Before a Storm

Before a Storm

Yesterday Copper and I stepped out before a storm. He’s become an anxious little guy these days, clamoring for company when he senses bad weather. But I thought we could make it out and back before the rain fell.

Once on the leash he pranced and pulled. As usual I made sure he had no contact with passersby. And as usual he seemed oblivious to my presence.

But once we reached Fox Mill Road and turned back for the walk home, the air had taken on that super-charged feel it has when lightning is present. The sky was dark and clouds piled up in the west. I began to wonder if we could make it home in time.

We picked up our pace, I encouraged Copper with lots of “good boys” and “let’s get home” — and eventually (in what seemed like an eternity) we made it home.

I’d like to say we dashed in just before the big drops hit the pavement. But that wasn’t the way it worked. The storm blew over. Our mad dash was for naught.

The Accidental Calligrapher

The Accidental Calligrapher

For the last couple of evenings I’ve been learning how to write. Yeah, I know. I’m supposed to be a writer already. But I have been learning to write, to form letters slowly and carefully, and it’s been alternately painful and exhilarating.

Through a series of events too long and complicated to explain I’ve been trying my hand at  calligraphy. At first I used a regular gel pen. Not good! Next an inexpensive ink-cartridge calligraphy pen I picked up at an office supply store. Better.

I’m not about to take up a new hobby, but I’ve been amazed at what a meditative process it is, especially for someone who makes a living from words. That I’m being forced to think about every stroke, every ascender and descender, the width and height and heft of each letter — is, in a strange sort of way, liberating.

It’s bringing me back to first principles. To the letters that form the words that carry the thoughts. It’s a cleansing of the mental palate, a reminder of how excruciating and precious each letter can be.

(Art: Modern Western Calligraphy, Denis Brown, 2006, courtesy Wikipedia)

Touch-Up

Touch-Up

In the last couple of weeks I’ve been scraping, sanding and painting the deck furniture. It’s not fun, but it can take on a Zen-like rhythm after a while. Especially the painting. Brush in hand, heat building on a June morning, air buzzing with insect sounds, a lone frog in the background.

I wield the brush as lightly as possible in rubber-gloved hand. The first coat is thick, too thick. The second coat is semi-gloss — ah, much smoother — and shinier, too.

And it was the semi-gloss that I used yesterday to do the touch-ups. Which is, I have to say, my favorite part of the endeavor: inspecting, looking at the whole, spotting the little places that can be improved, and … improving them.

Maybe it’s satisfying because it’s a chance so seldom afforded us in life — this ability to go back and tweak ever-so-slightly the choices we made — just enough to make a difference.

Park Within a Park

Park Within a Park

The Washington and Old Dominion Trail (W&OD) is a walker’s delight, a long skinny ribbon of asphalt through the D.C. ‘burbs. Its dimensions tell the tale: 45 miles long and 100 feet across!

“Share the trail” is the motto and the practice, and of course it is a good one. But the best way I’ve found to share the trail is to get off of it. My surface of choice is not the paved path but the horse trail that runs along beside it.

With a surface of cinders or dirt it’s easier on the joints. And it puts you even closer to the vegetation, to the sights and smells that are so vivid in high summer.

Most importantly it’s away from zooming cyclists, whose “passing on the left” grow a little old after the forty-fifth iteration.

Sometimes the horse trail runs right alongside the paved path and other times it meanders higher or lower. When there’s a bridge over a highway it doesn’t always take it.

The horse trail, in other words, has a mind of its own. It’s a placid alternative, a park within a park.

Brahmsian Coda

Brahmsian Coda

The skies were stormy and the air was leaden, but the legs needed to be moving and the W&OD was right there. So on the way home from work yesterday I slipped off my jacket and necklace, laced up my running shoes and took to the trail.

The music was beside the point when I started. I knew that movement alone would work its magic. So I let my little iPod do its own thing. And what it did was play Brahms.

He’s my man, of course, but I don’t turn to him like I used to. He is a bit, well, heavy. And you have to be in the mood for him. But I was, and he delivered.

It was the last movement of the First Symphony, which my high school youth orchestra played the year I joined. Brahms is not easy, especially when you’ve only just taken up the string bass. My stand partner wrote “a la fakando” beside the notes of one especially difficult run. Let’s just say I did little for that piece but provide a low hum.

