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Feeling the Pull

Feeling the Pull

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Writing and weather has kept me mostly inside for the better part of two weeks, and I’m feeling the loss of woods and sky and birdsong. 

Late yesterday’s walk was a reminder of just how much. The bamboo forest. The creekside trail. Everything green and glowing from the rain and chill. A new tree down to clamber over. 

It was a pleasure to tromp through it all. And this morning, as I watch bluejays dart and a fox scamper home, as sunlight pools in the shady yard, I feel the pull of the outdoors again. 

(No, this was not taken in the Virginia woods. It’s an Irish robin posing on the isle of Inishmore.)

  

Question and Answer

Question and Answer

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There’s no doubt about it: I’m strange. What adult willingly chooses to go back to school — to read all the time and pay money to write papers, especially given that for most of my career, I was paid to write papers (aka articles). 

 I ask myself this question often, especially at this point of every semester. At least I’ve completed my take-home final and am closing in on completing the research paper. This class wasn’t even as writing-heavy as some of the others. 

But still, I ask myself the question. Yes, there is the keeping-myself-busy explanation. But there are many ways I could do that. I guess it’s because I want to keep learning, and I learn best when I write things down. In the end, it’s as simple as that. 

The Full Fridge

The Full Fridge

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Long ago, when I was writing a magazine article about what parents could do to promote family happiness, I remember being surprised at the additional point my editor suggested adding. It’s good to keep the refrigerator stocked with good food, she said.

I’d been interviewing experts about family self-esteem and other heady topics, forgetting that all the good feelings in the world aren’t much help unless there’s a healthy body to receive them. 

Our refrigerator serves only two people now, so there’s a limit to how stocked it can be. But a couple of recent holidays plus entertaining out-of-town family last weekend means it’s been fuller than it usually is. And yes, that is happy-making … but only because it means I won’t have to cook this week. 

(No open-fridge photos this morning, but here’s one of a salad that came out of it.)

Words and Flowers

Words and Flowers

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Today, inspiration in my inbox. Sunday’s “Marginalian,” which I didn’t have time to read yesterday, reminds me (in the voice of diarist, novelist and poet May Sarton) to choose joy over will. 

Though the context in which she makes this point is through her love of gardening, a love I only partially share (I appreciate the garden a lot more than the gardening) Sarton’s point is well-taken. 

“Gardening is like poetry in that it is gratuitous, and also that it
cannot be done on will alone,” Sarton wrote. “What will can do, and the only thing it
can do, is make time in which to do it.”

This is the point I will take with me through the day, to let myself off the hook if the words don’t flow as I wish they would … that I can make the time, and that is essential, but the words come when they want to come. Just like the flowers.

Human Content

Human Content

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At the end of its segment on artificial intelligence last night, CBS’s “60 Minutes” included a disclaimer it never has before. “The preceding was created with 100-percent human content.”

This kicker was the perfect conclusion to a jaw-dropping report on Bard, the new chatbot released by Google. Interviews with the Google CEO and other members of the company revealed a team of humans who seem genuinely concerned about the implications of this earth-shaking new technology. But even they seem to be struggling with what they have created. 

These bots are not sentient beings, they said, although the content they produce (including a story built on Hemingway’s famous six-word novel “For Sale. Baby shoes. Never worn.”) make you think that they can. 

These new bots are something of a black box, said Google CEO Sundar Pichai, who brought up the problem of alignment — the divergence between the models we use to create artificial intelligence and the intentions we have while creating them. They teach themselves subjects they weren’t programmed to learn. They will take our jobs and create ever-more-hard-to-detect fakes. 

As a student of the human condition (the title of the class I’m taking this semester) I’m thinking about the new technologies we’ve experienced in recent decades and how we will adapt to this one. Many knowledge workers will lose their jobs and many others will be teaming up with robots on a daily basis. How will we face this new challenge when we can’t even keep up with old ones? 

Lots of questions. Not many answers. But of this you can be sure: This post was created with 100-percent human content. 

(Above: a small printing press, vestige of a lost world.) 

Stop Time?

Stop Time?

