Thanksgiving

Thanksgiving

It’s a harvest holiday, of course, planned for a time of bounty. But it arrives during a season of stripping down, of bare trees and chastened skies. The hills yesterday on our drive through the mountains, they are purple in the distance, no longer green or orange.

When all else is peeled away there is the essential, gratitude.  Thanksgiving — what one does too often in between times.

When Fog Obscures

When Fog Obscures

Today is winsome and gray. 
Our backyard is covered with leaves, and they soften the landscape, too.
Early autumn is a time of sharp contrasts as the sun drops lower in the sky. But as
the season deepens and the weather changes, I take comfort in a blurring of
vision.
I remember a week of warm, foggy days one
November when I lived in Chicago. This was before global warming. November was
winter in the Windy City (maybe it still is). We’d already had some cold nights
that year and the warmth was a gift, a gift that I think Chicagoans
appreciate more than most, so steeled are they to shiver five months a year.
In those days I had no car, and I met my ride to work by taking a bus down Clark Street and walking a few
blocks to our meeting place. I remember strolling down Deming and Wrightwood
and other streets in the neighborhood where I’d eventually (and now could not
afford to) live, the fog revealing only tantalizing bits of homes and stores
and churches. I imagined I was ambling through some Cotswold village. (What can I say? I was an English major.)
The point is this: When fog obscures, imagination endures. It’s a pleasant trade.
Worn Smooth

Worn Smooth

“I loved the place I was losing, the place that years of our lives had worn smooth.” 

Wallace Stegner

On a walk yesterday, I imagined how I would feel if we were leaving the suburbs I’ve railed against for years. Would I slip off the yoke of commuting and slide easily into city life?  Or would I long for what I no longer had, for morning walks through the meadow, afternoon ambles in the woods; for a pond that reflects the heavens back to us.

We have not worn our lives smooth. Suburban living exhausts because it demands daily compromise; it is not easily knowable. It changes enough to thwart routine.

What wears smooth is the woodland path, the trickling stream, the natural world that the suburbs  cannot quite eradicate.

Before the Walk

Before the Walk

Before the walk comes the poem, a verse or two to take along the path.

I see more clearly with downcast eyes, pondering a private line.

Words tilt the sky, straighten the trunk, unmask the liquid

line of the horizon.

There is still much more unnoticed than revealed.

Autumn Labor

Autumn Labor

The motion is hypnotic, timeless. An outstretched arm, the curve of a rake’s end the arm’s extension, reaching forward to gather what has fallen.

As I work my heart stills. There is progress, measured in leaves corraled, bags stuffed, sticks broken and tied.

My eyes look up to a swirl in the sky.

I’m not the only busy one.

A niggling wind has frisked the Kwanzan cherry and now, on the green grass, lies a pile of gold.
 

Walker Eats Words

Walker Eats Words

I walk daylight paths and share (mostly sunny) thoughts, but I walk because I want to, not because I have to. Most of the time there is a car at my disposal. Most of the time, but not last night.

It was a long day with a complicated automotive choreography involving three people and two cars. I was driving one vehicle in the morning and another in the afternoon. It was dark when I stepped off the commuter bus, and I had car keys in hand, ready to slide into the seat and drive home. But I couldn’t find the car; I walked up and down the lot, looking in vain for the distinctive luggage rack of our sedan.

I would have called and asked for guidance but I had no phone and the pay phone was out of order, probably has been for several years. Never mind, I told myself. There must have been some confusion. I’ll just walk home.

Walking home from that distance wouldn’t be daunting in the daylight, but it was at night. I found myself tripping on cracked pavement and dodging cars, even when I crossed with the lights. It took me 45 cold unpleasant minutes in my dark coat and too-tight work shoes. The only thing I could think about was how much I wanted to be home.

I hadn’t been in the house more than five minutes when Tom and Celia walked in. The car was in the lot (sans luggage rack); I had just missed it.

What I hadn’t missed was this: It’s easy to rhapsodize about walking when you don’t have to walk.

Pushing Send

Pushing Send

No longer the search for the envelope, the stamps, to say nothing of the white-out and carbon paper that preceded them. No longer the rush to the post office to make the last pick-up of the evening.

Now, instead, it’s the multiple save, the last-minute printer malfunction, the inexplicable garbling of text or omission of “o’s” in the preview document.

Now, at the last possible minute of the second-to-last possible day, it’s wondering whether the document should have been saved as a PDF after all.

But finally, after the problems are solved, the tempers calmed, the signatures checked and the credit card number encoded, it’s time to push “Send.”

Miracle of miracles, the Common App is on its way.

Music as Place

Music as Place

I bought the tickets months ago in a fit of concert-going induced by pleasant outdoor evenings at Wolf Trap last summer. But by the time Saturday night rolled around I was wondering why we were going to hear the group Chicago. A concert for me usually means a symphony orchestra. What was I thinking of?

The opening band, Kansas, didn’t do much to dispel the fears. Yes, they played “Dust in the Wind,” but their other songs were more cacophonous than I remember. By the time I was ready to slip in the ear plugs, though, the opening set was over and Chicago was on stage. The volume went down and the energy level went up. Here was the soaring trumpet in “Does Anybody Really Know What Time It Is?” and the driving keyboards in “Saturday in the Park.”

And even though I’m a classical music nerd, I still knew every song. More to the point, every song took me back to a me I hadn’t been in years; to sweaty high school slow dances and college parties in the top floor “rack rooms” of gritty fraternity houses.

It was enough to make me believe that the past isn’t really over after all, that it lives within us and can be sparked to life by a brass chord, a guitar riff, a voice. That music is a place, after all, and a visit there can make us feel young again.

Photo: Wikipedia

Graceful Exit

Graceful Exit

The pin oaks of my youth were all over Lexington, but where I remember them most is along Chinoe Road (that’s SHIN O WAY).  They rustled their dry leaves in front of some of the more desirable real estate in town.

Long after the leaves of other trees had flamed up, dropped off and blown away, the pin oaks hung onto their poor brown specimens. Pin oak leaves had not mastered the art of the graceful exit. Even with snow on the ground, they clung to their branches. They reminded me of old women with overly made up faces; like them, they did not know when to quit.

Walking past a grove of pin oaks the other day brought these memories to mind, how I had always disliked the tree, found it ugly and lacking in grace.

But this year the pin oak has company. This year many leaves fell during the hurricane, and some trees are nearly bare, but certainly not all. At least a third are half-leaved. It’s as if they’ve forgotten what to do next.

Pin oaks don’t provoke me as they used to.  Perhaps it’s because I’m older (though not overly made up!) and see the wisdom of clinging to what nature has given us until nature, in its wisdom, takes it away.

Late Rose

Late Rose

Frost has nipped the begonias, colored the maples, brought a dignified end to the tomato and basil plants. But it has not yet conquered the knockout roses in our front yard.

They have continued to bloom red and pink, their colors out of place with subtle autumn russets and gold, their freshness unexpected and sublime.

To see them still waving in the breeze is to believe that all will be well, that winter will pass and spring will come again.