Truth and its Consequences
The Nobel Prize-winning author Gunter Grass died in Germany on April 13. His obituaries note the profundity of his novels as well as the shameful secret he carried into his late seventies: that Grass, the moralist who scolded Germany for its Nazi past, was himself a member of the SS.
Years ago I read The Tin Drum, which hardly makes me an expert on the author or his work. I write this post only to mention a comment (quoted below) that I read in his Washington Post obituary — that whether you praise or condemn Gunter Grass, his secret past may well have been what inspired his art.
“If Grass had not been living with this wretched little skeleton in his closet, he might never have written a word,” journalist Nathan Thornburgh wrote in Time magazine in 2006. “Instead a haunted Grass cranked out a series of brutal novels about the war [that] helped his entire country stave off collective amnesia for decades.”
Such is the power of art to wound, to salve, to ignite, to free.