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Speaking of buttercups … spring unspooled slowly through the month of March. Daffodils that bloomed in late February were still with us this time last week. 

But in the last few days the season hit fast forward. Our dogwood and Kwanzan cherry were barely leafing out on Monday; now they’re in full flower. Temperatures above 85 degrees will do that to a plant.

I’m hoping that today’s burst of cool air has stopped time enough to preserve “nature’s first green,” which is gold. It’s been gold for weeks now. I hope, against all evidence to the contrary, that it will stay. 

(A hyacinth blooms in February.)

Seriously Speaking

Seriously Speaking

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I’ve just finished George Saunders’ A Swim in the Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading and Life. It’s a slightly misleading subtitle because Saunders is the one giving the master class. It’s his interpretations of Chekhov, Gogol, Turgenev and Tolstoy. The interpretations are only there because the stories are, of course, but Saunders has a way of parsing and illuminating these classics that makes you want to read them—and do your own best work, too. 

One piece of advice I found especially helpful (even as a nonfiction writer) is when Saunders describes how he came to find his “voice.” I use quotation marks here because Saunders points out that we have many voices. What we need to do is find the voice that is most energetic, even if it’s not the spare, Hemingwayesque one we originally thought was ours. 

When Saunders first found his “voice” (I will persist with the quotation marks), the story that resulted was the best he’d ever written, he said, but it was no Chekhov or Tolstoy. He felt he had let the short story form down. “It was as if I’d sent the hunting dog that was my talent out across a meadow to fetch a magnificent pheasant and it had brought back, let’s say, the lower half of a Barbie doll.”

In a world in which writing is taken oh-so-seriously, Saunders is seriously refreshing. 

Guest Post

Guest Post

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Careful readers of this blog will know that with one exception I write every post every weekday of every year. This has nothing to do with my willingness to welcome new voices and everything to do with why I started A Walker in the Suburbs: to limber up my own voice, cramped as it’s been by years of scribing for hire. 

Luckily, not everyone has this proclivity. Many sane bloggers do seek guests posts, and I’m shamelessly plugging one of them here. 

Reflecting the Sacred was started by a longtime friend, avid reader and deep thinker, Gwen Zanin. I’m honored that she asked me to contribute a guest post to her blog. Wishing this new blog many years of posts and pleasures. 

The Fact Checker

The Fact Checker

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Do facts matter? How integral are they to the underlying truth? These questions and more were raised in the one-act play “The Lifespan of a Fact,” which I saw last night with journalist friends.

The play and book on which it is based raise all sorts of questions about literary license, rights of authorship and fiction versus nonfiction. But for me it was also a trip down memory lane, as I recalled a fact checker I worked with at McCall’s magazine. 

Carmen had a quick laugh and a determined air. She wore well-tailored skirts and blouses, and everything about her was precise, from her sturdy pumps to her tidy bob. When she appeared at my desk with a manuscript covered in red ink and pencil marks I always wanted to slink down into my chair, down, down, down until I could slide under my desk and hide out there a while. 

Too late, of course. Carmen knew I was there. And even if she didn’t, she would hunt me down just as she did every fact in every article. I’m not a sloppy reporter, but everyone trembled in Carmen’s wake. In a pre-Internet era, fact-checking was no easy task, but Carmen and her minions made sure that every piece in the magazine was shipshape and gospel-true. There were no questions about the lifespan of those facts. 

Margins as Message

Margins as Message

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In a retrospective mood after yesterday’s blog anniversary, I pulled out an old hard-bound journal and started reading. 

It was summer. The previous fall, I’d accepted an editorial position downtown, my first office job in 17 years, though I hadn’t yet extricated myself from writing freelance articles. I had three- to four-hour roundtrip commutes and deadlines when I got home. My daughters were 10, 13 and 16. Every few minutes, I was driving them to band camp or track practice or the movies. 

Still, my first thought on reading the loopy entries from those crazy days was … why didn’t I leave wider margins?  Every available inch was pressed into service. I had trouble reading my own writing. 

It took me a minute to realize the connection, the appropriateness of the typography. The pages were as busy as I was. The margins were the message. 

(Above, some halfway-margined class notes from last week.)