Eat Dessert First

Eat Dessert First

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Long ago, when I was a musical purist, I would have thought it gauche to listen to only one movement of a recorded symphony. In most cases, I enjoyed the entire piece anyway, but even if I didn’t, diligence kept me on task. If I was going to thrill with the allegro, then I would muse with the adagio.

For several years now, though, my approach to music has been the aural equivalent of “eat dessert first.”  If I feel like listening only to the last movement of Mozart’s Jupiter Symphony, then that’s what I do.

Maybe it’s a matter of time, or lack thereof. Maybe I’m just giving in to a need for immediate gratification. I could also blame it on Washington’s classical radio station, which routinely cherrypicks the most notable movements of a concerto or symphony and seldom plays a piece in its entirety.

No doubt about it, listening to an entire work is a different experience, more ennobling, a journey rather than a destination. But these days I’m discovering the particular pleasures of listening to what I love best. In other words, to co-opt the catchphrase … Life is uncertain. Last movements first.

Counting the Carbs

Counting the Carbs

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Planning the Thanksgiving menu is not rocket science. You basically make every carb under the sun to go along with the turkey. Every year I have fantasies of roasted root vegetables or braised leeks — and every year I fall back to what I know.

Which is not to say I haven’t tinkered a bit with my mother’s menu. My brother upped the ante years ago when he took over the Thanksgiving meal. His turkey was brined, his broccoli was capered, and his homemade cream of mushroom soup was to die for.  And I have my own spins on the seasonal classics: a cranberry salad with cream cheese dollops, and herbed stuffing with walnuts and (this year) dried cherries.

But somehow, no matter what I prepare, the meal always ends up being one big mess of carbs. Tis the season, I guess!

Muted Palette

Muted Palette

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An early walk today amidst a muted palette of autumn color. The pink of the sunrise sky set off the glow of those leaves that still cling to their branches. The air was mild with a feeling of warmth and moisture. A flock of birds passed overhead.

We are heading for a monochromatic world, I know that. Already more limbs are bare than leafed. But it was hard not to revel in the beauty of the moment, not to get from it an optimism about things in general.

The kwanzan cherry tree, which was slower to change and has held its color longer than most, is finally shedding leaves at a frantic pace. But it’s all to prepare for next spring when it will send forth its big-fisted blossoms in a riot of pink.

Yes, there is winter to get through in the meantime. But today, or at least this morning, it was easy to forget about that.

Because Internet

Because Internet

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While at times I wanted to shake my fist at Gretchen McCulloch’s Because Internet, I lapped it up and took scads of notes on it. There will be others like it, maybe there already are, but to me it seems utterly original. To survey how the internet and social media affect the way we communicate is not only useful but necessary.

McCulloch approaches her vast subject with a linguist’s eye, and notices things I’ve noticed but didn’t know others paid attention to (I’m leaving that preposition hanging out there because I know McCulloch would approve). Things like how spellcheck and autocomplete cause writer’s block because they draw our attention to small details when we’re just trying to get the danged words out any way we can. And her observations on typographical tone of voice, which I’ll cover in a separate post.

Where I take exception is McCulloch’s quickness to condemn “book English” (my quotations, not hers) and the stodgy, class-laden thinking she believes goes with it. This makes me defensive, of course, not only because it threatens my profession (do we really need professional writers and editors if “idk, maybeeee we should taaaalk about it … lol” is perfectly acceptable?) but also because she seems to assume that writing well, with grace, is somehow false.

Writing well is not just a matter of following rules but also of breaking them — and breaking them to more brilliant effect when they’re not broken as often. Writing well is putting words together in a way that is fresh, original and utterly you (whoever you are). If striving for subject-verb agreement makes one stodgy … then I’m guilty as charged. In the meantime, though, I’ll be thinking about McCulloch’s points, and maybe loosening up just a tad because of them.

A Windfall

A Windfall

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The Fairfax County Library system has many benefits, chief among them the fact that I can order books online and pick them up at my branch — not a high-tech offering, I’ll admit, but a generous and handy one.

Of course, this means I usually have more books on my nightstand than I can possibly read and must stay on top of a wide array of due dates. It’s a task I’m more than happy to undertake given the pleasures it provides.

Usually I have a little slip plus an email reminder that tells me when the books are due. But this time the email failed to arrive, so I went online to check the due dates. And lo and behold, I found a brand-new catalog and extended deadlines — two weeks longer! — for the three volumes I have.