But being part of an orchestra that could play such music was enough to explode my adolescent brain. And now, when I listen to Brahms, those early memories of music-making create a powerful listening experience. I was lucky that the final moments of listening happened in the car, after the walk was over. There I could air conduct to my heart’s content.

It was a very good walk, with a perfectly Brahmsian coda.

Rain and Memory

Rain and Memory

Thunderstorms belong to the afternoon. The buildup of heat and humidity, the pressure and then the release.

This morning was an anomaly. Cracks of thunder before 6 a.m. Copper pawing at the door, wanting to get to his safe spot in the basement. Driving to the bus in a downpour and seeking high ground to park the car.

Here’s where local memory comes in handy. The lot I use now was once flooded, cars submerged. Unsuspecting commuters had done just what I did today, raced up and parked and caught the bus. But on that day storm drains were clogged and rain fell several inches an hour.

When I pulled in this morning I noticed another driver who’d done the same — bypassed the closer, lower spots. I guess he remembers, too.

Strawberry Moon

Strawberry Moon

I’m late writing about the moon that graced our solstice, the moon that woke me this morning with its light so late it was early. But it was still there at dawn when I went out to walk, the day already fully present but the orb still high in the sky. And it will be there, though not quite as full, tonight.

The solstice has passed, but the days are still long, the summer still gathering speed. When I went out to spray the flowers night before last, I spied the first firefly.

Good that it came the same night as the strawberry moon, the same day as the latest shadows.

Good to know there’s still plenty of summer ahead.

(Photo: Everpedia.com)

Metrovoidance!

Metrovoidance!

On a week when I originally thought I’d be riding the train again I’m back on the bus. A closer reading of Metro’s scheduled shut-downs and closures showed that I’d be unable to make a connection I need to make to reach the office.

The bus isn’t a bad option; in fact, it’s better in many ways. But the schedule is limiting and it makes for quite a scramble in the morning. No more bucolic drives to Vienna via Vale and Hunter Mill Roads.  No more give in the day. It’s regimented from beginning to end.

But the change does one very big thing: It keeps me off Metro. And around here, that’s the new name of the game.

The general manager recently pleaded with riders of three affected lines to find alternative transportation. The patchwork system of shuttle buses could only support 30 percent of the usual daily riders, he said. According to yesterday’s reports, that’s about what happened. Seventy percent of the people who usually ride those trains found other ways to work or telework.

So Metro has become a public transit system without a public. And my commute, like so many other people’s, is all about Metrovoidance!

(Metro during the “Safe Track” program: They don’t keep those lights low for nothing!)

Profusion, Variety

Profusion, Variety

Walks these last few weeks have taken me past banks of honeysuckle and riots of knockout roses. Along the roadside are stands of chickory with these little pink flowers that I pull up when I find in the garden but which look fetching in combination.

Beside the footpaths are Queen Anne’s Lace, daisies, buttercups, pink wild beans and swamp milkweeds (had to look up those latter two). Everywhere I look, a riot of blossom and green.

Nature’s combinations are infinitely more stunning and artless that anything a florist shop could produce. It is the original beauty, the beauty of nature, which lies not just in profusion but in variety, and in a variety of profusion.

It lies in the palette of colors — the yellows, violets, pinks and mauves. It lies in breadth of textures, from smooth to fuzzy. It lies in alternating heights and shapes and sizes.

It is all the little things that add up to the whole. Each detail essential to the main.

On Father’s Day

On Father’s Day

Dad was not a stern father. He was not a slippers-and-paper father, either. He was relaxed and easy in his skin, most decidedly himself in every way.

For me, he became most fully a father when I was an adult. Our closeness blossomed later in life, after his first heart attack. I think of all the years his bypass surgery gave us. More than two decades made possible by that operation and others that came later.

Dad seldom complained about the indignities of old age. Sometimes he’d make a joke about them, like the time he was entering the hospital for one of said surgeries and he pushed the revolving door all the way around to the outside again and kept marching away, a grin on his face.

But he went back, of course, did what he was supposed to do, and cheerfully. He always found a way to keep going, and to keep laughing. So I know that’s what he’d want us to do, too.

Today, though, I can get a little sentimental. I don’t think he’d mind.

(Dad in 2011, photographed in front of his childhood home.)