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Stop Time?

Stop Time?

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Speaking of buttercups … spring unspooled slowly through the month of March. Daffodils that bloomed in late February were still with us this time last week. 

But in the last few days the season hit fast forward. Our dogwood and Kwanzan cherry were barely leafing out on Monday; now they’re in full flower. Temperatures above 85 degrees will do that to a plant.

I’m hoping that today’s burst of cool air has stopped time enough to preserve “nature’s first green,” which is gold. It’s been gold for weeks now. I hope, against all evidence to the contrary, that it will stay. 

(A hyacinth blooms in February.)

Seriously Speaking

Seriously Speaking

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I’ve just finished George Saunders’ A Swim in the Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading and Life. It’s a slightly misleading subtitle because Saunders is the one giving the master class. It’s his interpretations of Chekhov, Gogol, Turgenev and Tolstoy. The interpretations are only there because the stories are, of course, but Saunders has a way of parsing and illuminating these classics that makes you want to read them—and do your own best work, too. 

One piece of advice I found especially helpful (even as a nonfiction writer) is when Saunders describes how he came to find his “voice.” I use quotation marks here because Saunders points out that we have many voices. What we need to do is find the voice that is most energetic, even if it’s not the spare, Hemingwayesque one we originally thought was ours. 

When Saunders first found his “voice” (I will persist with the quotation marks), the story that resulted was the best he’d ever written, he said, but it was no Chekhov or Tolstoy. He felt he had let the short story form down. “It was as if I’d sent the hunting dog that was my talent out across a meadow to fetch a magnificent pheasant and it had brought back, let’s say, the lower half of a Barbie doll.”

In a world in which writing is taken oh-so-seriously, Saunders is seriously refreshing. 

Guest Post

Guest Post

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Careful readers of this blog will know that with one exception I write every post every weekday of every year. This has nothing to do with my willingness to welcome new voices and everything to do with why I started A Walker in the Suburbs: to limber up my own voice, cramped as it’s been by years of scribing for hire. 

Luckily, not everyone has this proclivity. Many sane bloggers do seek guests posts, and I’m shamelessly plugging one of them here. 

Reflecting the Sacred was started by a longtime friend, avid reader and deep thinker, Gwen Zanin. I’m honored that she asked me to contribute a guest post to her blog. Wishing this new blog many years of posts and pleasures. 

The Fact Checker

The Fact Checker

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Do facts matter? How integral are they to the underlying truth? These questions and more were raised in the one-act play “The Lifespan of a Fact,” which I saw last night with journalist friends.

The play and book on which it is based raise all sorts of questions about literary license, rights of authorship and fiction versus nonfiction. But for me it was also a trip down memory lane, as I recalled a fact checker I worked with at McCall’s magazine. 

Carmen had a quick laugh and a determined air. She wore well-tailored skirts and blouses, and everything about her was precise, from her sturdy pumps to her tidy bob. When she appeared at my desk with a manuscript covered in red ink and pencil marks I always wanted to slink down into my chair, down, down, down until I could slide under my desk and hide out there a while. 

Too late, of course. Carmen knew I was there. And even if she didn’t, she would hunt me down just as she did every fact in every article. I’m not a sloppy reporter, but everyone trembled in Carmen’s wake. In a pre-Internet era, fact-checking was no easy task, but Carmen and her minions made sure that every piece in the magazine was shipshape and gospel-true. There were no questions about the lifespan of those facts. 

Margins as Message

Margins as Message

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In a retrospective mood after yesterday’s blog anniversary, I pulled out an old hard-bound journal and started reading. 

It was summer. The previous fall, I’d accepted an editorial position downtown, my first office job in 17 years, though I hadn’t yet extricated myself from writing freelance articles. I had three- to four-hour roundtrip commutes and deadlines when I got home. My daughters were 10, 13 and 16. Every few minutes, I was driving them to band camp or track practice or the movies. 

Still, my first thought on reading the loopy entries from those crazy days was … why didn’t I leave wider margins?  Every available inch was pressed into service. I had trouble reading my own writing. 

It took me a minute to realize the connection, the appropriateness of the typography. The pages were as busy as I was. The margins were the message. 

(Above, some halfway-margined class notes from last week.)

Turning 13!

Turning 13!

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It seems just the other day it was toddling around, cutting its first teeth, skinning its knees. Now my blog has plunged headlong into its teenage years. Thirteen years ago today I wrote the first post for A Walker in the Suburbs, thinking that I might write every so often and coax it along for a year or two.

In the same way that parents of a newborn can’t picture sitting in the passenger seat as their “baby” drives a car, so could I not imagine my blog turning 13.  

But the years pass, and the quest for toys becomes the quest for boys … and here we are. Will my blog start demanding the car keys? Will it sneak out the basement window? Will it hide a skimpy sweater in its backpack and change when it gets to school?  

All I can say is, I’m prepared for anything. 

Writing in Bed

Writing in Bed

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With Copper gone,  I’ve no need to rush downstairs in the morning. Which means I can indulge in one of my favorite pastimes, writing in bed. 

Churchill did it. Marcel Proust did it. Mark Twain, Edith Wharton and Truman Capote did it, though the latter said a bed was not required. A couch would work just fine, as long as coffee and cigarettes were available.

I can’t relate on that score. More my speed was Wordsworth, who wrote poems in bed but made up for it by walking 10 miles a day, striding all over the Lake District, often with his sister Dorothy. 

It makes perfect sense to me, a great expenditure of energy, followed by an equally great period of rest. 

(Marcel Proust writing in bed.)

Once More to the Breach

Once More to the Breach

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There is something both unsettling and gratifying about charging into a project that you’ve left idle for a month. Never mind the explanations for your idleness — a research paper due, the holidays to prepare for — the work itself has been left behind, and it lets you in on its annoyance. 

Surely nothing else can account for the way a once-admirable essay shrinks in power and perceptiveness. Nothing else explains the inelegant phrasing, the lack of insight.

And yet … with the power of time and distance, suddenly there is potential again, too. A new overview, perhaps even a revised table of contents. It’s a good way to enter the new year, with rolled-up sleeves. 

Urban Campfire

Urban Campfire

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It’s been a while since I sat around a campfire, but I did last night … in the middle of D.C. That it was part of a professional association meeting, that it was around a fire pit, that the occasional helicopter chugged overhead, didn’t seem to matter.

We were outside, the food was terrific, and the darkness and the crackling wood invited, if not ghost stories, at least some tales of journalistic hijinks and derring-do.

When I returned last evening I kept smelling something familiar, something comforting. It was the aroma of wood smoke in my hair. 

Ink Stains: Before and After

Ink Stains: Before and After

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One hazard of being a writer is the frequent discovery of ink stains on my clothes. This happened the other day after a trip to the grocery store, where in the course of crossing items off my list (which has nothing to do with being a writer and everything to do with being a compulsive list-maker) I somehow smudged black ink on a white sweatshirt.

We’ll leave aside for the moment why in the world I bought a white sweatshirt and move along to the stain remedy. 

Long ago, I acquired a chart which listed such items as ammonia, baking soda, lemon juice and glycerine in an arsenal of stain busters. Glycerine is key here, being one of the only substances I’ve found that can remove ball point ink from fabric. I worked with glycerine, and a mixture of glycerine, dish detergent and ammonia, off and on for an hour: applying, rubbing, rinsing, reapplying. But in time, and with effort, the ink stains went away. 

I’m wearing the white sweatshirt again. Is it my imagination or does it look even creamier and more pristine than it did before I defaced it? I think it does. 

(Imagine the stain potential here.)