Though I know the extension is due to the new catalog, it feels more like an early holiday gift for those of us whose reading eyes are bigger than our stomachs. It’s positively a windfall — and I’ll enjoy every (extra) minute of it!

Foggy Memories

Foggy Memories

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A foggy dawn has given way to a partly cloudy — wait a minute, make that sunny — morning.  But my head is still in the clouds as I remember great fogs I have known.

There was a stretch of misty weather in Chicago long ago, unseasonable November warmth that steamed up the city’s windows for days. I walked from my house to the corner where I met my ride as if in a dream, passing stately homes and the distinctive domed church on Deming, pretending I was in Europe instead of the Midwest.

And then there were the pea soup fogs in Arkansas, so thick they made it impossible to drive the 25 minutes from Petit Jean Mountain to Morrilton. Since there were very few services on the mountain, a few days of fog created a desert-island feeling.

Finally, there were the fogs of my youth, which swirled around the big oaks in the Ware Farm behind our house, making those open fields look haunted and lonesome. The farm is filled with houses now, of course. But through the miracle of memory, the fogs and the fields are there for me whenever I want to see them.

Train Spotting

Train Spotting

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The windows of my new office overlook the main north-south railroad line in the eastern United States. So as I conduct interviews and write articles, I keep one eye peeled for the sights and sounds of a passing freight or passenger train.

Whether it’s the Virginia Railway Express commuter line (one just zoomed by!), the quicksilver flash of an Amtrak engine heading up the Northeast Corridor, or one of the lumbering freights that seem to go on forever, I find this new pastime more than a little distracting.

Usually, the work of the day creates a vortex on the other side of the glass, and there could be a circus train chugging by and I wouldn’t have time to ogle it. But early or late, when my eyes are prone to wander … do I ever have a lot to see!

On Looking

On Looking

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In her book On Looking: Eleven Walks with Expert Eyes, Alexandra Horowitz asks us to look at the world with the wonder of a child and the expertise of geologist, entomologist, illustrator or other professional observer.

Horowitz’s simple and elegant argument: that we cease to really see the world we inhabit because we become so accustomed to it. Through a series of strolls with those trained to see what we do not, Horowitz urges us to “look, look!”

In one of my favorites so far, she ambles with the typographer Paul Shaw. He points out the text on a manhole cover, ghost writing on the sides of buildings, and always and everywhere, the type itself: the thickness of a serif, the placement of a crossbar, and the humanistic qualities of the letters, a “long-legged” R and a”high-waisted” S. After a few hours of this, Horowitz realizes she “had been blithely walking by undiagnosed lettering disasters my whole life.”

But after her stroll with Shaw, she sees not just the words but the letters that compose them. “Walking back to the subway, I glanced down at my feet as I crossed the street. Look was painted on the sidewalk where I stood. I will — but I feel sure that now, my vision changed, the letters will find me.”

Standing their Ground

Standing their Ground

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At first I worried that something was wrong with the crepe myrtle trees. Their leaves shriveled quickly, as if caught so suddenly by the cold that they didn’t have time to turn, loosen and gently fall to earth.

Then I noticed other trees, other species, with the same condition. This isn’t a disease. This is the crazy Arctic air that’s come south to taunt us.

These trees were minding their own business, heading gently through the season. They were captured still green and growing, led into winter with handcuffs on. At least they put up a fight.

Because yes, it’s reasonable to accept the seasons in one’s climate, place and lifetime. But sometimes it’s necessary to say no, this won’t stand. To cling to what is ours.

Salvation in Place

Salvation in Place

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In his essay “Seven Days in a Sea Creature Town” in the November issue of The Sun, Poe Ballantine names periods of his writing life. There was the Diligent Typing Period, the Terrible Imitation of Southern Gothic Period and the Drunken Daydreaming Period.

By the time he was writing this essay, he was in his Geographical Salvation Period, which he defines as a belief, common among Americans, that “finding the right place to live  — someplace with a beautiful view, or nearby beaches, or casinos, or wonderful weather, or, in my case, an idyll straight out of a Normal Rockwell painting or pastoral boyhood story by Mark Twain — will solve the majority of your problems.”

Ah, I can relate. I had a “place thing” for a long time, probably still do, if you want to know the truth. One of the reasons I started this blog was to explore the concept of place in the suburbs, which can be covered fairly quickly if you listen to some folks.

One of the lessons I’ve learned here is that place is as place does. In walking we belong. And in belonging … we have place.