It had been a while since I sat in a concert hall. There was Wolftrap last summer, always fun, but open-air, even when you have seats. 

Last night was the whole experience: the Kennedy Center itself, the approach and the entry, picking up the tickets, walking down the long hall, and then, in the hall, the chandeliers above and instruments tuning below. There were the black ties and tails, a hush when the lights went down. 

And then, there was this young man with a clarinet, swaying with it, bending with it, reminding me of James Galway on the flute, that same elfin charm.

The clarinetist, Lin Ma, played the Mozart Clarinet Concerto as if he was born to do it, so softly in parts of the Adagio that I felt myself lean toward the stage in order to hear it better. When he finished, the audience leapt to their feet.

Last night’s concert was not only all Mozart; it was all late-vintage Mozart, every piece written in 1791, the last year of the composer’s short life. And it ended with this: bliss.