Browsed by
Category: writing

A Reckoning

A Reckoning

The furnace came on this morning. I smelled the heat before I felt it, slightly acrid but warm and comforting, too. The aroma of thick bathrobes and steaming kettles and stepping inside from a cold rain. 

We could have held out longer, but why? It’s inevitable. The cold is coming. Toughing it out won’t keep it away. 

As befits a day of forced air heat, clouds dominate, and the stillness they bring is welcome. They promise seclusion and concentration and a long writing session. They promise cold, too. 

Vintage

Vintage

It just dawned on me that my blog is like my kitchen: both are vintage. Although I cook on a gas stove  manufactured in this century, the cabinetry, Formica and wallpaper hail from the 1970s. 

The template I use for A Walker in the Suburbs isn’t that old (it couldn’t be!), but in tech terms it’s a woolly mammoth, held together by random HTML code and the good will of Google (ahem). 

In both cases, I’m playing for time, hoping that if I hang on long enough, what’s old will become classic.

(Apparently, I take no pictures of my own kitchen. This is from a house we rented at the lake. It’s dated, but not as old as mine.)

The Unmentioned

The Unmentioned

I’m thinking about travel blogging, which I’ve done a bit of these last few months. Writing and traveling are natural partners because they’re both about exploring and discovering. But there’s at least one major difference — when you write about a trip, you edit out the embarrassing, extraneous or just plain boring.

A week ago, for instance, I was packing up to leave a motel room where I worried I might have picked up bed bugs. I know these critters can lurk in swanky establishments as well as lesser ones, but this place was most definitely the latter. 

I’d chosen it because it was cheap, and fresh from three weeks in Scotland I was all about saving money. But from the first glimpse of the dingy hallway I remembered an important lesson I often ignore: you get what you pay for.

It’s always good to be reminded of that reality. It’s even better to leave it behind in the detritus of trip details I generally leave unmentioned. 

(I have no photos of the offensive motel, which did not have bedbugs, by the way.)

Saving Posts

Saving Posts

For the most part, I write a post, read it over once or twice to check for typos, then pretty much let it go. But today I’ve been making sure I have all the posts I’ve ever written, grouped in months, in PDF files on my computer. 

I couldn’t help but read a few as I went along: There was the round-the-world trip of 2016

And something much smaller: riffing on journalism after seeing the movie “Spotlight,” and remembering how my daughter said the film was “a little slow.” That made me smile.

And then there was the couch sitting in a field in the Rocky Mountains. There’s a story behind that one, as you might imagine. 

Singing Chicken

Singing Chicken

For years I stored my oldest journals in metal boxes tucked away on the highest shelf of my closet. I had to stand on a step ladder and move so much stuff out of the way to reach them that it was as if they didn’t exist. But now they’re placed spine-side-up in the bottom drawer of the filing cabinet next to my desk, so they are ripe for exploration.

Before my discovery of Moleskine notebooks I gathered my thoughts in a hodgepodge of blank books bound in everything from leather to corduroy. The journals are a motley crew, but they served the purpose, which was connecting the dots, remembering, as Joan Didion wrote, “how it felt to be me.” 

Sometimes I dip into them for a fact: When exactly did I leave for that trip to Yugoslavia? How long did I work for the lovable but crazy family on West 94th Street? But I always read more than I intended. 

The other day, I discovered an encounter I had with a singing chicken. The “chicken” had been hired to serenade a friend and colleague on her birthday. My job was to meet the chicken and escort him to my friend’s desk. In his other life, the actor who took on this second job was playing Theseus in a production of “A Midsummer Night’s Dream.” Or at least that’s what he told us.

You can’t make this stuff up. But, if you’re lucky, sometimes you write it down. 

Feeling the Pull

Feeling the Pull

Writing and weather has kept me mostly inside for the better part of two weeks, and I’m feeling the loss of woods and sky and birdsong. 

Late yesterday’s walk was a reminder of just how much. The bamboo forest. The creekside trail. Everything green and glowing from the rain and chill. A new tree down to clamber over. 

It was a pleasure to tromp through it all. And this morning, as I watch bluejays dart and a fox scamper home, as sunlight pools in the shady yard, I feel the pull of the outdoors again. 

(No, this was not taken in the Virginia woods. It’s an Irish robin posing on the isle of Inishmore.)

  

Question and Answer

Question and Answer

There’s no doubt about it: I’m strange. What adult willingly chooses to go back to school — to read all the time and pay money to write papers, especially given that for most of my career, I was paid to write papers (aka articles). 

 I ask myself this question often, especially at this point of every semester. At least I’ve completed my take-home final and am closing in on completing the research paper. This class wasn’t even as writing-heavy as some of the others. 

But still, I ask myself the question. Yes, there is the keeping-myself-busy explanation. But there are many ways I could do that. I guess it’s because I want to keep learning, and I learn best when I write things down. In the end, it’s as simple as that. 

The Full Fridge

The Full Fridge

Long ago, when I was writing a magazine article about what parents could do to promote family happiness, I remember being surprised at the additional point my editor suggested adding. It’s good to keep the refrigerator stocked with good food, she said.

I’d been interviewing experts about family self-esteem and other heady topics, forgetting that all the good feelings in the world aren’t much help unless there’s a healthy body to receive them. 

Our refrigerator serves only two people now, so there’s a limit to how stocked it can be. But a couple of recent holidays plus entertaining out-of-town family last weekend means it’s been fuller than it usually is. And yes, that is happy-making … but only because it means I won’t have to cook this week. 

(No open-fridge photos this morning, but here’s one of a salad that came out of it.)

Words and Flowers

Words and Flowers

Today, inspiration in my inbox. Sunday’s “Marginalian,” which I didn’t have time to read yesterday, reminds me (in the voice of diarist, novelist and poet May Sarton) to choose joy over will. 

Though the context in which she makes this point is through her love of gardening, a love I only partially share (I appreciate the garden a lot more than the gardening) Sarton’s point is well-taken. 

“Gardening is like poetry in that it is gratuitous, and also that it
cannot be done on will alone,” Sarton wrote. “What will can do, and the only thing it
can do, is make time in which to do it.”

This is the point I will take with me through the day, to let myself off the hook if the words don’t flow as I wish they would … that I can make the time, and that is essential, but the words come when they want to come. Just like the flowers.

Human Content

Human Content

At the end of its segment on artificial intelligence last night, CBS’s “60 Minutes” included a disclaimer it never has before. “The preceding was created with 100-percent human content.”

This kicker was the perfect conclusion to a jaw-dropping report on Bard, the new chatbot released by Google. Interviews with the Google CEO and other members of the company revealed a team of humans who seem genuinely concerned about the implications of this earth-shaking new technology. But even they seem to be struggling with what they have created. 

These bots are not sentient beings, they said, although the content they produce (including a story built on Hemingway’s famous six-word novel “For Sale. Baby shoes. Never worn.”) make you think that they can. 

These new bots are something of a black box, said Google CEO Sundar Pichai, who brought up the problem of alignment — the divergence between the models we use to create artificial intelligence and the intentions we have while creating them. They teach themselves subjects they weren’t programmed to learn. They will take our jobs and create ever-more-hard-to-detect fakes. 

As a student of the human condition (the title of the class I’m taking this semester) I’m thinking about the new technologies we’ve experienced in recent decades and how we will adapt to this one. Many knowledge workers will lose their jobs and many others will be teaming up with robots on a daily basis. How will we face this new challenge when we can’t even keep up with old ones? 

Lots of questions. Not many answers. But of this you can be sure: This post was created with 100-percent human content. 

(Above: a small printing press, vestige of a lost world.)