Garden

Sally’s Garden

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A few days ago our friend Sally invited us to her house to dig up ferns. Her crop was crowded and needed to be thinned, she said. So we ventured over, shovels in tow, on an unseasonably warm April afternoon.

We’d been to Sally’s house before but had never spent time in her backyard. It was nice, I knew, from looking out the back window. But I was unprepared for the beauty and calm spirit of the place.

In the native plants garden there are ostrich ferns and wood poppies and bluebells. A path winds along the perimeter with a pond in the middle and a little arched bridge. The yard is shady and cool, a habitat for birds and butterflies. It backs into a woods that stretches for miles along the stream valley of Little Difficult Run. Sally’s garden is one of those surprising suburban oases.

It wasn’t until we returned home, our car stuffed full of ferns and wood poppies for transplant, that I realized why “Sally’s garden” sounded familiar. It was the Yeats’ poem “Salley Gardens” it brought to mind, a verse put to song, a tale of regret and time passing and all sorts of emotions that are often hidden in the suburbs. But they are what give a place depth.

Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her did not agree.
In a field by the river my love and I did stand,
And on my leaning shoulder she placed her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.

W. B. Yeats

My Heart With Pleasure Fills

My Heart With Pleasure Fills

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I’m thinking of that poem, the one we learned in elementary school, the one that seems jaded and obvious — until you stumble upon it in real time.

The other day I rounded the corner of a paved path and there was my own “host of golden daffodils.”

Or not my own, actually. That was the beauty of it. They were for everyone, were wild and free, glorifying not just a single backyard but a widespread and well traveled community woods. Tucked among the oaks and maples and just a few feet away from the skunk cabbage.

I slowed my pace as I strode beside them, wanting to savor their beauty as long as possible. Other amblers did the same that sweet spring morning. There was a hush in the air, a reverence for the blossoms.

I did not wait for “the inward eye, which is the bliss of solitude.” I took no chances. I used a camera. And now, as I look at the photograph, I remember the flowers’ surprising presence in that parceled suburban landscape. The words flow into my mind before I can stop them: “And then my heart with pleasure fills, and dances with the daffodils.”